Cucchi Enzo (471 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Condition: good. Cucchi, Enzo (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Wrappers. Condition: Fine. First Edition. Stiff black wrappers with flaps, (11.75 x 8.75 inches). German text. 74 pages; illustrated. A clean, tight copy.

256 pp.; 30.4 x 23.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 9, 1985 - January 5, 1986. Curated by John R. Lane and John Caldwell. Edited by Saskia Bos and John R. Lane. Texts by Rudi H. Fuchs, Jannis Kounellis, Germano Celant, Per Kirkeby, Johannes Gachnang, Bazon Brock, Achille Bonito Oliva, Nicholas Serota, Benjamin H.D. Buchloh, Hal Foster, Donald B. Kuspit, Mark Rosenthal, Peter Schjeldahl, Thomas McEvilley, and Hilton Kramer. Artists include Jannis Kounellis, Per Kirkeby, John Ahearn, John Baldessari, Georg Baselitz, Dara Birnbaum, Jonathan Borofsky, Scott Burton, Francesco Clemente, Enzo Cucchi, Richard Deacon, Jan Dibbets, Jirí Georg Dokoupil, Luciano Fabro, Eric Fischl, Barry Flanagan, Lucian Freud, Gilbert & George, Howard Hodgkin, Jenny Holzer, Jörg Immendorff, Neil Jenney, Bill Jensen, Ellsworth Kelly, Anselm Kiefer, Sol LeWitt, Robert Longo, Markus Lüpertz, Robert Mangold, Brice Marden, Malcolm Morley, Bruce Nauman, Sigmar Polke, Gerhard Richter, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Cindy Sherman, Frank Stella, and Bill Woodrow. Includes exhibition histories and bibliography. Goood / Very Good. Rubbing of covers and cover edges with 1.4 cm. dog-ear to bottom right corner of recto and 9 mm. dog-ear to top right corner of recto. Contents clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.

Hardcover without dustjacket as issued, 48 pages, in English and Japanese; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condition: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

No Binding. Condition: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

No Binding. Condition: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

First Edition. First edition. Softcover. 207 pages. Features text by Diane Waldman. Includes numerous color and black and white illustrations, list of previous exhibitions, bibliography, and a checklist. A clean very near fine copy in wrappers.

Paperback. Condition: Very good. Paperback. 1500cc. Light rubbing, else very good in publisher's wraps. Text in English and French.

Paperback. Condition: Very Good. Text in German and English with occasional Italian captions. The binding is tight, corners sharp. Minor shelf wear to binding. Published in tandem with the exhibition of the same name at the Suermont-Ludwig-Museum, Aachen Germany, in 1997.

[Stuttgart] : Ed. Cantz Zeitliche Einordnung Erscheinungsdatum: 1992 Umfang/Format 120 S. : überwiegend Ill. ; 29 cm ISBN/Einband/Preis 978-3-89322-396-1 Pp. 3-89322-396-7 Pp. Anmerkungen Bibliogr. S. 114 - 115 Enzo Cucchi hat seinen Ausstellungen immer wieder eine auf den Ort und auf ein Thema bezogene eigene Gestalt gegeben, so daß sie selbst als Werk (als Werk aus Werken) erschienen. Auch diese Hamburger Ausstellung ist, obwohl aus Zeichnungen -und Gemälden bestehend, die man diesem Genre gewöhnlich nicht zurechnet, als eine Installation zu verstehen. Kaum hatte er den Kuppelsaal betreten, den er bis dahin nur aus Plänen kannte, beherrschte ihn die Vorstellung, der Pantheon-Charakter müsse durch vier Bild-ğPfeilerĞ - aufgegriffen und um einer inszenatorischen Grundstruktur der Ausstellung willen modifiziert werden. Im Mittelpunkt stehen Zeichnungen aus sechzehn Jahren, Zeichnungen, die für Enzo Cucchi den Kern seines Werks bilden. Er hat sie einmal mit der memoria in Verbindung gebracht, der Erinnerung an frühe Wesen, Formen, Mythen. Diese in den Zeichnungen lebhaft werdende Erinnerung stößt unablässig an akute Abgründe der Existenz - wie bei jenen Künstlern, welche dem in Rom lebenden Cucchi aus dem Norden, von fern her, mal insgeheim und mal offen zusprechen: Edvard Munch, Victor Hugo, Odilon Redon, Alfred Kubin. Sie sind es auch, die mit ihm den Alptraum und die Vision gemeinsam haben. Die durchgehend schwarzweiße Wiedergabe der Zeichnungen Cucchis in zahlreichen Publikationen scheint mittlerweile einen düster-grauen Schleier übers Werk gelegt zu haben. Mit unserer Ausstellung und mit den farbigen Wiedergaben der Werke in diesem Katalog wollen wir einen neuen Blick aufdie Sprache des Zeichen- und des Zeichnungsmaterials bei Cucchi lenken. Danken möchten wir den Leihgebern für ihr großzügiges Entgegenkommen. Mit rasch freundschaftlicher Zuneigung hat Enzo Cucchi unser Vorhaben unterstützt, neueste Werke zur Premiere nach Hamburg gegeben und uns die typographische Fassung eines neuen Textes zum Abdruck überlassen, der ebenfalls als Werk betrachtet werden will. Ihm, dem Erfinder von Bildern, der sich ihrer Traditionen stets bewußt ist, gilt unser besonders herzlicher Dank. Uwe M. Schneede gutes Exemplar, ordentlich, * Verlag: Ausstellung Enzo Cucchi, Roma (1992 : Hamburg) (Herausgebendes Organ) Hamburger Kunsthalle (Herausgebendes Organ) * Bindung: gebundene Ausgabe,

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New. NEW, shipped from the UK within 1 working day.

Soft cover. Condition: Good. Clean solid copy. Modest to heavy shelfwear in parts. Front cover has a large corner crease with a some loss. Lots of illustrations.****.

First Edition. First edition. Softcover. 89 pages. Texts by Cucchi collected by Mario Diacono in English and Italian. Includes numerous tipped in plates. A clean near fine copy in wrappers with a near fine tissue over jacket that has a few small tears. A nicely printed book.

Softcover. Condition: Sehr gut. Ohne Schutzumschlag. 1. Auflage. 76 pages with many b/w-illustrations.

paperback. Condition: Very Good. Unmarked interior. Minor cover-wear. Oversized paperback. (1HDL).

Softcover, unpaginated; in German; good condition, ex-museum library copy with abrasion to bottom of spine from partially removed sticker; black marker marks on inside front cover and another page; no other internal marks. As is; reference copy. Foreign shipping may be extra.

Paperback. Very light grey wraps with black lettering; glassine DJ; 89 pp with mounted plates; several tipped-in plates. Includes parallel English/Italian text. VG/G (may have ex-museum markings w/ taped ID to lower front wrap edge; barcode to back & bookplate to front pastedown. wraps show mild shelfwear at corners and edges.pages are clean and clear. dustjacket scuffed & scratched; chips & tears to edges; may have missing portions at edges, but remains intact).

Paperback. Glossy color-illustrated wraps with black lettering. Unpaginated. Color and BW illustrations. Text in English, Italian, and Hebrew. VG- light corner and edge wear.

Softcover, 96 pages; in French; good condition; 1-inch tears to top and bottom of spine; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft Cover. Condition: Very Good. This is a very good softcover copy with just light cover wear. a few stray tiny spots to the covers, otherwise completely clean inside and out. Text in English and German. Statement by the artist. 19 sets of etchings illustrated with technical details of the edition + information on 2 bound in etchings for periodicals. Illustrated in color and black & white. One fold-out. 11" high X 7" wide. This book will be securely packed and shipped with tracking.

Paperback. Condition: NEW. 1st. 57 pages, colour illustrations; 28 cm. Edition of 1000 copies. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** A major New York exhibition of the Italian Neo-Expressionist painter. *** "Born in 1949, Cucchi first achieved prominence, together with Clemente and Chia, as a member of the Transavntgardia art movement in the 1970s. His work has since been exhibited at major international museums like the Guggenheim and The Centre Pompidou. This book, published as the catalog to his show at the Tony Shafrazi Gallery in New York, presents his recent fresco paintings. The landscape of Cucchi's native Naples is made evident in these striking pictures. Throughout these deceptively simple works are motifs of skulls and disembodied, almost heavenly eyes." - Publisher. *** Enzo Cucchi: Simm' Nervusi = Enzo Cucchi: We're Nervous. Size: 4to. Collectible.

Trade Paperback. Condition: Fine. A clean, unmarked book with a tight binding. 90 pages. 8 1/4"w x 11"h. Text in English and Italian. Keywords: Italian painter, Transavanguardia Movement, Neo-Expressionist, Centro Arti Visive Pescheria, Marche Region, Adriatic.