Craske Matthew (184 results)

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  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)

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    Paperback. Condition: Good. Hogarth's pugnaciously xenophobic 'Gates of Calais', Giambattista Tiepolo's grandiose murals at Wurzburg, Goya's satirical engravings, Los Caprichos, and Canova's chastely classical sculptures could hardly be more different but all are aspects of the same period. In an era of unprecedented change - rapid urbanization, economic growth, political revolution - artists were in the business of finding new ways of making art, new ways of selling art, and new ways of talking about art. Matthew Craske creates a totally new and vivid picture of eighteenth- and early nineteenth-century art in Europe, taking a critical view of such conventional categorizations as the 'Rococo', the 'Neo-Classical', and the 'Romantic'. He engages with crucial thematic issues such as changes in 'taste' and 'manners' and the impact of enlightenment notions of progress, and at the same time goes well beyond the usual geographical limits of surveys to take in St Petersburg, Copenhagen, Warsaw, and Madrid. The result is a refreshingly holistic survey which sets the art of the period firmly in its social history.…

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)

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    Paperback. Condition: Fair. Hogarth's pugnaciously xenophobic 'Gates of Calais', Giambattista Tiepolo's grandiose murals at Wurzburg, Goya's satirical engravings, Los Caprichos, and Canova's chastely classical sculptures could hardly be more different but all are aspects of the same period. In an era of unprecedented change - rapid urbanization, economic growth, political revolution - artists were in the business of finding new ways of making art, new ways of selling art, and new ways of talking about art. Matthew Craske creates a totally new and vivid picture of eighteenth- and early nineteenth-century art in Europe, taking a critical view of such conventional categorizations as the 'Rococo', the 'Neo-Classical', and the 'Romantic'. He engages with crucial thematic issues such as changes in 'taste' and 'manners' and the impact of enlightenment notions of progress, and at the same time goes well beyond the usual geographical limits of surveys to take in St Petersburg, Copenhagen, Warsaw, and Madrid. The result is a refreshingly holistic survey which sets the art of the period firmly in its social history.…

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

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    Condition: good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

  • Language: English

    Published by Oxford University Press (edition First Edition), 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover
    • First Edition

    Seller: BooksRun, Philadelphia, PA, U.S.A.BooksRun

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    Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: Wonder Book, Frederick, MD, U.S.A.Wonder Book

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    Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

  • Language: English

    Published by Oxford University Press, Incorporated, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books

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    Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

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    paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

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    Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: ThriftBooks-Reno, Reno, NV, U.S.A.ThriftBooks-Reno

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    Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

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    Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

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    Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas

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    Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: Austin Goodwill 1101, Austin, TX, U.S.A.Austin Goodwill 1101

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    Condition: good. Book shows general signs of use and handling. May have light wear on the cover or edges and minimal writing or highlighting. Binding remains tight, and pages are clean and readable.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc

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    Paperback. Condition: Fair. Hogarth's pugnaciously xenophobic 'Gates of Calais', Giambattista Tiepolo's grandiose murals at Wurzburg, Goya's satirical engravings, Los Caprichos, and Canova's chastely classical sculptures could hardly be more different but all are aspects of the same period. In an era of unprecedented change - rapid urbanization, economic growth, political revolution - artists were in the business of finding new ways of making art, new ways of selling art, and new ways of talking about art. Matthew Craske creates a totally new and vivid picture of eighteenth- and early nineteenth-century art in Europe, taking a critical view of such conventional categorizations as the 'Rococo', the 'Neo-Classical', and the 'Romantic'. He engages with crucial thematic issues such as changes in 'taste' and 'manners' and the impact of enlightenment notions of progress, and at the same time goes well beyond the usual geographical limits of surveys to take in St Petersburg, Copenhagen, Warsaw, and Madrid. The result is a refreshingly holistic survey which sets the art of the period firmly in its social history.…

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc

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    Paperback. Condition: Good. Hogarth's pugnaciously xenophobic 'Gates of Calais', Giambattista Tiepolo's grandiose murals at Wurzburg, Goya's satirical engravings, Los Caprichos, and Canova's chastely classical sculptures could hardly be more different but all are aspects of the same period. In an era of unprecedented change - rapid urbanization, economic growth, political revolution - artists were in the business of finding new ways of making art, new ways of selling art, and new ways of talking about art. Matthew Craske creates a totally new and vivid picture of eighteenth- and early nineteenth-century art in Europe, taking a critical view of such conventional categorizations as the 'Rococo', the 'Neo-Classical', and the 'Romantic'. He engages with crucial thematic issues such as changes in 'taste' and 'manners' and the impact of enlightenment notions of progress, and at the same time goes well beyond the usual geographical limits of surveys to take in St Petersburg, Copenhagen, Warsaw, and Madrid. The result is a refreshingly holistic survey which sets the art of the period firmly in its social history.…

  • Language: English

    Published by Tate Publishing 29/02/2000, 2000

    1854373323 / 9781854373328

    • Softcover

    Seller: AwesomeBooks, Wallingford, United KingdomAwesomeBooks

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    Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

  • Language: English

    Published by Oxford Paperbacks, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: AwesomeBooks, Wallingford, United KingdomAwesomeBooks

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    Paperback. Condition: Very Good. Art in Europe 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth (Oxford History of Art) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

  • Language: English

    Published by Princeton University Press, 2000

    0691070679 / 9780691070674

    • Softcover

    Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)

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    Paperback. Condition: Very Good. This fresh and engaging perspective of William Hogarth (1697-1764) reveals him as a figure who reinvented the very idea of what it is to be an artist. Hogarth was the first artist to make his living as a humorist, brilliantly inventing a means of reproducing a wit for wide public consumption. He adapted literary satire as a graphic art form and invented the serial print. In his portraits, his representation of human character and its passions broke new ground, as did his depiction of disease and its effects on the body. His sympathy with the human predicament and natural tendency for philanthropy also surfaced in his art. Taking a thematic approach to this quintessentially British artist, Matthew Craske introduces the reader to Hogarth's varied artistic production, including his series, engravings, portraits, and such major paintings as A Rake's Progress. He brings to life an artist who produced works aimed at fostering self-improvement--works in which vice can ruin the aristocrat as swiftly as the harlot--but also works of great humor. We meet an artist emblematic of his day and time but also utterly innovative and long-sighted.…

  • Language: English

    Published by Princeton University Press, 2000

    0691070679 / 9780691070674

    • Softcover

    Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)

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    Paperback. Condition: Good. This fresh and engaging perspective of William Hogarth (1697-1764) reveals him as a figure who reinvented the very idea of what it is to be an artist. Hogarth was the first artist to make his living as a humorist, brilliantly inventing a means of reproducing a wit for wide public consumption. He adapted literary satire as a graphic art form and invented the serial print. In his portraits, his representation of human character and its passions broke new ground, as did his depiction of disease and its effects on the body. His sympathy with the human predicament and natural tendency for philanthropy also surfaced in his art. Taking a thematic approach to this quintessentially British artist, Matthew Craske introduces the reader to Hogarth's varied artistic production, including his series, engravings, portraits, and such major paintings as A Rake's Progress. He brings to life an artist who produced works aimed at fostering self-improvement--works in which vice can ruin the aristocrat as swiftly as the harlot--but also works of great humor. We meet an artist emblematic of his day and time but also utterly innovative and long-sighted.…

  • Language: English

    Published by Princeton University Press, 2000

    0691070679 / 9780691070674

    • Softcover

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    paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: HPB-Diamond, Dallas, TX, U.S.A.HPB-Diamond

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    Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Princeton University Press, 2000

    0691070679 / 9780691070674

    • Softcover

    Seller: David's Books, ypsilanti, MI, U.S.A.David's Books

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    Paperback. Condition: Very Good-.

  • Language: English

    Published by Princeton University Press, 2000

    0691070679 / 9780691070674

    • Softcover

    Seller: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc

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    Paperback. Condition: Very Good. This fresh and engaging perspective of William Hogarth (1697-1764) reveals him as a figure who reinvented the very idea of what it is to be an artist. Hogarth was the first artist to make his living as a humorist, brilliantly inventing a means of reproducing a wit for wide public consumption. He adapted literary satire as a graphic art form and invented the serial print. In his portraits, his representation of human character and its passions broke new ground, as did his depiction of disease and its effects on the body. His sympathy with the human predicament and natural tendency for philanthropy also surfaced in his art. Taking a thematic approach to this quintessentially British artist, Matthew Craske introduces the reader to Hogarth's varied artistic production, including his series, engravings, portraits, and such major paintings as A Rake's Progress. He brings to life an artist who produced works aimed at fostering self-improvement--works in which vice can ruin the aristocrat as swiftly as the harlot--but also works of great humor. We meet an artist emblematic of his day and time but also utterly innovative and long-sighted.…

  • Language: English

    Published by Princeton University Press, 2000

    0691070679 / 9780691070674

    • Softcover

    Seller: World of Books Inc, Montgomery, IL, U.S.A.World of Books Inc

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    Paperback. Condition: Good. This fresh and engaging perspective of William Hogarth (1697-1764) reveals him as a figure who reinvented the very idea of what it is to be an artist. Hogarth was the first artist to make his living as a humorist, brilliantly inventing a means of reproducing a wit for wide public consumption. He adapted literary satire as a graphic art form and invented the serial print. In his portraits, his representation of human character and its passions broke new ground, as did his depiction of disease and its effects on the body. His sympathy with the human predicament and natural tendency for philanthropy also surfaced in his art. Taking a thematic approach to this quintessentially British artist, Matthew Craske introduces the reader to Hogarth's varied artistic production, including his series, engravings, portraits, and such major paintings as A Rake's Progress. He brings to life an artist who produced works aimed at fostering self-improvement--works in which vice can ruin the aristocrat as swiftly as the harlot--but also works of great humor. We meet an artist emblematic of his day and time but also utterly innovative and long-sighted.…

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks

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    Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Language: English

    Published by Princeton University Press November 2000, 2000

    0691070679 / 9780691070674

    • Softcover

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  • Language: English

    Published by Oxford Paperbacks, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

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    paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

  • Language: English

    Published by Oxford University Press, 1997

    0192842064 / 9780192842060

    Series: Book 2 of 37 - Oxford History of Art

    • Softcover

    Seller: HPB-Red, Dallas, TX, U.S.A.HPB-Red

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    paperback. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

  • Language: English

    Published by Princeton University Press, 2000

    0691070679 / 9780691070674

    • Softcover

    Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books

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    Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Language: English

    Published by Tate Publishing, Limited, 2008

    1854373323 / 9781854373328

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    Seller: Better World Books Ltd, Dunfermline, United KingdomBetter World Books Ltd

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    Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.