Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press 8/1/2017, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Paperback or Softback. Condition: New. Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking. Book.
Language: English
Published by MH - Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press, US, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Paperback. Condition: New. Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press, US, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Paperback. Condition: New. Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by MH - Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Language: English
Published by Indiana University Press 9/6/2016, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Hardback or Cased Book. Condition: New. Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking. Book.
Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
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Paperback. Condition: Brand New. reprint edition. 304 pages. 8.50x6.00x0.75 inches. In Stock.
Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Series: Musical Meaning & Interpretation. Num Pages: 304 pages, 14 b&w illus., 10 music exx., 7 tables. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 166 x 241 x 23. Weight in Grams: 604. . 2016. hardcover. . . . .
Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. Series: Musical Meaning & Interpretation. Num Pages: 304 pages, 14 b&w illus., 10 music exx., 7 tables. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 166 x 241 x 23. Weight in Grams: 604. . 2016. hardcover. . . . . Books ship from the US and Ireland.
Language: English
Published by Indiana University Press, US, 2017
ISBN 10: 0253032318 ISBN 13: 9780253032317
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
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Hardcover. Condition: Brand New. 288 pages. 10.00x7.00x0.75 inches. In Stock.