Coulon C A (20 results)

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New.

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

PF. Condition: New.

soft cover. Condition: very good. first edition. In-8° broché, paginé de 145 à 192 - Articles originaux : Pierres à légendes du Pas-de-Calais. - Les fées s'opposent au transport du polissoir de Cerilly. - Les Pierres à Légendes du département de l'Yonne. - Les Monuments mégalithiques et Pierres à légendes du département de Meurthe-et-Moselle. - Le Folklore préhistorique dans le sud du département de la Marne. - Le Folklore préhistorique du Gard. - Un dolmen au pays de Monbéliard. - Le Folklore préhistorique dans la Marne. - La brèche de Roland. - Le pèlerinage d'Orcival. Le culte phallique et les mégalithes d'Auvergne. - Le Folklore préhistorique du Berry d'après Georges Sand.…

Condition: OTTIMO USATO. Vie ITALIANO IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Il giovane medico Andrà lascia la città e i dolorosi ricordi della guerra per Le Fontane, un paesino immerso in una natura selvaggia, sovrastato dalla mole rocciosa delle Tre-Fauci. Un luogo senza tempo che agli occhi di quell'uomo rappresenta la possibilità di una seconda vita. Inizia cosà un'epopea famigliare che à anche romanzo sociale, racconto corale, contemplazione di una terra indomita e difesa di un'identità antica. Per tre generazioni la vita inonda la valle, l'economia prospera, la felicità segna le giornate, il progresso cambia le esistenze, fino a quando, un mattino, qualcosa incrinerà quel mondo e segnerà per sempre il destino di Andrà , della sua famiglia e dell'intero villaggio. Traduttore: Moroni, Tatiana. Numero pagine 336. Il copyright dei dati à di Informazioni Editoriali I.E. Srl.…

Broché. Condition: Bon état. in-8 Description :Pages 335-562. Petits accrocs sur les coiffes. Langue : Français Nb de volumes : 1.

soft cover. Condition: fine. first edition. Pages 335-562.

Condition: OTTIMO USATO. Dal mondo ITALIANO IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Da molto tempo ormai le chiavi del Paradiso sono in mano a Ãmilienne, una donna dura ma giusta che conosce le bestie e sa parlare al grano. Sono chiavi che hanno aperto le porte a diverse persone: a Marianne, tornata alla casa materna con un marito poco adatto alla vita in campagna, morta con lui su una curva maledetta poco distante. A Blanche e Gabriel, i due nipotini rimasti a covare il dolore della perdita, lei cosà simile a nonna Ãmilienne, lui cosà incapace di colmare il vuoto e trovare un posto al Paradiso. A Louis, infine, fuggito adolescente ai pugni di un padre violento, ed entrato a far parte del paesaggio e degli abitanti della fattoria. Una squadra dolorosa ma forte, che tesse dentro di sà legami forti e di un amore bizzarro. Louis e Blanche, quasi fratelli eppure distanti, con un sentimento sempre insoddisfatto che va dall'uno all'altra e là si blocca. Gabriel, sempre con un occhio altrove e Ãmilienne, per tutti presente e per tutti solida. à in quella casa che, durante l'uccisione del maiale, Blanche e Alexandre fanno l'amore per la prima volta. à là che Blanche decide di ignorare l'amore di Louis e di abbandonarsi all'abbraccio del suo compagno di classe. à là che Alexandre, pur cosà diverso, cosà ambizioso e bello, viene accolto da un mondo di sentimenti intensi, cosà lontano dall'apatia dei suoi genitori. Ed à sempre là , contro il muro della cucina, che Blanche va in pezzi quando Alexandre annuncia di voler studiare in cittÃ. Ancora là che passeranno gli anni, veloci e placidi come solo il tempo senza amore sa essere. Fino al giorno in cui Alexandre farà ritorno al Paradiso. Traduttore: Turato, Silvia. Numero pagine 187. Il copyright dei dati à di Informazioni Editoriali I.E. Srl. …

Rayon : Poésie Editeur : Actualité, dossier V Date de parution : 1988 Description : In-4, 128 pages, souple, photos in texte, occasion, bon état. IMPORTANT : Pour les envois internationaux, merci de vous renseigner avant de passer commande. Les envois se font uniquement en point relais MONDIAL RELAY ou INPOST pour les pays suivants : Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. ATTENTION : Les expéditions nationales de plus de 2 kilos et les expéditions internationales de plus de 1 kilo se voient appliquer un supplément de port. Envois quotidiens du mardi au samedi. Les livres sont envoyés sous enveloppe bulles. Les frais de ports comprennent les frais d'affranchissements et d'emballage. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 10514.…

Condition: OTTIMO USATO. Vie ITALIANO IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Il giovane Anthime ha una sorella che adora, Helena, e un dono naturale per la corsa. Lo ha scoperto quasi per caso poco dopo il suo trasferimento con la famiglia in una piccola cittadina di provincia. Da allora la sua vita à cambiata. Si à allenato con dedizione, si à impegnato a scuola, ha seguito i consigli del suo allenatore senza farsi distrarre da nulla. Gara dopo gara l'ascesa del Pellicano â" questo à il soprannome con cui tutti ormai lo conoscono â" sembra inarrestabile, ma durante una competizione un infortunio piegherà la sua volontà e i suoi sogni. Anthime lascia la corsa, non vedrà pià la sensuale e atletica Bà atrice con la quale si era scambiato un bacio prima di quella gara maledetta e si ritira in un'esistenza anonima fino a quando, vent'anni dopo, qualcosa di inatteso lo obbligherà a rimettersi in gioco. Traduttore: Moroni, Tatiana. Numero pagine 303. Il copyright dei dati à di Informazioni Editoriali I.E. Srl.…

Condition: Assez bon. LA DOC. FRANCAISE (illustrator).

Condition: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déj.…