Cockerell Sydney C (26 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Hardbound in clipped dust jacket. Wear dust jacket edges, otherwise very good. [ Oversize. Contact for overseas shipping quote.].

hardcover. Condition: Very Good. Large folio. 16 x 12.25 inches; 209 pages. Hardcover and dust jacket. Tears on dj, with some minor loss. Good binding and cover. Clean, unmarked pages. Minor shelf wear. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Condition: As New. Dust Jacket Condition: Very Good. 1st Edition. First edition: no later printings listed. Over-sized hardbound (elephant folio). No wear to the binding. No distortion from improper shelving. Pages are tight and clean with no marks. No name of previous owner. No odor. No water damage. No soiling. The dust jacket priced at $50.00 (not clipped) shows light edge wear, edge tears, no sun fading. DJ now in an archival protector to prevent further damage.

hardcover. Condition: very good(+). Profusely illustrated with beautifully printed color plates. 208 pages. Folio, gray cloth with gilt crest, pictorial d.w. (extremities worn, particularly at head). New York: George Braziller, 1975. Upper corners bumped, still a very good(+) copy in a very good(+) dust wrapper.

Paperback, 55 pp., 2 plates, 4° (27.5 x 21.5 cm), cover worn and yellowed, with brown spots and fingerprints, pages clean, with just a few small spots or slightly bent corners, condition: good Book Language/s: English.

Hardcover. Condition: Good. Dust Jacket Condition: Good. This item is over sized and may require additional postage to ship. Gift inscription to Dick Lord, a previous professor emeritus at Willamette University. Some soiling to the edges of the text block, penetrating into the text but not obscuring any. Price clipped dust jacket shows some edgewear including some moderate bumping to the top and bottom of the spine and all corners. Jacket Condition: Good -. Size: Folio - over 12 in - 15 in tall. Year: 1975.

HARDCOVER. Condition: Good. Dust Jacket Condition: Good. Facsimile. 209pp folio clothbound hardcover, mylar slipcovered dust jacket with chipping, boards and cloth clean, binding strong, text clean and images crisp throughout, includes laid-in pages.

hardcover. Condition: Used-Very Good. First Edition. Cloth, dj. Minor shelf wear; light rubbing and creasing along edges of jacket, particularly head of spine, which is chipped. Else fine. Internally a bright, clean copy with pristine plates.

Hardcover. Dust Jacket Condition: dj. pp. 208. Folio. Bound in light grey cloth with gilt lettering to spine and insignia to front board. Colour illustrated plates. Light shelfwear; very good in good dustjacket with large chips and tears, and loss to spine, now protected by plastic brodart sleeve.

Hardcover. Condition: VG. Dust Jacket Condition: VG. First Edition. overseas orders will require additional postage.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

FIRST THUS Folio (approx. 40 x 31cm) grey linen hardback, gilt, in unclipped dust jacket. 209pp., profusely illustrated in colour. A clean copy with no markings or inscriptions. Old tape marks to free endpapers and dust jacket flaps. Light soiling to endpapers. Light edgewear to dust jacket, else a VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 5/8) ISBN: 0714813265 PLEASE NOTE: Very Heavy Book (3 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Folio. [16 x 12.5 inches]. 23 pp. of text + 283 facsimile manuscript plates. Grey cloth lettered and decorated in gilt. Institutional library bookplate at front pastedown, small spot of tearing to paper surface near bottom edge of front pastedown, no internal markings. Illustrated jacket. Top edges of jacket chipped and torn, light creases. Near Fine in Very Good dust jacket. In mylar dust wrapper.

Preface by John Plummer. Excellent full page color reproductions of illuminated pages from a book more than 700 years old in the Pierpoint Morgan Library which is illustrated with more than 300 scenes from the Old Testament. Double elephant - 15 3/4" x 12 1/2". 209 pages. Light cloth stamped in gilt. Dust jacket with a couple short tears, rubbing along spine edges and a few nicks. $50 price on jacket. Clean and tight. near Fine/ VG.

Cloth. Condition: Very Good. Dust Jacket Condition: Good Plus. Book measures 41x31.5.cm. 208pp, illustrated. Bound in original publishers grey fleck cloth, with gilt lettering. Binding in good clean firm condition. Dust jacket rubbed, torn in a few places, some abrasion wear. Jacket in good condition. Internally, pages clean. A good clean solid copy, in a worn jacket. Size: Large Quarto.

Hardcover. Condition: Very good. Dust Jacket Condition: dj. 1st. Preface by Joh Plummer. Reproduced from the illuminated book belonging to the Pierpont Morgan Library. Slight discoloration at the edges of the pages and the dust jacket is slightly chipped at the extremities.

Hard Cover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. 1st Edition. Later Printing. Publisher's full beige cloth, gilt lettering on spine, gilt medallion on front cover. Illustrated with full-page color plates, redroduced from the cir. 1300 illuminated manuscript in the Pierpont Morgan Library, with additional leaves from the collection of The Bibliotheque Nationale in Paris, and Dr. Peter and IreneLudwig of Aachen. Introduction and Legends by Sydney C. Cockerell; Preface by John Plummer. Includes Selected Bibliography, essay on The Book and Its History, a Note on the Plates, and a commentary on each panel of each plate by Cockerell. . Volume shows only very slight shelf-wear, with a former owner's printed bookplate on fep, else fine; otherwise unmarked, tight, square, fresh, and clean. A very large (folio), heavy book (eight pounds) - additional shipping charges may apply. VERY GOOD. . Folio 13" - 23" tall. (vi), 208, (2) pp.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Thus. A very fine mint copy with an intact jacket.

Hardcover. Condition: Used - Like New. No Jacket. Slipcase.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Fair. 1st Edition. 208 pages in very good condition. Pages are clean and unmarked with colour plates throughout. Previous owner's inscription on the fpdep. Page edges are lightly darkened. Bound in grey cloth with gilt titles. Black illustrated dustjacket in fair condition with brown and white titles. Heavily worn around the edges with tears and tape. Heavily torn and scuffed on the spine and flaps. Some puncture holes. 1ST EDITION. VG+/FAIR ***heavy, will require extra shipping Size: Folio: 12 x 16. Book.

Hardcover. First Edition; First Printing. Very Good+ in a Good+ dust jacket. Chipping and small open tears on panel edges, spine crown and heel, and top and bottom front and rear flaps.

Hardcover. First Edition; First Printing. Very Good in a Good price clipped dust jacket. Rubbing along panel edges. 2 inch open tear across top front panel corner. 2 inch open tear at top of rear panel.; 4to 11" - 13" tall.

Hardcover. First Edition; First Printing. Very Good+ in a Very Good dust jacket. Small closed tears on top and bottom front and rear panels. Open tears on spine crown and heel. Shelfwear on panel corners.; From the personal collection of notable photojournalist Ted Spiegel, known for his work with National Geographic and his portrait of John F. Kennedy.

Cloth, folio, top edge gilt, gilt titles on cover and spine, 42 cm, xxviii, [1], 135 pp, 162 plates (chiefly by Emery Walker). 269 entries. From the introduction: " It is with a view to calling attention to their documentary importance in relation to pictures and architecture, as well as to their intrinsic beauty and to the accomplishment of their makers, that this exhibition has been got together. Its range is from the ninth to the sixteenth century, and it may be confidently asserted that so many splendid examples of the Illuminator's art, and so various in their excellence, have never before been showed in a single room.The present catalogue .contains eight plates which will recall to those who saw the exhibition the general appearance of the upright cases and the relative sizes of the books displayed in them; besides a hundred and fifty-four plates in which a hundred and sixty-five of the books and framed cuttings are reproduced. These are the work of Mr. Emery Walker, with the exception of Plates 60 and 87, which are photogravures by the Autotype Company. They are approximately of the scale of the originals except a very few plates in which the size of the volumes necessitated a reduction of scale. As often as possible the open book is shown, and not only an isolated page." The country or place of origin is first given, then the date, the number of leaves, the number of lines to a page, and the size of the page in inches. Next comes a summary of the contents, then a short account of the decoration and of the pictures or initials exhibited. Finally there are some details relating to the early history and owners of the books, and the shortest possible description of the bindings. "The scribes represented include: Godeman, monk of Winchester (n)' Dominicus, son of Albericus (7), William, of Bury St. Edmunds (23), Willelme (39), Thomas the Norman (94), Johannes Campions and Arnulphus de Camphaing (112), Marinus (116), Michael Lupide Çandiu (143), Cazaninus Johannis de Montebellio (177), Hippolytus of Luna (186), Nicolaus Pollini (187), Joachinus de Gigantibus (192), Johannes de Ecclesia (249), Petrus Antonius Salandus of Reggio (263), and Franciscus Weert (172). The illuminators are a smaller band. They were usually not scholars, and were not encouraged to sign their work. Six only give their names. These are: W. de Brailes (58, 59), Goswin de Lecaucie (112), Nicolaus de Bononia (177, 178), Girolamo da Cremona (118), Benedictus Bordon (196), and Simon Benninck (241). " An ex-library copy with library labels on the spine,and front endpapers, stamps and accession marks on the title-page and half-title; upper half of front joint split, covers rubbed and scuffed, a few minor marks to fore-edges, otherwise contents Good.

Cloth, folio, top edge gilt, gilt titles on cover and spine, 42 cm, xxviii, [1], 135 pp, 162 plates (chiefly by Emery Walker). 269 entries. From the introduction: " It is with a view to calling attention to their documentary importance in relation to pictures and architecture, as well as to their intrinsic beauty and to the accomplishment of their makers, that this exhibition has been got together. Its range is from the ninth to the sixteenth century, and it may be confidently asserted that so many splendid examples of the Illuminator's art, and so various in their excellence, have never before been showed in a single room.The present catalogue .contains eight plates which will recall to those who saw the exhibition the general appearance of the upright cases and the relative sizes of the books displayed in them; besides a hundred and fifty-four plates in which a hundred and sixty-five of the books and framed cuttings are reproduced. These are the work of Mr. Emery Walker, with the exception of Plates 60 and 87, which are photogravures by the Autotype Company. They are approximately of the scale of the originals except a very few plates in which the size of the volumes necessitated a reduction of scale. As often as possible the open book is shown, and not only an isolated page." The country or place of origin is first given, then the date, the number of leaves, the number of lines to a page, and the size of the page in inches. Next comes a summary of the contents, then a short account of the decoration and of the pictures or initials exhibited. Finally there are some details relating to the early history and owners of the books, and the shortest possible description of the bindings. "The scribes represented include: Godeman, monk of Winchester (n)' Dominicus, son of Albericus (7), William, of Bury St. Edmunds (23), Willelme (39), Thomas the Norman (94), Johannes Campions and Arnulphus de Camphaing (112), Marinus (116), Michael Lupide Çandiu (143), Cazaninus Johannis de Montebellio (177), Hippolytus of Luna (186), Nicolaus Pollini (187), Joachinus de Gigantibus (192), Johannes de Ecclesia (249), Petrus Antonius Salandus of Reggio (263), and Franciscus Weert (172). The illuminators are a smaller band. They were usually not scholars, and were not encouraged to sign their work. Six only give their names. These are: W. de Brailes (58, 59), Goswin de Lecaucie (112), Nicolaus de Bononia (177, 178), Girolamo da Cremona (118), Benedictus Bordon (196), and Simon Benninck (241). " An ex-library copy with a small reference library label on the front pastedown endpaper recording the presentation of the book by R.E. Hart, his small label on rear pastedown endpaper, covers rubbed and spine and adjacent areas partly faded and with several small marks,small shadow of removed sticker on spine, endpapers with extensive light spotting, internally a Very Good clean copy save as mentioned. Robert Edward Hart (of Blackburn, 1878-1946) collected extensively in many fields and had a fine collection of oriental illuminated manuscripts.

hardcover. 21 full page plates, colored frontispiece, folio, cloth-backed boards (rubbed & soiled), inside, a beautiful clean and crisp copy. London: Chiswick Press, 1907. Scarce. A manuscript of the beginning of the fourteenth century in the library of C.W. Dyson Perrins. Described in relation to other East Anglian books of the period. With the small ownership label of art historian Meyer Schapiro.