Clark Sonya (27 results)

Condition: Good. Jessica Clark (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. Jessica Clark (illustrator). This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Paperback. Condition: Good. No Jacket. Jessica Clark (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Paperback. Condition: Very Good. american craft inquiry Volume 1 Issue No. 1 April 2016 edited by Michael Radyk. Text by Chris Amundsen, Sarah Archer, Sonya Clark, Otto von Busch and others. 128 pages. Color and black and white reproductions. Very good condition.

Softcover. Condition: Near Fine. First edition. Perfectbound wrappers. 160pp. A collection of poetry, stories, and reviews by Paul Valery, Dorothy Roberts, Guy Davenport, Dave Smith, James Baker Hall, Robert Martin Adams, Kathleen Spivack, Anne S. Perlman, Peter H. Lee, James P. Degnan, John Simon, Robert S. Clark, Stephen Farber, Sonya Rudikoff, Richmond Lattimore, Grace Schulman, Marvin Mudrick, and William H. Pritchard.

Hardcover. Condition: Brand New. 95 pages. 9.50x6.75x0.75 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: As New. Unread book in perfect condition.

Signed by the artist with gift inscription on front flyleaf, addressed to Rowland Abiodun, Professor of African Art from Amherst College, dated 2012. This catalogue includes works from two of Clark's exhibitions: The Snyderman Gallery (Philadelphia, PA) from October 1, 2011 - November 19, 2011, and the Southwest School of Art (San Antonio, Texas) from December 8, 2011 - February 12, 2012. The book is a softcover in Near Fine condition. The top corner of the textblock is bumped, causing the tips of the corners of some pages to be curved/curled. The pen from the inscription has partially rubbed onto the interior of the front cover. Otherwise, the contents of the book are clean and unmarked, with a tight binding. The cover is notably bumped at all of its corners, with the tips of corners curled; most notably the top corner of the front cover is creased at its tip and moderately bumped. The corners also have some rubbing. The spine ends of the cover are lightly bumped. There's a ding on the fore edge of the front cover. Otherwise, there's some very minor edgewear in some spots on the cover.

The Beaded Prayers Project by Sonya Clark (ISBN: 9781934253205) is offered here in softcover, graded Near Fine. This copy shows a scrape down the center of the front cover at the top two inches, with corners and spine ends lightly bumped. Minor edgewear can be seen on the cover in spots, and a light scrape is present on the bottom edge of the textblock. The binding is tight, and the contents are notably clean, unmarked, and attractive throughout. Launched in 1998, The Beaded Prayers Project is a groundbreaking collaborative art initiative inspired by African amulet traditions and projects like the Names AIDS Memorial Quilt. Orchestrated by acclaimed fiber artist Sonya Clark, it invites participants of all backgrounds to craft beaded prayer packets?a blend of reflection, hope, and artistry intended to foster community. Over 5,000 people have participated, with exhibits shown at more than 35 venues worldwide. Clark's work connects material culture, communal ritual, and the profundity of handmade art, earning her recognition for advancing contemporary discussions on creativity and identity.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Condition: Good. 8vo. 28 pp. Soft, printed wraps with spiral binding. Very good with marginal chipping along bottom of spine. Includes 12 color photographs. Catalog created for exhibition at the University of Iowa Museum of Art in 2001.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. An insightful retrospective of the genre-defying contemporary artist and MacArthur Fellow Joyce J. Scott, showcasing contributions from an extraordinary group of artists and scholars   This essential new volume serves as a critical resource and details the richness and complexity of the work of Joyce J. Scott (b. 1948), beginning with an overview of the artist's 50-year career-an interconnected, community-generating practice that embraces performance art, beaded necklaces and sculptures, wall hangings, and prints. Interviews with the artist by Leslie King Hammond and Valerie Cassel Oliver focus on Scott's matrilineage and womanist ethos and on the genre-defying choreography of her career across disciplines. Six thematic essays by established and emerging scholars discuss the ancient and global reach of beads, including Yorùbá traditions; consider the utility of satire and performance in connection with the work of emerging Black artists; and explore the significance of geography, history, and place. Excerpts from foundational out-of-print texts and an illustrated chronology annotated by Scott appear alongside contributions by artists Sonya Clark, Oletha DeVane, Jeffrey Gibson, Kay Lawal-Muhammad, Malcolm Peacock, and William C. Rhodes III. Scott makes difficult subjects intimately felt, confronting histories of trauma through wearable art and exquisite sculpture. With humor and pathos, she twists menacing stereotypes into grotesque and tender retorts that spur conversation, making art a vehicle for learning, reflection, and healing. Distributed for the Seattle Art Museum and Baltimore Museum of ArtExhibition Schedule:  Baltimore Museum of Art (March 24-July 14, 2024)   Seattle Art Museum (October 17, 2024-January 20, 2025).

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condition: new. Paperback. Wade Sheppard was the king of country for nearly ten years. Now he can't get Nashville on the phone, much less another record deal. When yet another drunken night onstage gets him fired from a casino gig, Wade is pulled off the road by his manager and sent home. Being back in the small town where he was born and raised, his every screw-up fodder for gossip, isn't helping any. His family knows him too well, and the pretty, sharp-tongued waitress who catches his eye doesn't want to know him at all. Daisy McNeil has more baggage than most her age but she's finally pulling her life together. College classes will be her ticket out of poverty and instability. She doesn't mind waiting tables for the time being, but she could do without the rowdy rednecks who sometimes get handsy. When one of them crosses the line, she snaps and gives him and his stupid ten gallon hat the telling off he deserves, but causing a scene gets her fired. Wade didn't mean to cost Daisy her job. Chastened, he decides he doesn't want his train wreck of a life to crash into anybody else. He offers the bar owner a summer of free shows if Daisy can have her job back. Now they're spending nights together trading barbs and fighting a growing attraction. With a sexy smile and a powerful voice that can make any song his, Wade's determined to show Daisy that he's more than just a good time bad boy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.