Charles Massena (9 results)

Paperback or Softback. Condition: New. O Evangelho Que Eles Roubaram de Voc�: A Religi�o Mata, Cristo Cura. Book.

Condition: New.

hardcover. Condition: As New. Maurizio Martino Publisher; Mansfield, 1994. Hardcover. Three parts in six Volumes Complete. Limited Edition. Limited to 350 copies. Facsimile Reprint Edition of the 1907-1914 Edition. NEW and in factory shrink wrap. A Fine, original red cloth binding with gilt lettering on spine, binding firm, sharp corners, includes over 2,000 illustrations, without Dust wrapper. A nice, clean and unmarked set. 4to[quarto or approx. 11.5 x 13.5 inches], (Text) 411pp., (Plates) 1001 b&w plates. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Taschenbuch. Condition: Neu. Neuware.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. 123/300. Three oversized volumes bound in 3/4 brown leather and black cloth boards; 5 raised bands on spines with gilt lettering. First part, 1st volume contains 504 pps with bw illustrations throughout. First part, 2nd volume contains 500 pps profusely illustrated throughout in bw. Second part contains 680 pp profusely illustrated in bw throughout. Printed in edition of 300 numbered copies, this being number 123. Text is in French. Tome 1: Ouvrages imprimés de 1450 à 1490 et leurs éditions successives jusqu'à 1525. T. 2. Ouvrages imprimés de 1491 à 1500 et leurs éditions successives jusqu'à 1525. 2. partie. Ouvrages imprimés de 1501 à 1525. Studies on the Art of Woodcut in Venice. The Venetian Figure Books of the End of the 15th Century and the Beginning of the XVIth. Good+ (heavy shelfwear to boards, covers loose, third volume is missing rear cover, volume 1 spine is split, pages are lightly age toned but otherwise very clean and clear esp. considering age). …

Hardcover. 137/300. Six oversized volumes bound in 3/4 brown leather and marble paper over boards, tope edge gilt, marble illustrated end papers; 5 raised bands on spines with gilt lettering. Various paginations throughout the volumes. Each volume is profusely illustrated throughout in bw. Printed in edition of 300 numbered copies, this being number 137. Text is in French. Contents include: 1. ptie., t. 1. Ouvrages imprimés de 1450 à 1490 et leurs éditions successives jusqu'à 1525. t. 2. Ouvrages imprimés de 1491 à 1500 et leurs éditions successives jusqu'à 1525. -- 2. ptie. Ouvrages imprimés de 1501 à 1525. -- 3. ptie. Les origines et le dévelopmane de la xylographie à Venise. Revision des principaux ouvrages illustrés. Appendice. Tables. VG- (shelfwear to boards, scuffing to leather, pages are lightly age toned but otherwise very clean and clear, bookplate of previous owner, Albert M. Todd, "The Peppermint King of Kalamazoo", inside front covers).…

Leather. Condition: Very Good. First edition. 39 cm; viii, 290 pages, and 21 leaves of plates. Numerous illustrations in text. Edition limited to 260 copies, this copy out of series, "exemplaire spécialment tiré pour Monsieur Charles Éphrussi." Bound in recent half calf, polished, over pebbled cloth-covered boards. Gilt-tooled borders, ornaments and title. Gauffered edges. Few superficial chips along joints and at spine ends. Plates variously foxed, mostly in margins. Text clean. Vast--and vastly influential--study of the iconography of Petrarch's song cycles, The Triumphs (Trionfi) and the song book of "scattered rhymes" (Il Canzoniere). The essay was a collaboration between the art historian Eugène Müntz and the wealthy collector and amateur scholar Victor Masséna. The result is a luxurious book that was indispensible in the formation of the discipline of iconology. This copy is out of series, and in place of the justification page is a printed dedication to Charles Ephrussi, the patron of arts who effectively launched Renoir's career, and was a great supporter of Degas, Manet, Monet, and Proust.…