Carrier Joachim (44 results)

Hardcover. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Hardcover. Condition: Near Fine. 1st Edition. Near fine no markings, slightest of wear - bright. Glossy pictorial hardcover.

hardcover. Condition: Very Good. This Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity, check your package for this month's charity. Reuse-Recycle-Rebook.…

Hardcover. Condition: Fine. 1st. Pictorial boards, x, 227 pages, illustrations; 22 cm. Tight, clean copy. *** "Examines art that stands outside the margins of the art world, the critical and cultural conditions that made this exclusion possible, and how its recognition radically transforms our understanding of contemporary art" -Publisher. *** CONTENTS: Modern foundations of the art world; The classical model: dogmatism and alternative models of looking; Dawn of modernity; The wise, the ignorant, and the possibility of an art world that transcends this divide; The antinomy of taste and its solution: variations on a theme by Duchamp; The museum era; Institutionalization of art history; Art beyond the boundaries of the art world; The fluid nature of aesthetic judgments; Kitsch, a nonconcept: a genealogy of the indesignatable. Size: 8vo. Collectible.…

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Condition: Very Good. New/unused condition with small scuffs and scratches to the cover. The content is in very good condition with a small black ink mark on the outer edges of the textblock.

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Hardcover without dustjacket as issued, 228 pages, as new condition, clean and crisp; inscribed and signed by both authors on first blank page; no other internal marks. Foreign shipping may be extra.

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Hardcover without dustjacket as issued; 464 pages, very good condition, light rubbing to covers; owner's sticker on first page; no other internal marks. Foreign shipping may be extra.

hardcover. Condition: Like New. First Edition. Publisher: Phaidon Press, 2013.FINE Hardcover in cloth-covered, pictorial, illustrated boards, as issued. First Edition. First Printing.

hardcover. Condition: Like New. First Edition. Publisher: Phaidon Press, London, 2013. FINE Hardcover in glossy pictorial boards, as issued. First Edition. First Printing. "Art is not always things made by people who call themselves artists.

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Hardcover. Condition: Very Good. Wild Art" duikt in de grenzen van de kunst en onderzoekt werken die onverwacht, controversieel, schokkend, of simpelweg onconventioneel zijn. Het boek presenteert een breed scala aan kunstwerken die niet gemakkelijk in traditionele categorieën passen, variërend van straatkunst en performances tot body art en installaties. Het nodigt de lezer uit om de definitie van kunst te heroverwegen en te genieten van de diversiteit en de ongetemde creativiteit in de kunstwereld. Trefwoorden: Kunst, Hedendaagse kunst, Controversiële kunst, Onconventionele kunst, Alternatieve kunst, Avant-garde, Installatiekunst, Performancekunst, Fotografie, Creativiteit.…

Hardback. Condition: New. "Wild Art" refers to work that exists outside the established, rarified world of art galleries and cultural channels. It encompasses uncatalogued, uncommodified art not often recognized as such, from graffiti to performance, self-adornment, and beyond. Picking up from their breakthrough book on the subject, Wild Art, David Carrier and Joachim Pissarro here delve into the ideas driving these forms of art, inquire how it came to be marginalized, and advocate for a definition of "taste," one in which each expression is acknowledged as being different while deserving equal merit.Arguing that both the "art world" and "wild art" have the same capacity to produce aesthetic joy, Carrier and Pissarro contend that watching skateboarders perform Christ Air, for example, produces the same sublime experience in one audience that another enjoys while taking in a ballet; therefore, both mediums deserve careful reconsideration. In making their case, the two provide a history of the institutionalization of "taste" in Western thought, point to missed opportunities for its democratization in the past, and demonstrate how the recognition and acceptance of "wild art" in the present will radically transform our understanding of contemporary visual art in the future.Provocative and optimistic, Aesthetics of the Margins / The Margins of Aesthetics rejects the concept of "kitsch" and the high/low art binary, ultimately challenging the art world to become a larger and more inclusive place.…