Ca 1524 (10 results)

Paperback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. 16,2 x 11 cm. Schwarzer Halbleinenband mit goldgeprägtem Rückentitel. Das vordere Außengelenk gerissen, das hintere 3 cm eingerissen. Der Rücken hälftig lose. XXIII, 190, (2) Seiten. Innendeckel und Vorsatzblätter / Vortitel gering braunfleckig, das Buch innen nur leicht gebräunt und sehr vereinzelt hell braunfleckig. Die Textbereiche sauber, die Seiten fest. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! Gr192.

tapa blanda. Condition: 2Ş Mano. Dust Jacket Condition: 2Ş Mano. Ediciones Trea, S.L. 2005. NUEVO retractilado. Libro.

Condition: Good. Small folio. 20 x 29.4 cm. Contemporary vellum. Hand-lettered spine with rasied bands. Condition report: pages lightly toned with scattered foxing, occasional light finger grime, folded corner, marginalia/ink marks, wormhole, or small stain; several leaves with frayed edge, light marginal damp staining, or small tear or corner loss not impacting text; T1 with pasted numbered label in margin, 2R3 with small area of thinned paper with associated repair.Carlo Sigonio (Italian, ca. 1524-1584) was a professor and humanist from Modena. Sigonio wrote many books, focusing on the ancient world. Historiarum de Occidentali Imperio Libri XX provides a history of the Western Roman Empire. As noted on the title page, permission to print this work was provided by Pope Gregory XIII.First edition. Parchment with yapp edges, ink manuscript on spine, all edges gilt. Folio; A-E6 F8 G-Z6 AA-ZZ6 AAa-EEe6; 564, [48]pp. Roman type; text in Latin. With index, errata, woodcut device on title page, woodcut initials and ornaments. Roman and italic type; text in Latin. Adams S1117; USTC 856348.

Condition: Buono (Good). 8vo. 79, (1) leaves. A-K8. With the printer's device on the title-page and at the end. Modern calf, richly gilt spine with gilt title; with the bookplate of Giorgio Fanan.Basso, p. 104; Braida, p. 52; Edit 16, CNCE 54672; Quondam, p. 306; S. Bongi, Annali di Gabriel Giolito de' Ferrari, (Roma, 1890), I, pp. 142-143; R. Kelso, Doctrine for the Lady of the Renaissance, (Urbana, IL, 1959), pp. 396-397, no. 627. THIRD EDITION of Parabosco's first book of Lettere amorose (love letters) (so called to distinguish them from his Lettere famigliari, published at Venice in 1551).It was first printed by Giolito in 1545 and with it Parabosco made his entrance into the literary world. A second book was issued at Venice by Gherardo in 1548, a third by Griffio in 1553, and a fourth by Giolito in 1554. All the books were separately reprinted several times. The first collected edition of all four books appeared at Milan in 1558. A French translation (Lettres amoureuses) by Philippe Hubert de Villiers was published for the first time at Antwerp by Plantin in 1556.In the present edition the original dedication to Gottardo Occagna (Venice, June 12, 1545) has been retained. The collection contains 96 letters, seven more than in the first edition of 1545. None of them is dated. The work was put on the Index in 1590 (cf. J.M. Bujanda, ed., Index de Rome: 1590, 1593, 1596. Avec étude des index de Parme, 1580 et Munich, 1582, Sherbrooke, 1994, p. 403; and U. Rozzo, Italian Literature on the Index, in: ?Church Censorship and Culture in Early Modern Italy?, G. Fragnito, ed., Cambridge, 2001, p. 207).Of great interest are two letters addressed to two famous Italian poetesses, Francesca Baffo and Gaspara Stampa. In particular, on the latter, who also was an accomplished musician, he writes: ?Who has ever heard such sweet and elegant words [.] and what will I say of that angelic voice that struck the air with its divine accents and made such sweet harmony that it awakened spirit and life in the coldest stones? (cf. K. Pendle, Women & Music: A History, Bloominton IN, 2000, p. 62).?Paraboscos Briefbuch. illustriert die inhaltliche Bandbreite, die in den Briefpoetiken der lettera amorosa und deren Aufteilung in mögliche Untergattungen eine Entsprechung findet: ?Non omnes in eadem genere versantur'. Sie unterscheiden sich entsprechend der möglichen Schreibintentionen, die mit der Thematisierung einer Liebesbeziehung in Zusammenhang stehen. Diese können, Erasmus zufolge, Bitten, Forderungen, Klagen, Entschuldigungen und Schmeicheleien beinhalten. Bei der partiellen Inhaltlichen Koinzidenz von Paraboscos Texten mit den Erasmischen Anweisungen zum Schreiben eines Liebesbriefes darf die Intention von Paraboscos Briefbuch nicht mit der eines Briefstellers gleichgesetzt werden: Neben Texte, die eine Vielzahl von Elementen eines idealen ?authentischen' Liebesbriefes aufweisen, tritt eine erhebliche Zahl von Briefen, welche literarische Traditionen über das Sprechen von Liebe aufnehmen und in extremis vorführen. Sie führen pastiches von Liebesbriefen vor, in denen sich Parabosco der Mittel von Ironie und Verfremdung bedient, die in ihrer komischen Wirkung mehr dem delectare als dem movere zuzuordnen sind. So ironisiert er z.B. die Textgattung des Liebetraktates, eine der beliebtesten zeitgenössischen Textformen, wenn er in aristotelisierender Manier beweist, dass der Mann zu grösserem ?amore' und ?passione' fähig sei als die Frau. Er präsentiert - analog zu den Anthologien von poesie amorose im Bereich der Lyrik - in seinen aneinandergereihten Einzelbriefen die Variationsbreite, die das Schreiben in einem amourösen Kontext und in der Umsetzung in die epistolare Form beinhaltet? (C. Ortner-Buchberger, Briefe schreiben im 16. Jahrhundert. Formen und Funktionen des epistoralen Diskurses in den italienischen ?libri di lettere', München, 2003, pp. 106-107). Love letters to an unknown recipient (the author's lady-love), 13 letters (l. 4r)Pavoni, Medea, 1. Book.

Legatura coeva in mezza pelle rossa, piatti marmorizzati con angolari in pelle rossa profilati in oro; dorso decorato a 5 nervi con autore e titolo al secondo scomparto e fregi in oro agli altri, luogo, anno ed editore all`ultimo tassello, il tutto impresso in oro; sguardie marmorizzate, ex libris al contropiatto di \"Annibal Fernandez Thomaz\".Pagine 337. Antiporta incisa con ritratto dell`autore entroedicola architettonica con figure, frontespizio scritto in rosso e nero, diverse tavole incise a sinografia di testa a piena pagina fuori testo. Testo scritto in portoghesee in francese.L`opera stampata in prima edizione nel 1872, è considerata il poema epico del popolo protoghese, ispirata aiclassici letterari Greco-Latini,descrive in modoleggendario e fantasticoi viaggi di scoperta portoghesi del XV e XVI secolo; una parte importante è dedicata al viaggio guidato da Vasco de Gamadal Portogallo all`India.Il testo è suddiviso in 10 canti scritti in ottaveendecasillabiche. Esemplare in buone condizioni salvosporadiche lievi fioriture.

Venice : Apud Ioannem Variscum [Giovanni Varisco], 1588. First (and only) edition. Octavo (190 x 140 mm), modern brown cloth over boards; faint trace of stamp tp front free endpaper, original first blank with early ownership signature to verso (browned, clipped at upper corner), title-page with vignette woodcut printer's device, and with coat of arms to verso; pp. [7] (Dedication to Francesco Maria II della Rovere, Duke of Urbino), [1] (foreword by Paulus Manutius), [2] (foreword by Judah Alchalay), [4] (index), 1-127; decorative woodcut initials; sidenotes; first few leaves with a mild horizontal crease at centre, some occasional and very light foxing, otherwise clean and crisp throughout; a very good copy in a modern binding. David de' Pomis (1525-1593) was a physician, philosopher and linguist, born in Spoleto to a Jewish family of bankers. He commenced medical studies in Todi under two of his uncles (both rabbis) and continued them at Perugia, where he received his doctorate in 1551.He was then for a brief period rabbi and physician at Magliano in Tuscany. However, there followed a number of years of insecurity during which successive papal edicts withdrew and restored the right of Jewish physicians to attend Christians; de' Pomis found himself forced to keep moving from town to town in Italy, finally settling in Venice in 1569. It was here that he published most of his works. His tract De Medico Hebraeo Enarratio Apologica(Venice, 1588) is a refutation ofaspects of a bull of 1581 issued by Gregory XIII (1572-85) which brought various charges against Jews - and, more specifically, Jewish physicians. De' Pomis argues that, in accordance with the teachings of the Bible as well as the Talmud, a Jewish physician is morally obligated to attempt to alleviate the suffering of every patient. He also cites numerous cases in the historical record to illustrate the fact that Jewish doctors can and have distinguished themselves by their medical prowess and civic-mindedness. The last section comprises a selection of Talmudic rules translated into Latin, presented as a form of collective argument to counter the charge that the Talmud is to be despised for its moral character. The writings of the learned De? Pomis were wide-ranging. He is now perhaps best known for his trilingualHebrew, Latin, and Italian dictionary, the ?ema? David (Venice, 1587), which he dedicated to Pope Sixtus V - although this work is more than a straightforward dictionary, since it also contains disquisitions on scientific and historical subjects. He also wrote a philosophical essay on human suffering,Discorso intorno a l'humana miseria e sopra il modo di fuggirla(Venice, 1572), a treatise on the plague (Venice, 1577), and another on geriatric conditions (Venice, 1588). Very rare. No sale record traced on Rare Book Hub.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1578 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 207 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 207 Language: Latin.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 238. A perfect gift for your loved ones. Reprinted from 1714 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Arabic Pages: 238.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 216. A perfect gift for your loved ones. Reprinted from 1908 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian Pages: 216.