C Harold Ridge (40 results)

Paperback or Softback. Condition: New. Stage Lighting. Book.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. No Jacket. Binding tight, interior clean and bright, other than book plate on inner front board and previous owner's stamp on page one. Green boards worn to corners and spine ends, lightly shelf worn. Rubbed gilt lettering on spine. Lovely colored frontis with black and white illustrations throughout and two fold-out pages. Principles and practices of stage lighting. 201 pages including index, not including 6 pages for notes.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. Dust Jacket Condition: N/A. 154pp. Red cloth-covered boards, gilt titles on spine, bevelled edges. 4to. Rubbed spine ends; mottled boards. Text block edges starting to tan. Previous owner's name on front pastedown, else internally neat, clean, bright and tight.

Hardcover. Condition: Good. hardback, large 8vo, vi,407pp, owner's bookplate on endpaper, edges browning, otherwise clean and sound, no inscriptions, red cloth, rubbed, spine frayed at top and on one edge; Good condition / no dustwrapper.

New Edition. Condition: fine. fine ex library 1958 New edition hardback In stock shipped from our UK warehouse.

Green cloth, very good condition, colour frontis. Important early book on stage lighting, and also includes lovely architectural drawings and folding plates, some important details and drawings of the Cambridge Festival Theatre (a Georgian Theatre originally designed by William Wilkins) and the ground-breaking work of theatre director Terence Gray. (it is now a Buddhist Temple).…

Taschenbuch. Condition: Neu. Neuware - 'Stage Lighting' provides an in-depth exploration of the technical and artistic principles governing the use of light in theatrical productions. Written by C. Harold Ridge, this influential work examines the transition of stage illumination from a simple functional necessity to a complex narrative tool. The text covers a wide range of essential topics, including the mechanics of electrical systems, the application of color, and the strategic positioning of lighting equipment to enhance the dramatic impact of a performance.The work serves as a vital record of early 20th-century theater technology, detailing the innovations and methodologies that defined the era. Ridge balances the practicalities of electrical engineering with the creative demands of scenography, offering guidance on how to manipulate shadows, intensity, and hue to evoke specific moods. 'Stage Lighting' is an indispensable resource for those interested in the history of stagecraft and the evolution of technical theater. It highlights the collaborative nature of production and the burgeoning importance of the lighting designer as a key creative force in the performing arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Condition: Neu. Neuware - 'Stage Lighting' provides an in-depth exploration of the technical and artistic principles governing the use of light in theatrical productions. Written by C. Harold Ridge, this influential work examines the transition of stage illumination from a simple functional necessity to a complex narrative tool. The text covers a wide range of essential topics, including the mechanics of electrical systems, the application of color, and the strategic positioning of lighting equipment to enhance the dramatic impact of a performance.The work serves as a vital record of early 20th-century theater technology, detailing the innovations and methodologies that defined the era. Ridge balances the practicalities of electrical engineering with the creative demands of scenography, offering guidance on how to manipulate shadows, intensity, and hue to evoke specific moods. 'Stage Lighting' is an indispensable resource for those interested in the history of stagecraft and the evolution of technical theater. It highlights the collaborative nature of production and the burgeoning importance of the lighting designer as a key creative force in the performing arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Condition: New. Print on Demand. This book delves into the intricate world of wills and probate records from the Prerogative Court of Canterbury, spanning the years 1686 to 1693. It meticulously indexes thousands of individuals from diverse social backgrounds and geographical locations, offering a unique lens into the lives and times of people living in England and Wales during the late 17th century. The author meticulously guides readers through the complexities of using historical probate records, providing invaluable insights into the challenges and rewards of genealogical research. Beyond genealogy, this book holds immense value for local, social, and economic historians seeking to reconstruct the past. The detailed indexes of trades, conditions, places, and ships illuminate the social fabric and economic landscape of the era. The book underscores the significance of probate records as a gateway to understanding the past. It reveals the intricate tapestry of human lives, encompassing wealth and poverty, family dynamics, and the movement of people across geographical boundaries. By bringing these records to light, this book allows us to connect with the individuals who shaped history and gain a deeper appreciation for the complexities of life in 17th-century England and Wales. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. …

xii, 177[1] pp. Original green cloth gilt. 23 cm x 15 cm. Ex library copy with usual evidence. Wear with minor loss to spine tips & corners, minor bubbling to board fore-edge margins, front board starting to pull but holding firm, contents lightly age browned.

Hardback. Condition: VG-. No DW. 1st Edition. Publishers burgundy cloth, gilt. Book is in very good minus condition with minor but noticeable signs of wear and/or age.

Hardback. Condition: VG. No DW. 1st Edition. Original text is clean,and tight, has a few Harvard University Library stamps etc. but looks barely opened. First and last leaves slightly worn. It has been trimmed (top and bottom) and fitted with new endpapers and recently rebound in strong plain burgundy cloth lettered from bottom with series number and Index Library in gold. A most presentable very good working copy.…

Hardback. Condition: VG. No DW. 1st Edition. Original text is clean,and tight, has a few Harvard University Library stamps etc. but looks barely opened. First and last leaves slightly worn. It has been trimmed (top and bottom) and fitted with new endpapers and recently rebound in strong plain burgundy cloth lettered from bottom with series number and Index Library in gold. A most presentable very good working copy.…

Hardback. Condition: VG. No DW. 1st Edition. Original text is clean,and tight, has a few Harvard University Library stamps etc. but looks barely opened. First and last leaves slightly worn. It has been trimmed (top and bottom) and fitted with new endpapers and recently rebound in strong plain burgundy cloth lettered from bottom with series number and Index Library in gold. A most presentable very good working copy.…

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

First Edition. Very good copy in the original gilt-blocked cloth and beveled boards. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; viii, 149 pages. 1 Kg.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: VG+. No DW. 1st Edition. Original text is clean,and tight, has a few Harvard University Library stamps etc. but looks barely opened. Book has been trimmed (top and bottom) and fitted with new endpapers and recently rebound in strong plain burgundy cloth lettered from bottom with series number and Index Library in gold. Book is in very good plus condition with very minor signs of wear and/or age. Minor pencil annotations verso half-title page.…

Hardback. Condition: VG. No DW. 1st Edition. Publishers burgundy cloth, gilt. Book is in very good condition with minor signs of wear and/or age.

Hardback. Condition: VG. No DW. 1st Edition. Original text is clean,and tight, has a few Harvard University Library stamps etc. but looks barely opened. First and last leaves slightly worn. It has been trimmed (top and bottom) and fitted with new endpapers and recently rebound in strong plain burgundy cloth lettered from bottom with series number and Index Library in gold. A most presentable very good working copy.…

First Edition. Very good copy in the original gilt-blocked cloth and beveled boards. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; viii, 149 pages. 1 Kg.

This copy is form the library of Strand Electric - and is stamped accordingly on the front inside cover. One of the early defintive works on stage lighting. Includes much about the development of lighting controls and lanterns as well as the art of stage lighting. Blue cloth, 130pp., many illustrations and some pull-out drawings, worn condition.…

Hardback. Condition: VG+. No DW. 1st Edition. Published 1949, 1952 and 1952. Original maroon cloth, gilt.Look barely opened. Texts are near Fine but minor shelf wear. SPECIAL POSTAGE RATES MAY APPLY Packed weight 1800g.