Byg Barton (16 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: New. Dust Jacket Condition: New. First Printing of the First Edition. Jackson: University Press of Mississippi, 2003. BRAND NEW in a BRAND NEW dust jacket. Perfect condition. NO chips. NO tears. NO creases. NO rubbing. NO fading. Sharp corners. Bright, shiny, clean, square and tight. NO owner's name or bookplate. NOT a remainder. 2003. First Edition, First Printing with complete number row (4321) on the copyright page. With contributions by Angelica Fenner, Norman S. Holland, Mark Ingram, Adam Knee, Florence Martin, Allen Meek, Eva Rueschmann, Kenneth Womack, Barton Byg, David N. Coury, Todd F. Davis, Rodica Diaconescu-Blumenfeld, Carolyn Durham, Mine Eren, and Catherine Wynne. Photo illustrated. List of chapter notes. Bibliography. Index. Bound in the original gray cloth, stamped in black on the spine. From the dust jacket: "In recent decades the experiences and political struggles of immigrants, exiles, and sojourners have inspired some of the most provocative feature films and documentaries in world cinema. These have sparked theoretical debates about cultural identity, place, and representation in the media. The thirteen essays in this anthology contribute to a growing interest in the emerging international genre of exile and diaspora films, treating a variety of motion pictures from Europe and the United States in their national and transnational contexts. These essays examine how contemporary cinema -- both fiction feature film and documentary -- has imagined the experience of migration and displacement, the struggle for citizenship and cultural belonging, and the encounter and negotiation of different cultures and identities. The authors discuss the ways cinema explores the many contradictions of exile and diaspora -- the complicated meanings of home, the exile's nostalgia for origins, the hopes and tragedies of border crossings, the difficulties of belonging to a strange society and being a stranger, and the conundrums of gender for the migrant, especially women's conciliation of different social roles and cultural expectations. Included are discussions of such well known films as THE CRYING GAME, LAMERICA, JOURNEY OF HOPE, EXOTICA, CHOCOLAT, LONE STAR, and FLYING DOWN TO RIO, as well as smaller productions by diasporic or immigrant filmmakers who deserve critical attention, including Seyhan Derin's I'M MY MOTHER'S DAUGHTER, Mina Shum's DOUBLE HAPPINESS, and Yanina Benguigui's IMMIGRANT MEMORIES: MAGHREBI HERITAGE. Encompassing different models of intercultural theory, this collection draws on the fields of anthropology, political economy, production and reception studies, feminism, travel writing, and postcolonial criticism and captures the complex, diverse, and continually changing body of diaspora film and its intertextual connections. Eva Rueschmann is an assistant professor of cultural studies at Hampshire College, the author of SISTERS ON THE SCREEN: SIBLINGS IN CONTEMPORARY CINEMA, and a contributor to two anthologies, INTERNATIONAL WOMEN'S WRITING: NEW LANDSCAPES OF IDENTITIES and THE SIGNIFICANCE OF SIBLING RELATIONSHIPS IN LITERATURE.". First Printing of the First Edition. Hardcover. New/New. 8vo. xxx, 265pp. Great Packaging, Fast Shipping.

Condition: OTTIMO USATO. INGLESE Illustrazioni presenti nel volume. Il volume si presenta in ottimo stato di conservazione. Il dorso e le copertine sono integri. Le pagine interne sono bianche e fruibili. I tagli puliti e regolari. La cerniera è ben salda. Numero pagine 303. Il volume potrebbe contenere timbri, il materiale è stato regolarmente acquisito dalla nostra Libreria.

hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. Southern Illinois University Press, 1992; first edition with full number line; viii, 348pp. Binding is tight and sturdy, but a bit cocked; raspberry cloth boards very good; black and pink titling remains bright and bold. Textured paper dust jacket shows slight soiling and previous sale sticker residue; liquid damage to rear, boards and interior unaffected. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota; due to the size/weight of this book additional shipping charges may apply.

Condition: New.

Condition: New.

Paperback. Condition: New. /BRAND NEW/SAME AS PICTURED/.

Condition: As New. Unread book in perfect condition.

Condition: New. In German.

Paperback. Condition: New.

Paperback. Condition: Brand New. 2013 edition. 459 pages. German language. 8.43x5.83x0.94 inches. In Stock.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Das Buch untersucht die internationalen Filmbeziehungen der DEFA von ihrer Gründung 1946 bis zu ihrer Auflösung nach dem Ende der DDR. Im Rahmen einer komparatistischen Mediengeschichtsschreibung werden stilistische Einflüsse in verschiedenen Filmgattungen ebenso untersucht wie Wechselwirkungen in der Rezeption und öffentlichen Diskussion. Die Beiträge gehen institutionellen Verflechtungen, deutsch-deutschen Filmkontakten und gelungenen wie gescheiterten Kooperations- und Koproduktionsvorhaben nach. Ein zentraler Aspekt des interkulturellen Austauschs der DDR wird damit erstmals grundlegend aufgearbeitet.

Condition: new. Questo è un articolo print on demand.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Das Buch beschäftigt sich mit den internationalen Filmbeziehungen der DEFA von ihrer Gründung 1946 bis zu ihrer Auflösung nach dem Ende der DDR 1991. Im Rahmen einer komparatistischen Mediengeschichtsschreibung werden stilistische Einflüsse in verschiedenen Filmgattungen ebenso untersucht wie Wechselwirkungen in der Rezeption und öffentlichen Diskussion. Die Beiträge gehen institutionellen Verflechtungen, deutsch-deutschen Filmkontakten und gelungenen wie gescheiterten Kooperations- und Koproduktionsvorhaben nach. Ein zentraler Aspekt des interkulturellen Austauschs der DDR wird damit erstmals grundlegend aufgearbeitet. 460 pp. Deutsch.

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Grundsaetzliche Neubetrachtung der DEFA und ihrer filmischen HinterlassenschaftKomparatistische Mediengeschichtsschreibung Im Fokus: interkultureller Austausch der DDR Das Buch beschaeftigt sich mit den internationalen Filmbeziehun.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Das Buch beschäftigt sich mit den internationalen Filmbeziehungen der DEFA von ihrer Gründung 1946 bis zu ihrer Auflösung nach dem Ende der DDR 1991. Im Rahmen einer komparatistischen Mediengeschichtsschreibung werden stilistische Einflüsse in verschiedenen Filmgattungen ebenso untersucht wie Wechselwirkungen in der Rezeption und öffentlichen Diskussion. Die Beiträge gehen institutionellen Verflechtungen, deutsch-deutschen Filmkontakten und gelungenen wie gescheiterten Kooperations- und Koproduktionsvorhaben nach. Ein zentraler Aspekt des interkulturellen Austauschs der DDR wird damit erstmals grundlegend aufgearbeitet.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 460 pp. Deutsch.