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Language: English
Published by Austrian Academy of Sciences Press, 2025
ISBN 10: 3700185200 ISBN 13: 9783700185208
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Condition: New.
Language: English
Published by Austrian Academy of Sciences Press, 2025
ISBN 10: 3700185200 ISBN 13: 9783700185208
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: Biblios, Frankfurt am main, HESSE, Germany
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Language: English
Published by Taylor & Francis Ltd, 2025
ISBN 10: 1032206586 ISBN 13: 9781032206585
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Paperback. Condition: Brand New. 268 pages. 9.18x6.12x9.21 inches. In Stock.
Language: English
Published by Verlag D.Oesterreichische, 2025
ISBN 10: 3700185200 ISBN 13: 9783700185208
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Language: English
Published by Boydell and Brewer Ltd, 2019
ISBN 10: 1783273909 ISBN 13: 9781783273904
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Condition: New. Anja Bunzel works at the Institute of Art History, Czech Academy of Sciences, where she researches (semi-)private musical culture in nineteenth-century Prague within a European context. She is co-editor of Musical Salon Culture in the.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Verlag D.Oesterreichische, 2025
ISBN 10: 3700185200 ISBN 13: 9783700185208
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Taschenbuch. Condition: Neu. Women in Nineteenth-Century Czech Musical Culture | Apostles of a Brighter Future | Anja Bunzel (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | Routledge | EAN 9781032206585 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.
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Language: English
Published by Boydell and Brewer Ltd, GB, 2019
ISBN 10: 1783273909 ISBN 13: 9781783273904
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century.This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches,this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon. ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German. NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic. Contributors: Maren Bagge, PéterBozó, Anja Bunzel, Katie A. Callam, Beatrix Darmstädter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens.
Language: English
Published by Boydell and Brewer Ltd, GB, 2020
ISBN 10: 1783274107 ISBN 13: 9781783274109
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. Drawing on a wealth of unpublished sources surrounding Kinkel, this book explores the extent to which Kinkel's Lieder reflect and transcend compositional-aesthetic, cultural, and socio-political facets typically associated with the first half of the nineteenth century.Johanna Kinkel (1810-1858) was a German composer, music pedagogue, pianist, poet, writer, and activist. This is the first study to offer an exhaustive examination of Kinkel's published songs through the lens of her extraordinary biography and reception. Throughout her life, Kinkel was strongly invested in traditional family and household duties. First married to a Catholic book seller, she successfully filed for divorce in 1840, converted to the Protestantfaith, and, in 1843, married the poet, professor, and revolutionary Gottfried Kinkel (1815-1882), with whom she had four children. Many of her love songs reveal a sense of emotional hardship and longing for support and recognition. Similar sentiments can also be traced in Kinkel's private letters. On the other hand, she challenged typical gender conventions of the time in these private correspondences, in her poetry, music, and writings, and through public socio-political participation. Her political songs to words by herself, by Gottfried Kinkel, and by some of their poet-friends draw on such themes as freedom and democracy and are anchored in the German democratic movement during the first half of the century. Furthermore, Kinkel treats in her songs such typical Romantic topoi as nature, loneliness, eternity, and night thoughts. Her compositional aesthetics range from simple strophic settings with straightforward harmony to more diverse harmonic progressions, rhythmic peculiarities, and complex musical interpretations of poetic Romantic irony. This book provides insights into the depth and width of Kinkel's song aesthetics and into her positioning within and between such domains as musical professionalism and amateurism and 'masculine' and 'feminine' musical styles. It argues that Kinkel's songs both reflect and transcend aesthetic, cultural,and socio-political facets typically associated with female composers of the first half of the nineteenth century, thus adding a new layer to our understanding of both the composer Johanna Kinkel and nineteenth-century song moregenerally.