Bryars Gavin (131 results)

157 pp.; 25.7 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. An Interview," by Joan Simon and Susan Rothenberg; "Inter-view," by Hans-Ulrich Obrist and Fabrice Hybert; "Les Infos Du Paradis: Neville Wakefield on Robert Smithson," by Neville Wakefield; "Cumulus From America: Daniela Salvioni on SFMOMA," by Daniela Salvioni; "Cumulus Aus Europa," by James Roberts "Balkon," by Lisa Liebmann. Insert by Robert Smithson. Text in German and English. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Heft. Condition: Gut. 6 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 6 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 4 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 12 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 8 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 12 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Soft cover. Condition: New. A beautiful 64 page quarterly magazine, with fully illustrated articles, reviews and interviews. I am told this is our 50th year in Uppingham. Where the time has gone, I m not quite sure, but that number seems big enough to me to warrant a celebration. So for the next four issues of our gallery magazine, we will be taking the opportunity to look back at some of the extraordinary things, people, places and events that have brought us where we are today. In this, our Spring issue, we look back ten years on from our unforgettable visit to Jingdezhen, the Chinese Porcelain Capital of the World and home of the studio of Japanese potter Takeshi Yasuda. Elsewhere, you ll see the spirit of the late Stanley Jones alive again in the prints of Barbara Hepworth and Paula Rego, which he so expertly ushered into the world. An issue of remembrances; I hope you enjoy it.…

Heft. Condition: Gut. 8 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 20 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Befriedigend. 20 Seiten; Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 260.

4°. Geheftet. Stimmen (Parts) Sprache: Englisch Gewicht in Gramm: 300.

Heft. Condition: 10. 22 / 7 Seiten; Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Condition: Good. Good condition. (Titanic, aleatory music) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Heft. Condition: Gut. 16 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: 10. 32 Seiten; Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 25 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: 10. 44 Seiten; Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Sheet music. Condition: Like New. First Edition. Publisher's original stiff card covers. In nearly new condition: sharp and bright. Contents crisp and clean. 104 pages.

First edition, first printing. Near fine paperback exhibition catalogue.

Heft. Condition: Befriedigend. 44 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 22 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Paperback. Condition: Very Good. Copyright 2017. Some slight wear.

Paperback. Condition: Very Good. Copyright 1996. Slight wear. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Heft. Condition: Gut. 44 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: Gut. 28 Seiten Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Heft. Condition: 10. 50 Seiten; Die Notenblätter befinden sich in einem tadellosen Zustand. Sprache: Deutsch Gewicht in Gramm: 90.

Softcover. Condition: New. for four voices (ATTB) and string orchestra. Gch (ATTB) Str .

No binding. Condition: Fair. This late minimalist, 74-minute piece for orchestra and tape has had, and continues to have, a near-legendary effect on its audience. It's the rare work created specifically to tug gently at one's heartstrings that actually does, and not subtly, either. It starts with a found recording of a homeless man singing a halting, simple melody looped over and over. Then Bryars builds and buttresses this with a full orchestra brought in incrementally, from the first carefully placed short pendulum string sweep to, 10 minutes from the end, the gravelly-voiced singer Tom Waits joins in. It's an obvious but effective work--appealing to all the basics of our emotional nervous system, but still tragically beautiful. --Robin Edgerton.…

Condition: New. Noten. Violoncello und Orchester. Klavierauszug mit Solostimme 56 S. .