Published by Copy Express
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Pearly Gates Publishing LLC, 2016
ISBN 10: 1945117109 ISBN 13: 9781945117107
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Bruyninckx, Larry (illustrator).
Language: English
Published by Pearly Gates Publishing LLC, 2016
ISBN 10: 1945117109 ISBN 13: 9781945117107
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Bruyninckx, Larry (illustrator).
Language: English
Published by Pearly Gates Publishing LLC, 2016
ISBN 10: 1945117109 ISBN 13: 9781945117107
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Bruyninckx, Larry (illustrator). Unread book in perfect condition.
Published by Ad Compositors, 1969
Seller: Books of Paradise, Magalia, CA, U.S.A.
Decorated Boards. Condition: Very Good-. Dust Jacket Condition: No Dust Jacket. No Edition Stated. rubbing to edges and corners w/small tears, tiny cut to spine midway down, couple light soil marks to covers.
Seller: Bay State Book Company, North Smithfield, RI, U.S.A.
Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Published by Privately printed, Mechelen, Belgium, 1989
Seller: Archer's Used and Rare Books, Kent, OH, U.S.A.
First Edition
Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. 1st edition. c1989. Vol. 2. Ba-Ca. Near Fine. Quantity Available: 1. Category: Music; Jazz; Pictures of this item not already displayed here available upon request. Inventory No: 2508.
Published by Ad Compositors, 1969
Seller: Bingo Used Books, Vancouver, WA, U.S.A.
Hardcover. Condition: Very Good. hardback in very good+ condition.
Published by Privately Published, 1111
Seller: BoundlessBookstore, Wallingford, United Kingdom
Paperback. Condition: Good. Good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.
Published by Privately Published, Belgium
Seller: Leigh Gallery Books, LEIGH ON SEA, ESSEX, United Kingdom
First Edition
Soft cover. Condition: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.
Published by Privately Published, Belgium
Seller: Leigh Gallery Books, LEIGH ON SEA, ESSEX, United Kingdom
First Edition
Soft cover. Condition: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.
Published by Privately Published, Belgium
Seller: Leigh Gallery Books, LEIGH ON SEA, ESSEX, United Kingdom
First Edition
Soft cover. Condition: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.
Published by Privately Published, Belgium
Seller: Leigh Gallery Books, LEIGH ON SEA, ESSEX, United Kingdom
First Edition
Soft cover. Condition: Very Good. First Edition. Minor signs of handling. Undated but ca 1980`s.
Seller: Darkleaf Books, Arrington, VA, U.S.A.
Hardcover. Condition: New. Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist. The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks. Bruyninckx follows four technologies - the musical score, the electric microphone, the portable magnetic tape recorder, and the sound spectrograph - through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences.
Language: English
Published by Belgium, Privately Published o. J., um 1980., 1980
Seller: ANTIQUARIAT Franke BRUDDENBOOKS, Lübeck, Germany
Kl.-8°, Taschenbuch der Zeit. Condition: Gut. 406 S., Einband etwas berieben. Innen sauber und gut erhalten. Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 500.
Language: English
Published by Pearly Gates Publishing LLC, 2016
ISBN 10: 1945117109 ISBN 13: 9781945117107
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Bruyninckx, Larry (illustrator).
Language: English
Published by Pearly Gates Publishing LLC, 2016
ISBN 10: 1945117109 ISBN 13: 9781945117107
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Bruyninckx, Larry (illustrator). Unread book in perfect condition.
Seller: Buteo Books, San Rafael, CA, U.S.A.
Hardcover. Condition: New. Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist. <p>The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks. <p>Bruyninckx follows four technologies - the musical score, the electric microphone, the portable magnetic tape recorder, and the sound spectrograph - through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences.
Condition: New.
Publication Date: 1986
Seller: Chamblin Bookmine, Jacksonville, FL, U.S.A.
8Vo Softcover. Condition: Good. 405pp. Text is clean on unmarked, uncreased pages. Hinges are secure, textblock is square with pointed corners. Minimal overall shelf/timewear, coverwear, cover edge and cornerwear.
Condition: New.
Published by Belgium
Seller: Tulsa Books, Tulsa, OK, U.S.A.
First Edition
Soft Cover. First Edition. Very good in green wraps. Pages 1620 - 2026 of this 6 volume discography (this is volume 5 only).
Published by Privately Published, Belgium
Seller: Leigh Gallery Books, LEIGH ON SEA, ESSEX, United Kingdom
First Edition
Soft cover. Condition: Very Good. First Edition. 406pp. Minor signs of handling. Undated but ca 1980`s.
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 150 pages. 8.60x5.70x0.70 inches. In Stock.
Seller: Mooney's bookstore, Den Helder, Netherlands
Condition: New. Geeraerts, Isabelle (illustrator).
Published by Mechelen, 1986
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
Condition: Used - Good. Good paperback. Volume 2 only, D-H. Bright internally. Covers and spine creased.
Publication Date: 1985
Seller: Chamblin Bookmine, Jacksonville, FL, U.S.A.
8vo Softcover. Condition: Very Good. Vol. 1 A-D. 408p. Volume one only. No publication page. White pages are unmarked. Illustrated wraps are vibrant with gently bumped corners and spine ends. Binding is tight with a faintly creased spine. Jazz magazine sticker on front fly.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by MIT Press 11/26/2024, 2024
ISBN 10: 0262553392 ISBN 13: 9780262553391
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Listening in the Field: Recording and the Science of Birdsong. Book.