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New Chinese Cinemas: Forms, Identities, Politics
Language: English
Published by Cambridge University Press, 1996
ISBN 10: 0521448778 ISBN 13: 9780521448772
Seller: Film and Theory Books, San Francisco, CA, U.S.A.
Seller rating 5 out of 5 stars
Soft cover. Condition: Good. Some sticker residue, no interior markings.
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New Chinese Cinemas: Forms, Identities, Politics
Language: English
Published by Cambridge U., Cambridge, 1999
ISBN 10: 0521448778 ISBN 13: 9780521448772
Pb. Condition: G+. 255pp. Extremities rubbed; light soiling top edge; some highlighting & underlining first 65 pages. Illus.; endnotes; glossary; biblio.; index. Good reading copy.
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New Chinese Cinemas: Forms, Identities, Politics
Language: English
Published by Cambridge University Press, 1996
ISBN 10: 0521448778 ISBN 13: 9780521448772
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780521448772.
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New Chinese Cinemas: Forms, Identities, Politics
Language: English
Published by Cambridge University Press, 1994
ISBN 10: 0521444098 ISBN 13: 9780521444095
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0521444098.
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New Chinese Cinemas: Forms, Identities, Politics
Language: English
Published by Cambridge University Press, Cambridge, 1996
ISBN 10: 0521448778 ISBN 13: 9780521448772
Soft cover. Condition: Fine. 1st Ed. Thus. xiii+255pp., Pictorial b/w photographic covers with light edge & corner wear, contributors, note, intro. by Nick Browne, b/w plts. & text ills., chron., gloss., index. New Chinese Cinemas analyzes the changing forms and significance of filmmaking in the people's republic, Taiwan, and Hong Kong, emphasizing how film has commented on the profound social change that occurred in East Asia during the 1980s. These original essays offer extended analyses of the important trends, themes, and styles that define contemporary Chinese filmmaking. Size: Octavo. Book.
