Brouwer Adriaen (37 results)

Loose Leaf. Condition: New. Reproduction. None. No.

Hardcover. Condition: Fine. Abnutzung / Risse - leicht. Elegante Damen in Satinroben, Magde mit gestarkten Hauben und nachdenkliche Gelehrte in ihrem Studierzimmer - uber keine Lebenskultur scheinen wir so viel zu wissen wie uber das Leben im ,Goldenen Zeitalter". Dennoch birgt die ordentliche Welt der hollandischen Burger Doppelbodigkeiten. Die Dame des Hauses trinkt am helllichten Tage Wein, Schosshundchen kopulieren auf blanken Marmorfliesen und ein grober Bauer zieht angewiderte Fratzen. Die Publikation prasentiert die vielfaltigen Themen und Bedeutungen dieser mit dem Gattungsbegriff ,Genre" nur unzureichend bezeichneten Malerei. Anhand der gezeigten Schlusselwerke von Meistern wie Adriaen Brouwer, Adriaen van Ostade, Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, Frans van Mieris und Johannes Vermeer wird die Formulierung eines neuen Gattungsbegriffs versucht. (Englische Ausgabe lieferbar ISBN 3-7757-1523-1) Ausstellung: Museum Boijmans van Beuningen, Rotterdam 23.10.2004-9.1.2005 * Stadelsches Kunstinstitut und Stadtische Galerie, Frankfurt/Main 10.2.-1.5.2005.

No Binding. Condition: Fine. Engraving (illustrator). First Edition. Image size 97" x 5 3/4", wide margins. Beneath the image, there are the credits to Brauwer and Schiavonetti, text "Flemish Pastime / Oh! That men should put an enemy in their mouths to steal away their brains, That we should with joy, pleasure, revel and aplause transform ourselves to beasts. Shakespeare." With the printers information and date below. A fine impression in fine condition, paper evenly aged.

Softcover. 142 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. 3777441309 Sprache: Deutsch Gewicht in Gramm: 350.

Berlin, Euphorion Verlag, 1924. 189,[1] pp. 130 b./w. ills. Orig. hardcover (gilt lettered green full cloth binding). 8vo. - Spine ser. worn & discol.; corners sl. worn.Worn copy of the 1924 edition.

auf Bütten-Karton (27x37cm) aufgewalzt (Chine appliqué) Gesellschaft für vervielfältigende Kunst Wien 1884 [Bütten am rechten Rand leicht braunfleckig.].

Hardcover. Condition: Gut. 25cm; [1985]. 257 S. Hardcover. zahlr. Ill. Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

auf Bütten-Karton (27x37cm) aufgewalzt (Chine appliqué) Gesellschaft für vervielfältigende Kunst Wien 1884 [Bütten am unteren Rand leicht braunfleckig.].

auf Bütten-Karton (27x37cm) aufgewalzt (Chine appliqué) Gesellschaft für vervielfältigende Kunst Wien 1884 [Bütten am rechten Rand leicht braunfleckig.].

auf Bütten-Karton (37x27cm) aufgewalzt (Chine appliqué) Gesellschaft für vervielfältigende Kunst Wien 1884 [Bütten am unteren Rand leicht braunfleckig.].

auf Bütten-Karton (37x27cm) aufgewalzt (Chine appliqué) Gesellschaft für vervielfältigende Kunst Wien 1884 [Bütten am oberen und unteren Rand leicht braunfleckig.].

auf Bütten-Karton (27x37cm) aufgewalzt (Chine appliqué) Gesellschaft für vervielfältigende Kunst Wien 1884 [Bütten am rechten Rand leicht braunfleckig.].

The Hague, L.J.C. Boucher, 1962, 195,(1) pag., 13 coloured plates, 116 b/w illustrations, orignal giltlettered cloth, folio (34 x 25,5 cm.).

0. Sprache: Deutschu.

Heft 12*17. Condition: Gut. 31 S. gebraucht gut lei14182 Sprache: Deutsch Gewicht in Gramm: 50.

Heft / 12 x 17. Condition: Gut. 31 S. 201037012 Sprache: Deutsch Gewicht in Gramm: 75.

Condition: gut. 1986. Adriaen Brouwer und das niederländische Bauerngenre 1600 - 1660. Konrad Renger; Mit e. Beitr. "Zu Brouwers Maltechnik" / von Hubertus von Sonnenburg. [München, Alte Pinakothek, 25. April - 29. Juni 1986] / Studio-Ausstellung ; 8 In deutscher Sprache. pages.

Engraving, trimmed to image, small wormhole, some small pinholes near top border,

The Hague, 1962. 195 pp. 120 col. & b./w. ills. Hardcover, d./j. - Dustjacket dam.; first endpaper foxed.

Marburg, [1985]. 257 pp. B./w. ills. Hardcover. (Studien zur Kunst- und Kulturgesch. 3).

0. Sprache: Deutschu.

Adriaen Brouwer (attributed) (illustrator). 'DONE FROM A CAPITAL PICTURE OF BROUWER IN THE COLLECTION OF B: CLEEVE ESQR. BY JAS. MC.ARDELL. SOLD BY J. MC.ARDELL AT THE GOLDEN HEAD IN COVENT GARDEN. PRICE 2S.'Interior of a forge; one blacksmith working the fire with tongs, another hammering a piece on an anvil. Dramatic lighting centered on the forge fire.Made by James McArdell after Adriaen Brouwer (attributed).Medium: Mezzotint on hand laid (verge) paper.Sheet size: 37.1 x 26.9 cm (14.61 x 10.59 inch). Image size: 33.2 x 26 cm. (13.07 x 10.24 inch).BLACKSMITH, FORGE, ADRIAEN BROUWER, JAMES MCARDELL, MEZZOTINT, 18TH CENTURY PRINTS, GENRE SCENES, DUTCH GENRE PAINTING | PCO-E23-02BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Horst Scholz, "Brouwer invenit", Marburg 1985, p. 187188, no. 167; Wellcome Collection 30962i.Biography engraver: James McArdell (ca. 1729-1765), Irish mezzotint engraver active in London; renowned for his reproductive engravings after Old Masters and contemporary painters, praised by Joshua Reynolds.Biography artist: Adriaen Brouwer (1605/06-1638), Flemish genre painter celebrated for his vivid, atmospheric depictions of peasant life, tavern interiors, and low-life scenes, influential in both Flemish and Dutch art circles. Condition: fair, given age. Smudges, repaired tear at top right, surface scratches, traces of previous mounting on verso. Attached to a carrier sheet. Sold waf. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

original Etching, / Radierung, 16,5 x 23 cm, Trägerblatt 28 x 38,5 cm, aufgewalztes Chinapapier de 500 Grafik.

original Etching, / Radierung, 12 x 20 cm, Trägerblatt 28 x 38,5 cm, aufgewalztes Chinapapier de 500 Grafik.

original Etching, / Radierung, 21 x 17 cm, Trägerblatt 38,5 x 28 cm, aufgewalztes Chinapapier de 500 Grafik.

2 original Radierungen/ etchings, Blatt je / sheet each 38,5 x 28 cm de 500 Grafik.

2 original Radierungen/ etchings, Blatt je / sheet each 38,5 x 28 cm de 500 Grafik.

Adriaen Brouwer (illustrator). "Staande bedelaarster" (Standing female beggar). River landscape with a woman begging for money. She's seen full-length, in profile, turned to the right, leaning on a wooden stick with her right hand and with a small container in her left. She wears a bin as a backpack on her shoulders with her belongings. A young man stands behind her. Trees and a village beyond the river. Mezzotint after an etching/engraving by Gerrit Lucas van Schagen (1642-1690), after Adriaen Brouwer (1605-1638).Made by Gerrit Lucas van Schagen after Adriaen Brouwer.Medium: Mezzotint engraving on hand laid (verge) paper.Sheet size: 25.6 x 18 cm (10.08 x 7.09 inch). Image size: 25.5 x 17.9 cm. (10.04 x 7.05 inch).FEMALE-BEGGAR-RIVER-LANDSCAPE | PCO-C43-17BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Gerrit Lucasz van Schagen or Schaagen (Latinised Gerardus a Schagen) (c.1642-c.1724) was an engraver and cartographer from Amsterdam, known for his exquisite reproductions of maps, particularly of those by Nicolaes Visscher I and Frederick de Wit. He lived and worked in Amsterdam, on the Haarlemmerdijk near the New Haarlem sluice at the house with the sign "In de Stuurman". Adriaen Brouwer (c.1605-1638) was a Flemish painter active in Flanders and the Dutch Republic in the first half of the 17th century. Brouwer was an important innovator of genre painting through his vivid depictions of peasants, soldiers and other "lower class" individuals engaged in drinking, smoking, card or dice playing, fighting, music making etc. in taverns or rural settings. Brouwer contributed to the development of the genre of tronies, i.e. head or facial studies, which investigate varieties of expression. In his final year he produced a few landscapes of a tragic intensity. Brouwer's work had an important influence on the next generation of Flemish and Dutch genre painters. Although Brouwer produced only a small body of work, Dutch masters Peter Paul Rubens and Rembrandt collected it. Condition: good, given age. Some creasing and thin paper spots. Remains of paper tape from previous attachment. Small stain. Light soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Etching on cream laid paper, 7 1/2 x 5 1/2 inches (190 x 140 mm), full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the sheet corners, perhaps from a former mount. Flattened diagonal crease throughout the image area, unobtrusive. All condition points are consistent with age. Despite having been well known for painting bawdy tavern scenes, and a preference for what has been described as a dissolute lifestyle, Brouwer was highly esteemed in the art community. This is evidenced by the fact that both Rembrandt and Peter Paul Rubens owned works by Brouwer at the time of his death. Rubens, who began collecting works by Brouwer before having sought him out to befriend him, owned 17 works by Brouwer at the time of his own death.