Botnick Ken (4 results)

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  • Published by Red Ozier Press, New York, 1981

    • First Edition

    Seller: Boojum and Snark Books, Kanab, UT, U.S.A.Boojum and Snark Books

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    Condition: Used - Near fine

    £ 7.69

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    No Binding. Condition: Near Fine. 1st Edition. Prospectus for two Red Ozier publications: The Woman & The Knife, by Aime Cesaire, and The Streets of Chance, by William S. Burroughs. Single sheet, 8 7/8 x 11 1/8 inches, folded once, engraving on recto of first leaf. Near fine (slight sunning?). (3214025).

  • Published by Metropolitan Museum of Art, New York, 1986

    • Softcover
    • First Edition

    Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA

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    Association member: ABAAESAIOBAILAB

    Condition: Used - Fine

    £ 15.38

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    Softcover. Condition: Fine. First edition. Fine in wrappers. Photos. Exhibition catalogue.

  • Published by Metropolitan Museum of Art, 1986

    • Softcover

    Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore

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    Condition: Used - Good

    £ 15.54

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    paperback. Condition: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

  • Published by Codex Foundation, The, Berkeley, 2024

    • Softcover

    Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.Oak Knoll Books, ABAA, ILAB

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    Association member: ABAAILABMBS

    Condition: Used

    £ 19.22

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    wrappers. 5.5 x 7.75 inches. wrappers. 16 pages. CODE(x)+1 Monograph #18. Number eighteen in the CODE(x)+1 monograph series. While conceptual complexities differentiate the artist book from the world of handmade objects, there is a similarity in reconciling ones vision for a project with its functionality. One of the truest lessons of craft practice is that it is not only difficult to foster innovation and creativity in the absence of constraints, the constraints give birth to them. Italo Calvino described this as escaping the pull of gravity that so stimulates the imagination. The book, a seemingly constrained form, should surely be exhausted by now. Yet it continues. And we continue making them. The books ineffable natureits sustainable, renewable, inexhaustible resourceis found in the potential of the imaginative mind informed by the work of the hand.