Bonsiepe Gui Ed (5 results)

Soft cover. Condition: Fair. No Jacket. NB: Dual text in German and English. Softcover. Condition: Fair, covers have shelfwear with some general light soiling and "grubbiness". Binding sound, no inscriptions.84pp. Many b/w illustrations. Published quarterly between 1958 and 1968, the international journal provided a comprehensive account of the supremely influential design school's ethos, output and curriculum. This is the double issue from September 1963 and includes an article on "whether the Bauhaus is still relevant today?" by Tomas Monaldo and an essay by former Bauhaus member Josef Albers on the "Interaction of Color".…

Soft cover. Condition: Good. No Jacket. NB: Does not contain the three colour silkscreen entitled "Agitation", 1962 which was enclosed with the issue. Dual text in German and English. Softcover. Condition: Good, with light shelfwear, and light soiling and foxing to covers. Binding sound, no inscriptions. 76pp. Many b/w illustrations. Published quarterly between 1958 and 1968, the international journal provided a comprehensive account of the supremely influential design school's ethos, output and curriculum. This is the double issue from March 1965 and includes articles on various product designs produced as a result of the teaching at Ulm, as well as the design work of teachers including packaging for the cosmetics company Durodont and corporate design for Lufthansa, both by Otl Aicher.…

Soft cover. Condition: Good. No Jacket. NB: Dual text in German and English. Softcover. Condition: Good, with light shelfwear, and light soiling and foxing to covers. Binding sound, no inscriptions.84pp. Many b/w illustrations. Published quarterly between 1958 and 1968, the international journal provided a comprehensive account of the supremely influential design school's ethos, output and curriculum. This is the double issue from May 1964 and includes articles on the corporate image of Lufthansa German airlines, the L-shaped panel building procedure for housing construction and previous Ulm students, Maurice Goldring and Willi Ramstein.…

Soft cover. Condition: Good. No Jacket. 1st Edition. Contains the three color silkscreen entitled "Agitation". Dual text German/English. Overall G.

paperback. Condition: Very Good. Prima edizione (First Edition). Table of Contents: Matko Mestrovic: Homage to Ulm. Tomas Maldonado: Is the Bauhaus Relevent Today? T. Maldonado:  How to fight Complacency in design education? T. Maldonado and Gui Bonsiepe: Science and design.  Gui Bonsiepe: Education for visual design. Claude Schnaidt: Architecture and political commitment. G. Bonsiepe: Commentary on the situation of the HfG. Radoslav Putar: Product design in Yugoslav Industry. Vera Horvat Pintaric: On Visual communication in Yugoslavia. Fedor Kritovac: Design without feed back. Alcune immagini in bianco e nero . Cm 24x21. pp. 120. . Molto buono (Very Good). . Prima edizione (First Edition). . Bit International documenta un breve ma intenso esperimento artistico che ha avuto luogo in Jugoslavia negli Anni Sessanta. Si tratta di una storia poco conosciuta che riguarda l'avvento dei computer nell'arte e un movimento nato nel 1961 a Zagabria, in Jugoslavia. È stato grazie alle attività di quel movimento, noto come New Tendencies, e dell'istituzione che lo sosteneva, la Galerija suvremene umjetnosti, che il computer è stato adottato come strumento e mezzo artistico. Perseguendo l'idea dell'?arte come ricerca visiva?, il movimento New Tendencies ha seguito un percorso che ha portato dall'arte concreta e costruttivista, all'Op art e all'arte cinetica con i suoi apparati dinamici, alla grafica, al cinema e alla scultura generati dal computer, dall'?arte programmata? senza computer all'arte generata o controllata dai computer.Con le loro mostre e conferenze sul tema dei computer e della ricerca visiva e il lancio della rivista multilingue e innovativa Bit International nel 1968, le Nuove Tendenze trasformarono Zagabria, già uno dei centri artistici più vivaci della Jugoslavia, in un luogo di incontro internazionale dove artisti, ingegneri e scienziati provenienti da entrambi i lati della cortina di ferro si riunivano attorno alla tecnologia allora nuova. Per un breve periodo, Zagabria è stata l'epicentro dell'esplorazione del potenziale estetico, scientifico e politico del computer.…