Blum Helman (10 results)

Trade Paperback. Condition: Very Good. 4to - over 9¾" - 12" tall. A very good+ copy with slight soiling and rubbing to wrappers (chiefly at edges); else a near fine copy internally. [20] pages (unpaginated). Catalogue of the gallery's exhibition, October - November 1985. Main essay by Warren; includes biographical chronology (with a few bibliographical references).10 Color Photographs.

0 Includes illustrations. Very good. light shelf wear, ex museum stamp on blank flyleaf.

Unknown. Condition: Near Fine. First Edition. 4to - over 9¾" - 12" tall. Slight rubbing (chiefly to extremities and folds); else a near fine copy as issued. Giant bull-elephant sized poster (oblong format; 26' x 39'; 66 x 99 cm approximately), featuring a desert landscape marked by a red cross; issued in conjunction with the gallery's exhibition, November 1989 - January 1990; printed recto only, folded to form 16-page quarto-sized booklet (with additional fold to midsection). 1 b/w Photograph (with additional Red Color superimposed).

156 pp.; 27.5 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. Gast; "What Becomes a Legend Most," by Carol Zemel; "Showcase in Arcadia," by Ken Johnson; "An Interview with Thomas Krens;" "Critics and the Marketplace: 10 Statements;" "Beuys and Warhol: Aftershocks," by David Galloway; "Cash Art; "Woman's Place," by Anne Higonnet; "The Sculpture of Camille Claudel," by Brooks Adams; "Issues & Commentary," by Douglas Davis; "On Art and Economic Reasoning," by J.M. Montias; "Artists vs. the Market," by Eleanor Heartney; "Review of Books," by Yve-Alain Bois and Peter Plagens; "Profit and Loss," by Walter Robinson; "Cinema," by Carrie Rickey; "Fashion," by Amy Fine Collins; "The Bottom Line," by Iain Pears; "Exhibition Reviews" and "Artworld." Cover: Joseph Beuys. Good / Very Good. Red soiling to bottom right corner of recto through to pages and back cover and ranging in size from 4 mm. to 1.5 cm. 2.1 cm. dog-ear to bottom right corners of page 43-50. Light rubbing and bumping of cover edges and yellowing of covers. Due to large size and weight additional shipping charges will be required for international orders.

Soft Cover. Condition: Very Good. This is a very good softcover copy. Signed by the artist, Donald Sultan, in ink, vertically on the front cover near the spine. Completely clean inside, and very clean outside, but some handling soil to covers. This catalog was prepared to accompany the exhibition at Blum Helman during the month of April, 1985. 8 color plates. Biographical sketch. Exhibition history. Bibliography. 9" square. Signed by Artist.

Condition: Good. 8vo. Soft Cover [ ca. 25 pp.] B&W and Color Plates, Very Good. First Edition.

Condition: Good. 8vo. Soft cover [ca. 20 pp.] B&W and Color Plates. Very Good with Age Toning, Creasing, Abrasions. Provenance: From the library of the San Francisco Gallerist Pasquale Iannetti.

Condition: Good. 8vo. [ca. 35 pp.] Soft Cover, Very Good. Color Plates. Provenance: Richard Diebenkorn Foundation; Some Items Presented to Phyllis Diebenkorn, his Wife (1921-2015).

Condition: Good. 12mo. Oblong Stapled Wrap, [ ca. 12 pp.] B&W Plates. Very GoodProvenance: Richard Diebenkorn Foundation, Berkeley, CA.

Condition: Good. 8vo. Soft Cover [ ca. 20 pp.] Color Plates, Very good. Toning, Creasing. Staining, Foxing.Inscribed in Graphite on Cover with Date and [Name ?]Provenance: Richard Diebenkorn Foundation, Berkeley, CA.