Block Irving Illustrator (6 results)

Hardcover. Condition: Very Good. Nick Block (illustrator).

Hardcover. Condition: Fair. Nick Block (illustrator).

Hardcover. Condition: Good. WASHINGTON IRVING/BRYAN BROWN. 2004 EDITION? NO DJ AS ISSUED. COVER HAS A LITTLE SHELF WEAR. 188 PAGE TEXT HAS LIGHT WEAR. CLASSIC. 6.25'' X 9.25''. WE USE BUBBLE MAILERS. Nick Block (illustrator).

Hardcover. Condition: Very Good. This hardback book is in Very Good condition. Clean, tight, bright. Glossy covers. unmarked. Color pictoral front cover. Black & White illustrations, inside. part of the set: adapted by Bryan Brown.Treasury of illustrated Classics. Nick Block (illustrator).

Hardcover. Condition: Very Good. 1st Edition. This copy is hand SIGNED by Ward Ritchie & artist Irving Block in the colophon; there is one loose color plate in lite blue SIGNED by Irving Block, size of print: 6 x 7.5in; 5 are full page in gold & white, text and small vingettes; 21pp, thin 8vo; limited edition of 199 numbered copies (this is # 138), printed on Curtis Rag pp; blue cloth boards with embossed boards with title in gold lettering on front board; book is tight and clean, just a little rubbing to boards corners; otherwise interior and print in VERY GOOD COND. Signed by Author(s). …

Limited Edition. Small Quarto. From the library of Joseph D'Ambrosio. 44(1) pp. Vignette title page, an introduction by Harry Stone and published in honor of the 25th anniversary of California State University, Northridge (1958-1983). Limited to 300 copies. The present copy is #122 signed by both Harry Stone and Irving Block. This is a remarkable and perplexing work. This piece of short fiction, which first appeared in the Atlantic Monthly in 1868, near the end of Dicken's career, differs strikingly from the loosely knit, happily ended novels like Pickwick Papers and Oliver Twist with which Dickens achieved his early reputation. Its neurotic, insecure first-person narrator seems less like Esther Summerson, Pip and David Copperfield than like Dostoevsky's underground man and Eliot's J. Alfred Prufrock. Through the narrative technique of this work "Dickens . . . reveals his bleakest view regarding self-extrication from guilt, because he seems to say that once the prosecutor has moved wholly within the accused's mind, there may be no possible extrication. A fine copy bound in blue cloth centrally stamped and lettered in gilt, spine lettering gilt. [Deborah A. Thomas].…