Blanter Matvey (2 results)

Published by Compozitor (SPb.), 2004
- Softcover
- Sheet Music
Seller: Ruslania, Helsinki, FinlandRuslania
Contact seller5-star sellerCondition: New
£ 8.72
£ 13.54 shippingShips from Finland to U.S.A.Quantity: 10 available
Condition: new. Pages: 12 Language: Russian. Serija s takim nazvaniem ne trebuet osobogo predstavlenija. Etot proekt stal chrezvychajno populjarnym za vesma korotkoe vremja. I neudivitelno: v kazhdom malenkom sbornike soderzhitsja "kvintessentsija" tvorchestva kazhdogo kompozitora ili ispolnitelja. Soderzhanie: DZHON GREJ KATJUSHA GRUSTIT NE NADO Oblozhka mozhet otlichatsja ot predstavlennoj na sajte. 9790660044322. …
More imagesPublished by Moscow, 1925
- Softcover
- First Edition
- Sheet Music
Seller: Bibliophile Bindery, ILAB, London, United KingdomBibliophile Bindery, ILAB
Contact seller3-star sellerAssociation member: ILAB
Condition: Used - Good
£ 450.00
£ 8.85 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Good. 1st Edition. Sheet music for voice and piano by Matvey Blanter, with lyrics by Konstantin Podrevsky. Author's edition, Moscow, 1925. Avant-garde cover. This early vocal work belongs to the formative period of Matvey Blanter, long before his later fame as one of the most recognisable Soviet song composers. In the mid-1920s, Blanter's style is still fluid and experimental, shaped by urban modernism, cabaret influences and the musical language of the NEP-era cultural scene. These early scores are particularly valuable as they reveal a composer working outside the later ideological and stylistic constraints that defined his mature career. Konstantin Podrevsky, a poet and librettist active in the same period, is known for lyrical texts marked by emotional intensity, romantic fragmentation and subtle urban irony. His collaboration with Blanter here results in a piece that feels theatrically expressive and emotionally raw, characteristic of the artistic atmosphere of the 1920s. As a 1925 author's edition, this publication is also of bibliographic interest: small print runs, transitional typography, and often striking avant-garde cover graphics make such scores highly collectible today. It stands as a tangible document of early Soviet cultural modernism, where visual design and musical content are closely interwoven. Pages tears, the spine reinforced with a strip of conservation paper, occasional minor stains.…