Blake Sir Peter (37 results)

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. As new, still in shrink wrap. Very good condition. Label remnants to shrink wrap.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Annotations to some page edges/pages, may include notes, highlighting or underlining.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: As New. 8. 25x32x2cm. 2004. Relié. 216 pages. As New.

Hardcover. First edition. Illustrated in black, white and color. Very scarce in this condition. Fine copy in fine dust jacket (in mylar).

Condition: As New. 25x32x2cm. 2004. Relié. 216 pages. As New.

Hardcover. Condition: Vg+. Dust Jacket Condition: Fine. HB in VG+ condition. DJ near fine and protected by removable plastic sleeve.

Condition: As New. French édition - Livre issu de déstockage JAMAIS LU présentant des petits plis cornes marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée depuis la France. 25x32x2cm. 2004. Relié. 216 pages. As New.

Hardcover without dustjacket as issued, 232 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New. William Sitwell is an award-winning editor, broadcaster and writer. Editor of Waitrose Food magazine, he is a frequent guest and presenter on TV and radio &ndash he&rsquos best known as a critic on the BBC show MasterChef &ndash and also co.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. In excellent condition, the only real defects a very small bump to the front bottom lower edge and a tiny spot of rubbing - about a millimetre square - near the bottom of the spine. An interesting look at Donald Hamilton Fraser's long career, including an introductory essay and commentary upon many paintings, a long interview with the artist, a chronology of his life and career, lists of publications and works in public collections, and a bibliography. There are also contributions by Sir Peter Blake, Brendan Neiland and Annela Twitchin. Blake recalls how they were both tutors at the Royal College of Art. Among Fraser's pupils were David Hockney and Ron Kitaj. Fraser notes wryly that he has "always learnt by teaching". His own big break came when he was selected for a scholarship in Paris by Anthony Blunt and John Piper and had a successful show at Gimpel's. "I remember," he says, "feeling as though I was about a foot off the ground. It had clicked. It had worked.".

Condition: Gut. 185 pages : color illustrations, color maps, color portraits, Fotos, Zustand: geringe Gebrauchs- u. Lagerspuren, private Widmung im Vorsatz, sonst sehr gutes Exemplar. Text, Sprache: Englisch, Skipper's account of Lion New Zealand's participation in the 1985-6 Whitbread Round the World Yacht Race. Col. map on lining papers. PETER BLAKE has become a legend in New Zealand sporting history. He is one of only two yachtsmen in the world to have sailed in all four Whitbread Round the World races. With Ceramco New Zealand, in the 1981-82 Whitbread, he captured the hearts and the imagination of a nation as he and his crew overcame tremendous odds to finish the 27,000-mile classic with distinction. The race was vividly relived in the bestselling BLAKE'S ODYSSEY, one of the finest modern accounts of man against his oldest adversary - the sea. No sooner was that race over than Blake began planning for the next, this time in a new yacht, Lion New Zealand. The sea and the elements hadn't changed, but the race had: this time the focus was on big boats designed and built specifically for the race. It was the first time such boats had been campaigned in number for the honour of being fastest around the world. With big gear, clouds of sail and high loads and stresses, these maxi-yachts required the utmost skill from their crews. The 1985-86 Whitbread was characterised by hightech yachts manned by sailors who smashed all the records as they pushed themselves and their craft to the limits in the greatest yacht race ever. LION is the story of that epic adventure, from the early planning stages and the building of the yacht to the dramatic finish in Portsmouth. It is a superbly written account of one of the most exciting challenges of our time and a tribute to the courage and dedication of ocean-racing yachtsmen. K 042 ISBN 0340401141 Sprache: Englisch Gewicht in Gramm: 920 27 cm, gebundene Ausgabe, Hardcover mit Original-SchutzUmschlag,

Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.

Condition: As New. 25x32x2cm. 2004. Relié. 216 pages. As New.

Paper. Condition: Good. First Edition. An Original Typed and Signed Letter/Envelope from Beatles Pop Artist Sir Peter Blake to Artist Anthony Rossiter. A reply from Peter Blake and the original carbon copy of Rossiter's reply. Written 1975. From a large collection of the artists letters. Anthony Rossiter RWA MSIAD was a British landscape painter who was educated at Eton and studied painting at Chelsea Art School from 1947-51. He was a romantic visionary, a "poet" whose heaven was the Mendip Hills in Somerset. Gnarled hedgerows, tumbling stone walls, broken gates, reflections in water and ploughed fields were all his subject matter. His works also included portraits, most notably that of W.H. Auden. Anthony Rossiter began his correspondence with Huxley and Osmond while writing his autobiography, The Pendulum (Gollancz, 1966). From the ecstasy of the creative high to the agonising despair of depression, The Pendulum was the creative artist's riposte to the cult success of Doors of Perception (Chatto & Windus, 1954). Where Huxley induced heightened perception by carefully controlled experiments with mescaline, Rossiter's swings came naturally and without warning. Sir Peter Thomas Blake b1932 is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette. Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art. All in good condition with light creasing. Ref18838. Signed by Author(s).

Hardcover. Condition: Very Good. Edition of 1500. Excellent copy - clean, bright, well-bound. Boards have very minor wear - small bump to bottom right corner, faint color-fading at the top of the front panel, minimal wear to spine edges. Interior is clean and crisp, pages are square and bright.

This Deluxe edition of That Lucky Old Sun is in perfect condition, coming directly from the publisher themselves. Limited to just 1,000 copies worldwide, each is signed by the late Brian Wilson and Sir Peter Blake. The numbered book, hand-signed by Brian and Peter, includes illustrated new interviews with Brian and an essay by noted author Harvey Kubernik. Brian speaks at length about his life and work today, reflecting on his compositions and inspirations. The 12 new artworks are published as individual plates with a preface by Peter, who describes the work in his own words; each is sized at 41.5cm x 31.7cm (16" x 12.5") and suitable for framing. The collection is safely preserved within a hand-crafted box, made in Italy and bound in two cloths - colours of which represent the hues of the Californian sky. The box is decoratively blocked in silver and gold foils with a portrait of Brian inset on the inside cover. The edition would not be complete without one of the first CD pressings of the album, a copy of which is included in every boxed set. Also included is an original laminate VIP pass, saved from the first live performances of That Lucky Old Sun. It is attached by a ribbon, as a bookmark. In design and finish That Lucky Old Sun is personally overseen and, as such, reflects the same spirit of invention for which Peter Blake and Brian Wilson are renowned.

16 Seiten, mit vielen Abbildungen. - Beidseitig bedrucktes Deckblatt auf Mattglanz-Karton; 4to.(ca. 29,5 x 20,5 cm). *** 1. AUFLAGE, BROSCHIERTE ORIGINALAUSGABE. - TADELLOSES EXEMPLAR. --- Viele weitere Monographien einzelner Künstler-innen des renommierten Lieferungswerkes im Bestand. . .

Condition: Very good. 1954, London, Seeley, Service & Co. Limited, pp334, colour frontispiece, black and white illustrations, tan cloth spine over beige boards in dustwrapper.

Hardcover. First Edition, First Printing. Near Fine, bound in pictorial boards, with a Near Fine original glassine dust jacket. Weak toning to exterior. Interior is clean and unmarked. Profusely illustrated throughout in color. 8vo, 9 1/4"h x 8"w. Covers Ziggy, Aladdin Sane, White Sands, Lodger and Scary Monsters.

1st edition. Hardcover. Mint in mint dustjacket, featuring artwork pattern by Peter Blake. Sir Peter Blake, one of the most eminent of modern British artists and often described as the father of Pop Art, has designed posters, labels, postcards, covers, calendars, book jackets and record sleeves, the most famous of which are his iconic cover for the Beatles' Sergeant Pepper's Lonely Hearts Club Band album, and his cover for Band Aid's Do They Know It's Christmas? The two editors of this book, in the publisher's Design series, have assembled over 150 examples in colour of both Blake's fine art and his commercial art, and in their accompanying text they show how, at various stages of his career, Blake has embraced different art forms and processes, such as collages and ink-jet printing. The book is boldly signed by Sir Peter and the two editors, unique thus, with a wide variety of the artist's designs on show.