Beverly Semmes (13 results)

Language: English
Published by Philadelphia: Institute of Contemporary Art, 1993
- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerCondition: Used
£ 19.14
£ 3.72 shippingShips within U.S.A.Quantity: 1 available
Softcover staple-bound, 12 pages; very good condition; clean and crisp; no internal marks.

Published by Blind Spot, New York, 2001
- Softcover
- First Edition
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA
Contact seller5-star sellerFirst Edition. First edition. Softcover. Features a text contribution by Alan Lightman. Includes images by Mitch Epstein, David Hilliard, Matthias Hoch, Peter Hutchinson, Gabriel Orozco, Sam Samoire, Beverly Semmes, and Karin Apollonia Muller. A fine copy in wrappers.

Published by Museum of Contemporary Art, Chicago, IL, 1995
- Softcover
- First Edition
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA
Contact seller5-star sellerFirst Edition. First edition. Softcover. 12 pages. Exhibition catalog for a show that ran October 7 through December 3, 1995. Acknowledgements by Amada Cruz. Foreword by Kevin E. Consey. Includes with the covers 3 color and 2 black and white illustrations, checklist, biography, list of previous exhibitions, and selected bibliogr…aphy. A fine copy in stapled wrappers.
- Softcover
Seller: Rivelli's Books, minneapolis, MN, U.S.A.Rivelli's Books
Contact seller5-star sellerCondition: Used - Very good
£ 15.31
£ 7.42 shippingShips within U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. Nice clean copy.A touch of shelfwear to lower right corner. 12 pages. Color repros.

Published by Kunsthallen Brandts Klaedefabrik, 2004
- Hardcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerCondition: Used
£ 30.62
£ 3.72 shippingShips within U.S.A.Quantity: 1 available
Hardcover without dustjacket as issued, 76 pages; in English and Danish; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
More imagesPublished by Southampton Art Gallery, Southampton, 1994
- Softcover
- First Edition
Seller: Cox & Budge Books, IOBA, Hythe, United KingdomCox & Budge Books, IOBA
Contact seller5-star sellerAssociation member: IOBA
Condition: Used - Good
£ 15.00
£ 19.50 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Good. 1st Edition. First edition. Card covers. 28 × 21cm, unpaginated. A slim book to accompany an exhibition of textile artist Beverly Semmes' work, held at Southampton, the Camden Arts Centre, and James Hockey Gallery in Farnham. Illustrated in colour. Condition: A good copy, with a little marking to the… edges.
More imagesPublished by Kunsthallen Brandts Klaedefabrik, 2004
- Hardcover
- Signed
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.Midway Book Store (ABAA)
Contact seller5-star sellerCondition: Used - Fine
£ 30.62
£ 5.95 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: fine. 16mo. 7" x7". Square. 77pp. Orange glossy covers. Signed by Beverly Semmes on front endpaper.
Published by Smith College Museum of Art, Norton Museum of Art, 1996
- Softcover
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerSoftcover staple-bound, 20 pages; very good condition; light rubbing to covers; no internal marks.

Published by Leslie Tonkonow Artworks + Projects, New York, 2001
- Photo
Seller: Museum Without Walls, Santa Maria, CA, U.S.A.Museum Without Walls
Contact seller5-star sellerNo Binding. Condition: Fine. Exhibition Invitation Card, 1 fold, in fine condition. Cards are sent in stiff mailers. Photo.

Published by Camden Arts Centre, London, 1994
- Softcover
- First Edition
Seller: David Bunnett Books, London, United KingdomDavid Bunnett Books
Contact seller5-star sellerCondition: Used - Fine
£ 36.00
£ 21.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketSOFTCOVER. Condition: Fine. 1st Edition. Large 4to. in colour printed stiff card covers, unpaginated, approx. 40pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved almost AS NEW copy (hint of tanning to leaves) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box .… . We always ship in STRONG PROTECTIVE CARD PARCELS.

Published by Camden Arts Centre, London, 1994
- Softcover
- First Edition
Seller: David Bunnett Books, London, United KingdomDavid Bunnett Books
Contact seller5-star sellerCondition: Used - As new
£ 38.00
£ 21.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketSOFTCOVER. Condition: As New. 1st Edition. Large 4to. in colour printed stiff card covers, unpaginated, approx. 40pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked copy (hint of tanning to leaves) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We a…lways ship in STRONG PROTECTIVE CARD PARCELS.

- Hardcover
Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
Contact seller1-star sellerCondition: New
£ 1,512.69
£ 2.23 shippingShips within U.S.A.Quantity: 2 available
Hardcover. Condition: New.

Plastic Fantastic Lover [Exhibition catalog]
Catherine Liu [curator]; Polly Apfelbaum, Cathy de Monchaux, Paula Hayes, Rebecca Horn, Karen Kilimnik, Liz Larner, Annette Messager, Beverly Semmes, Mary Weatherford, et al.
Published by Blum Helman, New York, 1991
- First Edition
Seller: Capitol Hill Books, ABAA, Washington, DC, U.S.A.Capitol Hill Books, ABAA
Contact seller5-star sellerCondition: Used - Very good
£ 76.55
£ 3.34 shippingShips within U.S.A.Quantity: 1 available
Add to basketCondition: Very Good +. First Edition. New York: Blum Helman, 1991. First Edition. Octavo (23cm); 48pp. Publisher?s stiff spiral-bound wrappers; shimmery cellophane endsheet. Black-and-white photographs throughout. Wraps lightly bumped. Binding sound. Textblock, endsheets, and interior pages clean. Very Good or better. Scarce in… retail. Exhibition catalog for a show composed entirely of rising female artists of the early 90s. Catherine Liu?s curatorial project attempted to dispel the myth of the male genius, macho artist, or ?Master.? Drawing upon history and pop culture alike, her introduction asserts ?The woman artist has had to not only negotiate with hysteria as a functional position, she has had to deal with the moralizing ethic that would have her be the perfect exemplar, a careful technical, or a political pedagogue.? Striking design.