Bessire (371 results)

Paperback. Condition: Very Good. From his provocative Cover Girl series featuring photographic portraits of himself on the covers of popular magazines, to his writings on sexuality and identity, the work of Nigerian-born Ik' Ud' explores a world of dualities: African/postnationalist, photographer/performance artist, artist/spectator, male/female, mainstream/marginal, seduction/narcissism, and fashion/art. As an artist from Nigeria working in New York City, connected to the world of fashion and celebrity, Ud' gives the political aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art. Like Andy Warhol, Ud' plays with the ambiguities of the marketplace and art world, particularly in his notorious art, culture, and fashion magazine, aRUDE. This book, which accompanies a traveling exhibition organized by the Institute of Contemporary Art at the Maine College of Art, in Portland, Maine, is the first comprehensive publication on Ud''s photography. The book contains photographs of the installations Beyond Decorum, Uses of Evidence, and Project Rear; several series, including Cover Girls, Uli, and Celluloid; and photographs from his magazine aRUDE. The book also includes essays by Lauri Firstenberg, Kobena Mercer, Olu Oguibe, Valerie Steele, Octavio Zaya, and Ik' Ud' himself, as well as an interview with Ud' conducted by Okwui Enwezor. The reader meets Ud' the artist, editor, dandy, and aesthete. In his writing, Ud' speaks of the futility of stereotypes, and in his photography, he brings to life the image of the artist in a plenitude of guises.EXHIBITION SCHEDULE: Institute of Contemporary Art Portland, Maine 24 February-13 April 2000 OBORO Montreal, Canada Autumn 2000 Sert Gallery, Carpenter Center Harvard University Art Museums Cambridge, Massachusetts Summer 2001. …

Paperback. Condition: Good. From his provocative Cover Girl series featuring photographic portraits of himself on the covers of popular magazines, to his writings on sexuality and identity, the work of Nigerian-born Ik' Ud' explores a world of dualities: African/postnationalist, photographer/performance artist, artist/spectator, male/female, mainstream/marginal, seduction/narcissism, and fashion/art. As an artist from Nigeria working in New York City, connected to the world of fashion and celebrity, Ud' gives the political aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art. Like Andy Warhol, Ud' plays with the ambiguities of the marketplace and art world, particularly in his notorious art, culture, and fashion magazine, aRUDE. This book, which accompanies a traveling exhibition organized by the Institute of Contemporary Art at the Maine College of Art, in Portland, Maine, is the first comprehensive publication on Ud''s photography. The book contains photographs of the installations Beyond Decorum, Uses of Evidence, and Project Rear; several series, including Cover Girls, Uli, and Celluloid; and photographs from his magazine aRUDE. The book also includes essays by Lauri Firstenberg, Kobena Mercer, Olu Oguibe, Valerie Steele, Octavio Zaya, and Ik' Ud' himself, as well as an interview with Ud' conducted by Okwui Enwezor. The reader meets Ud' the artist, editor, dandy, and aesthete. In his writing, Ud' speaks of the futility of stereotypes, and in his photography, he brings to life the image of the artist in a plenitude of guises.EXHIBITION SCHEDULE: Institute of Contemporary Art Portland, Maine 24 February-13 April 2000 OBORO Montreal, Canada Autumn 2000 Sert Gallery, Carpenter Center Harvard University Art Museums Cambridge, Massachusetts Summer 2001. …

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Hardback. Condition: Good. The first visual and critical guide to the work of Wenda Gu, a major contemporary Chinese-American artist.Wenda Gu is one of the leading contemporary Chinese artists of his generation. Known by some as the hair artist and remembered by others as the artist whose monumental installation was violently destroyed by a Russian artist at the infamous Interpol exhibition (Stockholm, 1996), he is part of the diaspora that has sent many Chinese artists to the West over the past twenty years. He has built his reputation on reinvigorating ancient Chinese symbols and practices--the seal, calligraphy, ink painting--with contemporary vision and meaning.Wenda Gu often uses genetic material--hair and blood--as his medium. His most ambitious, ongoing project, the United Nations series, consists of installations at sites around the world in which hair is used to create works of art emblematic of a future not ruled by racial or national boundaries. To mark the British handover of Hong Kong to China, for example, he created United Nations: Hong Kong Monument: The Historical Clash, which consisted of a Chinese flag made of Chinese hair, a Union Jack made of British hair, and hair cuttings from Hong Kong scattered on the floor. These united nations monuments have been installed so far in Australia, Canada, China, France, Great Britain, Holland, Hong Kong, Japan, Italy, Poland, Russia, South Africa, South Korea, Sweden, Taiwan, and the United States. Wenda Gu: Art from Middle Kingdom to Biological Millennium is the most comprehensive presentation of Wenda Gu 1/2s work to date. Two generous sections of plates document the United Nations series and other projects, many of which are presented in the exhibition this book accompanies. The book also includes previously unpublished writings by Gu, an interview with the artist by David Cateforis, and essays by Mark Bessire, the co-curator of the exhibit, and Gao Minglu and Gan Xu, both leading authorities on the new Chinese avant-garde.…

Hardback. Condition: Good. Finalist for the National Book AwardAn intimate reckoning with aquifer depletion in America's heartlandThe Ogallala aquifer has nourished life on the American Great Plains for millennia. But less than a century of unsustainable irrigation farming has taxed much of the aquifer beyond repair. The imminent depletion of the Ogallala and other aquifers around the world is a defining planetary crisis of our times. Running Out offers a uniquely personal account of aquifer depletion and the deeper layers through which it gains meaning and force.Anthropologist Lucas Bessire journeyed back to western Kansas, where five generations of his family lived as irrigation farmers and ranchers, to try to make sense of this vital resource and its loss. His search for water across the drying High Plains brings the reader face to face with the stark realities of industrial agriculture, eroding democratic norms, and surreal interpretations of a looming disaster. Yet the destination is far from predictable, as the book seeks to move beyond the words and genres through which destruction is often known. Instead, this journey into the morass of eradication offers a series of unexpected discoveries about what it means to inherit the troubled legacies of the past and how we can take responsibility for a more inclusive, sustainable future.An urgent and unsettling meditation on environmental change, Running Out is a revelatory account of family, complicity, loss, and what it means to find your way back home.…

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hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardback. Condition: Good. Finalist for the National Book AwardAn intimate reckoning with aquifer depletion in America's heartlandThe Ogallala aquifer has nourished life on the American Great Plains for millennia. But less than a century of unsustainable irrigation farming has taxed much of the aquifer beyond repair. The imminent depletion of the Ogallala and other aquifers around the world is a defining planetary crisis of our times. Running Out offers a uniquely personal account of aquifer depletion and the deeper layers through which it gains meaning and force.Anthropologist Lucas Bessire journeyed back to western Kansas, where five generations of his family lived as irrigation farmers and ranchers, to try to make sense of this vital resource and its loss. His search for water across the drying High Plains brings the reader face to face with the stark realities of industrial agriculture, eroding democratic norms, and surreal interpretations of a looming disaster. Yet the destination is far from predictable, as the book seeks to move beyond the words and genres through which destruction is often known. Instead, this journey into the morass of eradication offers a series of unexpected discoveries about what it means to inherit the troubled legacies of the past and how we can take responsibility for a more inclusive, sustainable future.An urgent and unsettling meditation on environmental change, Running Out is a revelatory account of family, complicity, loss, and what it means to find your way back home.…