Beyond Decorum: The Photography of Ike Ude
Language: English
Published by MIT Press Ltd, 2000
- Softcover
- Used
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
AbeBooks seller since December 20, 2007
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Add to basketItem description from seller
From his provocative Cover Girl series featuring photographic portraits of himself on the covers of popular magazines, to his writings on sexuality and identity, the work of Nigerian-born Ik' Ud' explores a world of dualities: African/postnationalist, photographer/performance artist, artist/spectator, male/female, mainstream/marginal, seduction/narcissism, and fashion/art. As an artist from Nigeria working in New York City, connected to the world of fashion and celebrity, Ud' gives the political aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art. Like Andy Warhol, Ud' plays with the ambiguities of the marketplace and art world, particularly in his notorious art, culture, and fashion magazine, aRUDE. This book, which accompanies a traveling exhibition organized by the Institute of Contemporary Art at the Maine College of Art, in Portland, Maine, is the first comprehensive publication on Ud''s photography. The book contains photographs of the installations Beyond Decorum, Uses of Evidence, and Project Rear; several series, including Cover Girls, Uli, and Celluloid; and photographs from his magazine aRUDE. The book also includes essays by Lauri Firstenberg, Kobena Mercer, Olu Oguibe, Valerie Steele, Octavio Zaya, and Ik' Ud' himself, as well as an interview with Ud' conducted by Okwui Enwezor. The reader meets Ud' the artist, editor, dandy, and aesthete. In his writing, Ud' speaks of the futility of stereotypes, and in his photography, he brings to life the image of the artist in a plenitude of guises.EXHIBITION SCHEDULE: Institute of Contemporary Art Portland, Maine 24 February-13 April 2000 OBORO Montreal, Canada Autumn 2000 Sert Gallery, Carpenter Center Harvard University Art Museums Cambridge, Massachusetts Summer 2001.…
Seller Inventory # 00107314436
- Title
- Beyond Decorum: The Photography of Ike Ude
- Author
- Mark Hc Bessire
- Publisher
- MIT Press Ltd
- Publication year
- 2000
- Condition
- Very Good
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0262522802
- ISBN 13
- 9780262522809
From his provocative Cover Girl series featuring photographic portraits of himself on the covers of popular magazines, to his writings on sexuality and identity, the work of Nigerian-born Iké Udé explores a world of dualities: African/postnationalist, photographer/performance artist, artist/spectator, male/female, mainstream/marginal, seduction/narcissism, and fashion/art. As an artist from Nigeria working in New York City, connected to the world of fashion and celebrity, Udé gives the political aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art. Like Andy Warhol, Udé plays with the ambiguities of the marketplace and art world, particularly in his notorious art, culture, and fashion magazine, aRUDE. This book, which accompanies a traveling exhibition organized by the Institute of Contemporary Art at the Maine College of Art, in Portland, Maine, is the first comprehensive publication on Udé's photography. The book contains photographs of the installations "Beyond Decorum", "Uses of Evidence", and "Project Rear"; several series, including Cover Girls, Uli, and Celluloid; and photographs from his magazine aRUDE. The book also includes essays by Lauri Firstenberg, Kobena Mercer, Olu Oguibe, Valerie Steele, Octavio Zaya, and Iké Udé himself, as well as an interview with Udé conducted by Okwui Enwezor. The reader meets Udé the artist, editor, dandy, and aesthete. In his writing, Udé speaks of the futility of stereotypes, and in his photography, he brings to life the image of the artist in a plenitude of guises.
EXHIBITION SCHEDULE: Institute of Contemporary Art Portland, Maine 24 February-13 April 2000 OBORO Montreal, Canada Autumn 2000 Sert Gallery, Carpenter Center Harvard University Art Museums Cambridge, Massachusetts Summer 2001
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