Language: English
Published by University of Washington Press, 2019
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by University of Washington Press, 2019
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by University of Washington Press, 2019
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by University of Washington Press, Seattle, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Paperback. Condition: new. Paperback. From Kara Walker's hellscape antebellum silhouettes to Paul Beatty's bizarre twist on slavery in The Sellout and from Colson Whitehead's literal Underground Railroad to Jordan Peele's body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging "alternate takes" on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post-Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements.Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery's prevailing tropes, narratives, and images.A V Ethel Willis White Book Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Language: English
Published by Taylor & Francis Group, 2013
ISBN 10: 0415861020 ISBN 13: 9780415861021
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Condition: New. pp. 160 1st Edition.
Language: English
Published by Taylor & Francis Ltd, 2013
ISBN 10: 0415861020 ISBN 13: 9780415861021
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£ 64.31
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Language: English
Published by Taylor & Francis Group, 2013
ISBN 10: 0415861020 ISBN 13: 9780415861021
Seller: Biblios, Frankfurt am main, HESSE, Germany
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
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Condition: New. Über den AutorBertram D. Ashe is professor of English and American studies at the University of Richmond and author of Twisted: My Dreadlock Chronicles. Ilka Saal is professor of American literature at the Universit.
Language: English
Published by University of Washington Press, Seattle, 2020
ISBN 10: 0295746637 ISBN 13: 9780295746630
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. From Kara Walker's hellscape antebellum silhouettes to Paul Beatty's bizarre twist on slavery in The Sellout and from Colson Whitehead's literal Underground Railroad to Jordan Peele's body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging "alternate takes" on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post-Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements.Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery's prevailing tropes, narratives, and images.A V Ethel Willis White Book Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746645 ISBN 13: 9780295746647
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Language: English
Published by University of Washington Press, Seattle, 2020
ISBN 10: 0295746645 ISBN 13: 9780295746647
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Hardcover. Condition: new. Hardcover. From Kara Walker's hellscape antebellum silhouettes to Paul Beatty's bizarre twist on slavery in The Sellout and from Colson Whitehead's literal Underground Railroad to Jordan Peele's body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging "alternate takes" on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post-Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements.Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery's prevailing tropes, narratives, and images.A V Ethel Willis White Book Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746645 ISBN 13: 9780295746647
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by MV - University of Washington Press, 2020
ISBN 10: 0295746645 ISBN 13: 9780295746647
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746645 ISBN 13: 9780295746647
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746645 ISBN 13: 9780295746647
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by University of Washington Press, 2020
ISBN 10: 0295746645 ISBN 13: 9780295746647
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.