Behm Megan (11 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover, in dust jacket. With a photo essay by Megan Behm (illustrator). First edition, first printing. Fine in fine dust jacket, in mylar cover.

Condition: New. pp. 124.

Condition: New.

Taschenbuch. Condition: Neu. The "Opposite of People" | Theatrical Doubling and Rosencrantz and Guildenstern are Dead | Megan Behm | Taschenbuch | 124 S. | Englisch | 2012 | LAP LAMBERT Academic Publishing | EAN 9783846589410 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Tom Stoppard is primarily concerned with absurdism, metatheatricality, and language as tools to explore the nature and various definitions of reality. Rosencrantz and Guildenstern are Dead, Stoppard s first major work, focuses on all of these questions and is specifically one of Stoppard s most theatrical plays. Doubling is a longstanding theatrical tradition in which one actor portrays multiple characters within a dramatic work. Over the past century, various directors have rediscovered ways to use doubling in more conceptual ways, making daring implications about politics, sexuality, the purpose of theatre, and offering alternate interpretations to classical works. Rosencrantz and Guildenstern are Dead is a work that traditionally requires anywhere from fifteen to thirty-five actors, yet its metatheatrical implications could be greatly strengthened by the use of doubling. For that reason, this thesis, in conjunction with the process of directing a production of Rosencrantz and Guildenstern are Dead, examined how Stoppard s first masterpiece can be thematically strengthened by the use of doubling. 124 pp. Englisch.

Condition: New. Print on Demand pp. 124 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condition: New. PRINT ON DEMAND pp. 124.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Tom Stoppard is primarily concerned with absurdism, metatheatricality, and language as tools to explore the nature and various definitions of reality. Rosencrantz and Guildenstern are Dead, Stoppard's first major work, focuses on all of these questions-and is specifically one of Stoppard's most theatrical plays. Doubling is a longstanding theatrical tradition in which one actor portrays multiple characters within a dramatic work. Over the past century, various directors have rediscovered ways to use doubling in more conceptual ways, making daring implications about politics, sexuality, the purpose of theatre, and offering alternate interpretations to classical works. Rosencrantz and Guildenstern are Dead is a work that traditionally 'requires' anywhere from fifteen to thirty-five actors, yet its metatheatrical implications could be greatly strengthened by the use of doubling. For that reason, this thesis, in conjunction with the process of directing a production of Rosencrantz and Guildenstern are Dead, examined how Stoppard's first masterpiece can be thematically strengthened by the use of doubling.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 124 pp. Englisch.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Tom Stoppard is primarily concerned with absurdism, metatheatricality, and language as tools to explore the nature and various definitions of reality. Rosencrantz and Guildenstern are Dead, Stoppard s first major work, focuses on all of these questions and is specifically one of Stoppard s most theatrical plays. Doubling is a longstanding theatrical tradition in which one actor portrays multiple characters within a dramatic work. Over the past century, various directors have rediscovered ways to use doubling in more conceptual ways, making daring implications about politics, sexuality, the purpose of theatre, and offering alternate interpretations to classical works. Rosencrantz and Guildenstern are Dead is a work that traditionally requires anywhere from fifteen to thirty-five actors, yet its metatheatrical implications could be greatly strengthened by the use of doubling. For that reason, this thesis, in conjunction with the process of directing a production of Rosencrantz and Guildenstern are Dead, examined how Stoppard s first masterpiece can be thematically strengthened by the use of doubling.