Baum Kelly (200 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: New.

Paperback. Condition: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Sealed in plastic. Secure packaging for safe delivery.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condition: good. Includes dustjacket.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Hardcover. Condition: New. New copy.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Condition: Very Good.

Condition: New.

Softcover. Condition: VG. A Golden Shape Book. Some rubbing & edgewear; some yellowing; overallc lean & tight. Renzo Barto/Jason Studios (illustrator).

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Softcover, 112 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Good. No Jacket As Issued. Edition and Printing Not Stated. Edition and printing not stated. Good to very good, Very light rubbing to covers, first & last page slightly darkened from offsetting of inside covers. 20 x 20cm. soft cover. Approx. 25pp. Size: 4to - over 9¾" - 12" tall. Barto, Renzo ; Jason Studios (illustrator). Book. …

paperback. Condition: Very Good. 47 page paperback exhibition catalog is focused on political, multimedia art. The covers have light rubbing, upper right corner bent. Color and black and white illustrations All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Fine. New soft cover in pristine condition. Some light shelfwear to cover.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: Good. "Whitten's objects in carved wood and found materials revisit and reclaim the forms, rituals and spirituality of African sculpture." ?Roberta Smith, New York Times Jack Whitten was one of the most important artists of his generation. His paintings range from figurative work addressing civil rights in the 1960s to groundbreaking experimentation with abstraction in the '70s, '80s and '90s to recent work memorializing black historical figures such as James Baldwin and W.E.B. Du Bois. Whitten began carving wood in the 1960s in order to understand African sculpture, both aesthetically and in terms of his own identity as an African American, and continued developing this practice throughout his life. For the first time ever, these revelatory works are collected in Odyssey, accompanying a landmark exhibition coorganized by the Baltimore Museum of Art and the Metropolitan Museum of Art. Odyssey features the sculptures made by Whitten over the past 50 years, as well as the Black Monolith series of paintings, and Whitten's own archival photographs documenting his life and process. The catalog includes major new texts from exhibition curators Katy Siegel and Kelly Baum, as well as contributions from philosopher Kwame Anthony Appiah, art historians Richard Shiff and Kellie Jones, a lengthy biographical interview with Whitten by art historian Courtney J. Martin and the essay "Why Do I Carve Wood?" by the artist himself. Gorgeously illustrated with hundreds of illustrations and never-before-published photographs, Odyssey is a landmark exploration of one of the most significant artists of the 20th century, and a monument to a life and career that, as described by the Washington Post, "enriched the abstract tradition in Western art with fresh political and spiritual content.".…

Soft cover. Condition: Near Fine. Record, Volume 67/2008. Softcover, pictorial stiff wraps, 123 pp, color and b&w illustrations, slight edgewear to covers, else a clean and near fine copy.