Barcenas Mina (5 results)

color plates, boards. Digital printing on cotton paper. Exposed spine and exposed stab binding (Japanese bookbinding) with henequen thread on sanseviera paper on covers, sig. SIGNED AND NUMBERED OF LIMITED EDITION 4/5. Diario de Viaje is an "artists' book, the log I kept during my stay in Spain and Portugal where I did an artistic residency. It collects images, annotations and reflections from my experiences. It's the footprint of a walk." --Mina Bárcenas Jiménez (La Habana, Cuba 1965, lives and works in Mérida, México). El libro "es la primera edición de Menta Ediciones"--Colophon. Selección Bienal Internacional del Libro de Artista de Buenos Aires, Argentina y de Satu-Mare, Rumania Exposiciones: - II Feria del Libro de Artista MUAC. Museo Universitario de Arte Contemporáneo. Ciudad de México. 2015. - X Feria de Libros de Fotos de Autor. Buenos Aires, Argentina. 2011. - I Bienal Europea del Libro de Arte. Museo de Arte. Satu-Mare, Rumania. 2010. Signed.

Impresión digital / papel de algodón. Encuadernación japonesa sin tapas + caja de madera forrada. LIMITED EDITION OF 5. "For a while I was interested in photographing the singular, which made me stop my pace for an instant. Afterwards the routes were more erratic, I went out to look for what I imagined. The desire to explore the relationship between text and image has led me to construct narratives; Figures that are derived with intertwined tenses. I've been looking for a rope for now, almost never decisive moments. My work needs a set, multiple projections, that follow one another and that are simultaneous at the same time. To do this, I use the disciplines of photography, literature, a bit of computer graphics and editorial design. I'm interested in exploring tangible and intangible territories from the usual and infraordinary, finding micro-histories that create space-time ruptures and with it. new territories. So, I'm interested in continuing to set up territories based on situated knowledge; through journeys, and from my migrant and anachronistic gaze." --Mina Bárcenas Jiménez (La Habana, Cuba 1965). 15.24 x 11.43 x 3 cm (folded) / 15.24 x 434.34 cm (unfolded).

Impresión digital / papel de algodón. Encuadernación acordeón japonés con pastas de tela + piedra. LIMITED EDITION OF 7. "For a while I was interested in photographing the singular, which made me stop my pace for an instant. Afterwards the routes were more erratic, I went out to look for what I imagined. The desire to explore the relationship between text and image has led me to construct narratives; Figures that are derived with intertwined tenses. I've been looking for a rope for now, almost never decisive moments. My work needs a set, multiple projections, that follow one another and that are simultaneous at the same time. To do this, I use the disciplines of photography, literature, a bit of computer graphics and editorial design. I'm interested in exploring tangible and intangible territories from the usual and infraordinary, finding micro-histories that create space-time ruptures and with it. new territories. So, I'm interested in continuing to set up territories based on situated knowledge; through journeys, and from my migrant and anachronistic gaze." --Mina Bárcenas Jiménez (La Habana, Cuba 1965).

Libro de artista con 10 Impresión digital / papel de algodón Hahnemühle + Caja archivero forrada en papel de algodón. LIMITED EDITION OF 5. "For a while I was interested in photographing the singular, which made me stop my pace for an instant. Afterwards the routes were more erratic, I went out to look for what I imagined. The desire to explore the relationship between text and image has led me to construct narratives; Figures that are derived with intertwined tenses. I've been looking for a rope for now, almost never decisive moments. My work needs a set, multiple projections, that follow one another and that are simultaneous at the same time. To do this, I use the disciplines of photography, literature, a bit of computer graphics and editorial design. I'm interested in exploring tangible and intangible territories from the usual and infraordinary, finding micro-histories that create space-time ruptures and with it. new territories. So, I'm interested in continuing to set up territories based on situated knowledge; through journeys, and from my migrant and anachronistic gaze." --Mina Bárcenas Jiménez (La Habana, Cuba 1965).

Condition: Fine in Fine Box. Limited Edition. Limited Edition. Diary class [work in progress] 10 digital printa on Hahnemühle cotton paper, housed in a filing box lined with cotton paper.Diario de clase [work in progress] / Class Diary [work in progress] Artist's book, second intervention of the Class Diary collection, unfinished, under construction since the first day I began as a teacher in the ESAY (Superior School of Visual Arts of Yucatan) to the present. 10 space/time maps of the witnesses of my time at the ESAY as a teacher. An exploration of art education as an experiential practice as seen in the teacher-student mirror. Each composition (territory of the unremarkable) is formed by a photo diary (in chronological order) of the school on the days when I went to class at the Photography Workshop at the ESAY. Technique: 10 digital prints (giclée / cotton paper) File box covered with cotton paper 5 copies + PA. Bright and unmarred. Folded sheets in long printed box. 90x54cm (prints) and 11x56x7cm(box). Numbered limited edition of 5. Signed by the artist.