Barbier George Illustrator (12 results)

hardcover. Condition: New. Paul Allier (illustrator). In shrink wrap. Looks like an interesting title!

Hardcover. Condition: New. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Very Good. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). 1991 - Glossy Pictorial boards, Book is in very nice condition, text is unmarked and pages are tight. Rear cover has 2 scratches.

Hardcover. Condition: Very Good. Enrico Sacchetti; George Barbier; Etienne Drian; Paul Iribe; Charles Martin; Andre-Edouard Marty; Delmas; Erte ( Romain De Tirtoff ); Georges Lepape (illustrator). 1991 - Red glossy boards w/o jacket. Book is in very nice condition, text is unmarked and pages are tight.

24,8 x 18,7 cm. Druck auf festem Karton. Kleine Löchlein in den Ecken, sonst ein sehr gut erhaltenes Exemplar. "Le Bal aura lieu le 22 Juin au Marché des Gobelins (Boulevard de l`Hôpital et Rue Philippe de Champagne)". Es gab für Frauen und Männer unterschiedlich gestaltete Eintrittskarte zu diesem Ereignis. George Barbier (* 10. Oktober 1882 in Nantes; 16. März 1932 in Paris) war ein bekannter französischer Maler, Illustrator und Modeschöpfer des Art Déco. Barbier, Georg (Illustrator). Invitation ticket: Bal des Quat'z'Art - 4-ZARTS. 1914 Année 1914. La Grèce d'Homère: lundi 22 june 1914 Marché des Gobelins. Carte d'entrée femme. Paris, print: Imprimerie P. Marmy. 1914. 24.8 x 18.7 cm. Print on cardboard. Small holes in the corners, otherwise a very well preserved copy. "Le Bal aura lieu le 22 Juin au Marché des Gobelins (Boulevard de l'Hôpital et Rue Philippe de Champagne)". There were differently designed tickets for women and men to this event. George Barbier (born October 10, 1882 in Nantes, March 16, 1932 in Paris) was a well-known French painter, illustrator and fashion designer of Art Déco. Sprache: französisch.

First edition, limited edition, one of 340 copies on và lin, from a total edition of 390, folio (33 x 28 cm); title, 8pp. of text in French by Miomandre, black and white vignette, 12 full-page colour illustrations by Barbier printed on rectos only, printed wrappers, yapp edges slightly worn, a very good copy. Barbier's wonderful illustrations for the Ballets Russes. Nijinsky is depicted here in Scheherazade, Carnaval and L'Aprà s-midi d'un Faune. 'The designs, although somewhat fantastic in treatment, do convey the impression produced by Nijinsky in his famous characters' (Beaumont). 'In his brief time, Nijinsky was the most famous male dancer in the world, a pre-eminence due in part to his extraordinary virtuosity. But it was not his virtuosity alone that made him such a powerful stage presence. As contemporary reports make clear, Nijinsky was a great and unusual actor. The ideal Fokine interpreter, he was able to expand a simple choreographic design into a rich dramatic portrait, using, in keeping with Fokine's dicta, the whole body as an expressive instrument. Nijinsky's influence as a dancer was immediate and huge. That ballet, nearly extinguished artistically in western Europe, was revived in this century is due to him and other great dancers of his generation, such as Anna Pavlova and Karsavina, as well as to Diaghilev. That male ballet, utterly extinguished, was also revived is due to him preeminently. Nijinsky was the first real ballet star of the male sex that Europe had seen since the retirement of Auguste Vestris nearly a century earlier. He initiated a renaissance.' (Cohen: The International Encyclopedia of Dance Vol. 4, pp. 646-648).

Soft cover. Condition: Near Fine. First Edition Limited. Limited edition, this #129 of 300 numbered copies, printed on blue laid paper. Printed covers with illustrated front cover, title in green, and tissue guards. Includes a mounted etched frontispiece portrait of Barbier by Charles Martin, and 25 mounted colored plates depicting theater costumes with gold and silver highlights. The text and illustrations were printed by Frazier-Soye. In original glassine wrapper, which is tanned and chipped but lacking slipcase. Internals near fine. George Barbier (1882-1932) was a French illustrator in the early 20th century. He designed theater and ballet costumes, illustrated books, and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet.

Hardcover. Condition: Very Good. 1st Edition. One of 225 numbered copies (no. 100) from a total edition of 300. 136 pp. with 8 color pochoir plates by Barbier. Bound in green morocco over decorative paper by Donnelley & Sons, Chicago. The binding edge-rubbed, the head of the spine chipped. Bookplate.

Hardcover. Barbier, George (illustrator). First edition. 128 pages. 12 x 8.5 cm. Six full-page pochoir color plates (plus additional text and border designs) -- Art Deco illustration in its zenith; Barbier being one of its foremost and famous proponents. Texts by la comtesse de Noailles, Albert Flament, Jean-Louis Vaudoyer.The illustrated silk covers offer a further dimension of Art Deco motif; illustrated dust wrapper, and slipcase in colors wrap the presentation. Lovely, fresh copy. Orig. silk decorated cloth. Fine in near fine dust wrapper in near fine slipcase. Aeg.

Stiff Wraps. Condition: Very Good. First Edition Thus. 4to. 29 by 20 cm. Unpaginated, 136 pp. 8 color pochoir plates by Barbier, with many smaller color illustrations interspersed in the text. Unnumbered copy to match the 225 on Verge d'Arches from a total edition of 300. Condition: light soiling to the wraps. A few tears and one dangling piece of the spine, with minor loss of the paper on the spine. Light age toning to the leaves within.

Limited edition, one of 67 copies on Japon, this numbered 37; 8vo (21 x 17.5 cm); 325pp., 36 compositions in colour after Barbier including the printed wrappers, title-page and vignette, printed on wood by Gasperini, with an additional suite of illustrations of the same composition but in a simplified outline design, printed in red, black, grey or purple, pages cut and in various sizes, blue marbled endpapers, minor age toning but otherwise very fresh; bound in contemporary quarter crushed dark blue morocco over marbled boards with the original wrappers bound in, spine in six parts with raised bands and gilt title to second, in fine condition. Thà ophile Gauthier's novel was undoubtedly inspired by the 'Orientalism' which dominated French culture in the middle of the XIX century. The text first appeared in parts in Le Moniteur universel between March and May 1857, and was published in book form in 1858. Set in the Valley of Kings, a young English aristocrat and a German Egyptologist find a sarcophagus with a perfectly preserved mummy of a pharaoh named Tahoser inside. After this discovery the novel recounts the life of beautiful Tahoser and her lovers.

First edition, number 101 of 150 copies; 4to (26 x 21 cm); 27 text illustrations wood-engraved by Pierre Bouchet and printed in colour after designs by Barbier; presentation copy, signed by Barbier on front blank; loose as issued in original pictorial wrappers after Barbier, publisher's burgundy cloth chemise and slipcase. A French Romantic poet, Maurice de Guà rin (1810-39) achieved cult status in his lifetime as one of the first writers of 'prose poems.' The present work is illustrated by George Barbier who provides beautiful illustrations of the mythological Centaur and the Bacchante, a follower of Bacchus (Dionysus). The charming presentation inscription reads: 'à Mademoiselle Violette Gath / ces petites divinitàs d'autrefois, dà jà touchà es par la mà lancolie d'aujourd'hui / avec les respectueux compliments de l'artiste / George Barbier / juin 1928.' [To Miss Violette Garth / These small deities of days past, already touched by the melancholy of today / With respectful compliments of the artist George Barbier / June 1928]. Carteret IV, 195; Mà hà , II, 309-310; Ritchie 25.