Asleson Robyn Warner Malcolm (14 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Near Fine. 1st. ix, 262 pages, illustrations (some colour); 27 cm. Published on occasion of the exhibition held at Yale Center for British Art, New Haven, Conn., September 27 to December. 30, 2001 and Huntington Library, Art Collections, and Botanical Gardens, San Marino, Calif., February 3 to May 5, 2002. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. *** "Outside Britain itself, the richest holdings of British art are found in American collections. This extraordinary presentation of some 85 works pays tribute to this strength of American collecting, while offering a fresh and engaging account of the history of painting in Britain from the sixteenth century to the present. The selection is drawn from collections from around the United States, both public and private, and includes spectacular pictures from the Yale Center for British Art and the Huntington Art Collections in California--the two leading collections of British art in America. Among the highlights are such masterpieces as Sir Anthony Van Dyck s portrait of Queen Henrietta Maria with her dwarf, Sir Jeffrey Hudson, William Hogarth s Beggar s Opera, Thomas Gainsborough s Blue Boy, Henry Fuseli s Nightmare, John Constable s Hadleigh Castle, J. M. W. Turner s Staffa, Fingal s Cave, and William Holman Hunt s Lady of Shalott. Following introductory essays by Malcolm Warner on anglophilia and art, and by Robyn Asleson on the history of collecting British art in the States, each painting is reproduced in color, with a discussion of its artistic importance and the circumstances of its crossing the Atlantic." - Publisher. *** CONTENTS: Foreword, by Constance Clement; Anglophilia into Art, by Malcolm Warner; Atlantic Crossings: British Paintings in America, 1630-1930, by Robyn Asleson; Catalogue. Size: 4to. …

Paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

Paperback. Condition: Used Like New. Used Like New oversized softcover in matte printed wraps. Spine has slight shelf wear. Pages are clean and free of marks or underlining. (8.75 x 0.75 x 10.25 inches) 272 pp. Fast shipping in a secure book box mailer with tracking. Outside Britain itself, the richest holdings of British art are found in American collections. This extraordinary presentation of some 85 works pays tribute to this strength of American collecting, while offering a fresh and engaging account of the history of painting in Britain from the sixteenth century to the present. The selection is drawn from collections from around the United States, both public and private, and includes spectacular pictures from the Yale Center for British Art and the Huntington Art Collections in California--the two leading collections of British art in America. Among the highlights are such masterpieces as Sir Anthony Van Dyck's portrait of Queen Henrietta Maria with her dwarf, Sir Jeffrey Hudson, William Hogarth's Beggar's Opera, Thomas Gainsborough's Blue Boy, Henry Fuseli's Nightmare, John Constable's Hadleigh Castle,J. M. W. Turner's Staffa, Fingal's Cave,and William Holman Hunt's Lady of Shalott.Following introductory essays by Malcolm Warner on anglophilia and art, and by Robyn Asleson on the history of collecting British art in the States, each painting is reproduced in color, with a discussion of its artistic importance and the circumstances of its crossing the Atlantic.…

Softcover. Condition: VG- (Light wear to wraps). Color illustrated wraps. ix, 262 pp. 81 color plates. Works by van Dyck, Jan Siberechts, William Hogarth, Gainsborough, Richard Wilson, Joshua Reynolds, Thomas Lawrence, Henry Raeburn, John Constable, Joseph Mallord William Turner, John Martin, Frederic Leighton, Ben Nicholson, Stanley Spencer, Francis Bacon, Jenny Saville, and many others. Published on occasion of the exhibition held at Yale Center for British Art, New Haven, Conn., Sept. 27-Dec. 30, 2001 and Huntington Library, Art Collections, and Botanical Gardens, San Marino, Calif., Feb. 3-May 5, 2002. Includes bibliographical references and index. …

Soft cover. Condition: Very Good. Dust Jacket Condition: No Jacket, As Issued. 1st. First edition. Softcover. Published New Haven: Yale Center for British Art, 2001. 4to. wrappers, 9" x 10 1/2", ix+262pp., illustrated with color and b/w plates. Very good.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: New. Outside Britain itself, the richest holdings of British art are found in American collections. This extraordinary presentation of some 85 works pays tribute to this strength of American collecting, while offering a fresh and engaging account of the history of painting in Britain from the sixteenth century to the present. The selection is drawn from collections from around the United States, both public and private, and includes spectacular pictures from the Yale Center for British Art and the Huntington Art Collections in California, the two leading collections of British art in America. Among the highlights are such masterpieces as Sir Anthony Van Dyck's portrait of Queen Henrietta Maria with her dwarf, Sir Jeffrey Hudson, William Hogarth's Beggar's Opera, Thomas Gainsborough's Blue Boy, Henry Fuseli's Nightmare, John Constable's Hadleigh Castle, J. M. W. Turner's Staffa, Fingal's Cave, and William Holman Hunt's Lady of Shalott. Following introductory essays by Malcolm Warner on anglophilia and art, and by Robyn Asleson on the history of collecting British art in the States, each painting is reproduced in colour, with a discussion of its artistic importance and the circumstances of its crossing the Atlantic. This catalogue accompanies an exhibition at the Yale Center for British Art, on view from September 27 to December 30, 2001. The show then travels to the Huntington Art Collections in early 2002.…