Ashford Doug (26 results)

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: RePrint ] Publisher: Mousse Publishing Pub Date: 3/31/2014 Binding: Paperback Pages: 144 RePrint edition.

Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Soft cover. Condition: Very Good. Paperback.

Softcover, 142 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Brand New. 96 pages. 10.94x8.98x0.39 inches. In Stock.

Soft cover. Condition: Very Good. Unblemished Paperback.

Contributions by 38 leading artists, curators & scholars examining the issues of art's relationship to social action; 191 pages, illustrated. Fine paperback book in decorative wrappers (soft cover).

Paperback. Condition: Very Good. Art Journal ( Summer 1998 / No. 2) edited by Janet Kaplan. Pieces by Doug Ashford, Critical Art Ensemble and Faith Wilding among others. 132 pages, paper with stiff cover. Color and black and white reproductions. 10" x 8 1/4". Very good condition.

144 pp.; 12 x 16.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This publication represents one of the many spaces occupied by Doug Ashford's work. As the first collection of his writings and conversations, it attempts to encompass the changing ideas to which the artist has subscribed over the past 25 years. Doug Ashford is a teacher, artist, and writer. He has taught design, sculpture, and theory at Cooper Union in New York since 1989. From 1982 to 1996, his primary artistic activity was as a member of Group Material, and since then he has gone on to paint, write, and produce other cross-disciplinary projects." --publisher's statement. Edited by Krist Gruijthuijsen. Includes a conversation between Ashford and Maria Lind. Very Good / Fine. Very light dusting of covers and slight bump to bottom right corner, otherwise Fine. Contents are clean and unmarked.…

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Softcover, 192 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: New.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Hardcover. Condition: Brand New. 114 pages. 9.00x7.00x0.50 inches. In Stock.

Encuadernación de tapa blanda. Condition: Muy bien. Marcelo Expósito, Christina Kiaer, Devin Fore, Dmitry Vilensky, Hito Steyerl, Doug Ashford, Brian Holmes, Nuevos productivismos.

Condition: Sehr gut. Groß-8°. 24 x 17 cm. 107 Seiten. Original-Klappenbroschur. 1. Auflage. Zweisprachige Ausgabe in Deutsch und Englisch. Katalog anlässlich der Ausstellung im Kunstraum München 1998 und Cubitt, London 1998. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. First edition. Bilingual edition in German and English. Exhibition catalogue. With many illustrations. Original softcover. Fine copy. Sprache: Deutsch und Englisch.…

Condition: As New. Printed cardboard box contains loose pages and booklets: title sheet, introduction, Group Material statement; Critical Essays booklet, Catalogue booklet and 10 loose images of the installation. Contents complete; box and contents in as new condition; clean and crisp; sturdy untorn box, no internal marks. Foreign shipping may be extra.…

Soft cover. Condition: Very Good. Moderate shelf wear and minor toning. Last two pages and back cover have creased damage to corner, but overall the text remains intact and unmarked.

Paperback. Condition: Good. Reflections on curatorial 'motives, tendencies and tactics.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condition: New.

Paperback. Condition: New. In 1989, the members of Group Material-Doug Ashford, Julie Ault, Felix Gonzalez-Torres and Karen Ramspacher-were invited by the Matrix Gallery to address the subject of AIDS. The artists assembled their research into this timeline of the epidemic's emergence as a national crisis.…

43 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 11/12 of Real Life Magazine, edited by Thomas Lawson. Contents include: "Group Material," an interview by Peter Hall; "Radical Culture," by Mundy McLaughlin; "Past Present Future," by Julie Ault; "Particles, 1980-83," by Tim Rollins; "Kiss of Death," by Doug Ashford; "Paintings by Adolf Hitler," reprinted from LIFE, October 30, 1939; "The Secret Agent," an interview with Jacki Ochs by Robin Winters; "Repression and Resistance at the University of El Salvador, 1968-83," by Coosje van Bruggen; "Komar and Melamid," an interview by Thomas Lawson; "Epic Images and Contemporary History," by Joseph Nechvatal; "Alcohol and Advertising," by Elizabeth Winter; "Brie Popcorn," an interview with the directors of Nature Morte Gallery by Rex Reason; "Born in Flames," by Carole Spearin McCauley; "A Conversation with Lawrence Weiner," by Robert C. Morgan and "A Blinding Light," by Judith Kirschner. Reference : No. 7.7 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 195, 291. Very Good. Light soiling of covers, rubbing of spine edge, and very mild bumping of top right corner of publication. Light yellowing of pages. Contents clean and unmarked.…

Softcover. Published to accompany an exhibition held at the Temple Gallery, 1619 Walnut Street, Philadelphia held from October 1st November 14th, 1987. It includes essays by Donald Kuspit, Michael Ratner, Margaret Ratner and Hon. Bruce McM. Wright. Consists of various printed materials laid-in to a box. The first is a single folded-sheet title-page; followed by a single-sheet, followed by a staple-bound collection of the Critical Essays (20 pp.) by one art crritic and three Constitutional Scholars; followed by 10 single-sheet thickstock color plates of the installation; followed by a staple-bound Catalogue of (8) pp., numbered essentially from (23) to (38) with some pages not numbered. Brown cardboard box has the Pre-amble to the Constitution printed on its cover. VG, NOT A NEW BOOK AND CASE! This is almost 40 years old and will show light signs of wear and age and handling. If you are looking for a copy with no signs of use or ownership, don't be a jerk and order this and then complain. Find a different copy! BY any reasonable measure this is a great copy.…

Poster, measuring 17 x 17 inches; very good condition; machine folded 2 times into 4 sections; an unmailed copy. Will be mailed folded.

Sin Encuadernar. Condition: Muy bien. Arbeitsgemeinschaft Fleetinsel Hamburg, Hamburg, (Germany), 1997. Reprint. Bolsa de polietileno impresa por ambas caras. El Group Material fue a Hamburgo, invitado por el Kunstverein, para producir un proyecto fuera del museo como parte de su exposición D&S. 44,5x37. …