Ashendene Press (50 results)
Published by Hauswedell & Nolte, Hambourg, 2014
- Softcover
Seller: Librairie Farfouille, paris, FranceLibrairie Farfouille
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£ 17.64
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In-8 - br. Vente publique le 18 nov. 2014. 60 numéros, nomb. ill. en couleurs.
Published by Rotthalmünster, ., 1992
- Softcover
Seller: Bibliographica Christian Höflich, Hamburg, HH, GermanyBibliographica Christian Höflich
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£ 30.87
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Mit zahlr. farb. Abbildungen. 98 S., 1 Bl. Farb. illustr. Orig.-Karton. 26,7 : 20 cm. * "Unikales Angebot aller 40 Bücher, die diese Presse zwischen 1895 und 1935 gedruckt hat, dazu Pergament-Abzüge von acht Werken, `Minor Pieces`, Ephemera, Autographen des Druckers, Bibliographie etc." (Titel) - Gut erhalten.
More imagesSeller: Jürgen Patzer, Konstanz, GermanyJürgen Patzer
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£ 15.88
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Foreword and description of all 60 lots in English with a short summary in German.
Published by Antiquariat Heribert Tenscher, 1992
Seller: Antiquariat Stefan Krüger, Essen, NRW, GermanyAntiquariat Stefan Krüger
Contact seller3-star sellerCondition: Used
£ 26.46
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Oktn 4°. Pressendrucke.
More imagesOriginal Devotional Manuscript to Dante [La Divina Commedia / The Divine Comedy - Manoscritto dell'inizio del XX secolo della Divina Commedia di Dante - con strofe manoscritte da "L'Inferno / Inferno" - "Purgatorio" - "Il Paradiso / Paradiso"] - The Manuscript is titled: "Pictures Illustrating The Pilgrimage of the Divine Poet Through The Realms of Punishment of Penance and Peace" - Illuminated Devotional Manuscript of section of "L'Inferno / Inferno" - "Purgatorio" - "Il Paradiso / Paradiso" - with excerpts of Dante's Divina Comedia, in the style of medieval illuminated manuscripts. The manuscript is a strictly themed Dante Devotion and is of magical quality if one considers the fantastic, original calligraphy artwork, the composition of the manuscript and the coded meaning to the composer of this manuscript. The Folio - size manuscript is massive and has 216 pages, of which 109 pages are with illuminated, original watercolour-paintings in the style of the medieval masters, sometimes
Dante Alighieri / Cockerell, Douglas / North, John William / Ashendene Press Circle /
Language: English
Published by England, [Douglas Cockerell / John William North] no year [c.], 1910
- Hardcover
- Signed
Seller: Inanna Rare Books Ltd., Skibbereen, CORK, IrelandInanna Rare Books Ltd.
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£ 42,339.26
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Condition: Wie neu. Folio (34 cm wide x 42.5 cm high). 216 pages. Hardcover / Binding in full green morocco with lettering and Dante's head as bronze sculpture per inlet to front cover. Binding by Douglas Cockerell, signed "WHS", during his directorship of W.H.Smith & Son (1905 - 1914). The manuscript is on excellent paper, wate…rmarked O.W.P. & A.C.L. [O.W. Paper & Arts Co. Ltd., established by English painter John William North (1842-1924) in 1895]. The binding rubbed and with some small damages, in need of some minor restoration but overall still very good. The interior, the paper and the artwork all in excellent condition besides one of the juxtaposed photographs (Filippina Lippo) removed from the manuscript with some residue of the photograph remaining and some of the photographs with some dogears and minimal discoloration. All the original artwork in spectacular and fresh condition. The manuscript is a spectacular find and the quality of its execution is of utmost interest for any lover of rare books, manuscripts and special bindings. The circle of Douglas Cockerell, his involvement in one of the most beautiful books ever printed: the Ashendene Press Dante, as well as Cockerell being the binder of this unique manuscript, the fantastic paper used for the manuscript by one of the idyllist movement's central figures, John William North, and the wonderful Dante - theme of the manuscript with illuminated poetry from the Divine Comedy and the unique style of collage art, lets us rightfully dream that the anonymous composer of the manuscript was an important or at least peripheral member to either the Arts and Crafts Movement, the Ashendene Press or it was someone who worked in the style of the calligraphy schools that were inspired by William Morris or even earlier epigones like Owen Jones.
Published by Bridwell Library, Southern Methodist University, DALLAS, 1986
- Hardcover
- First Edition
Seller: Blue Sky Rare Books, Palm Springs, CA, U.S.A.Blue Sky Rare Books
Contact seller5-star sellerHardcover. First Edition. Nice bright clean copy, near fine, trival wear, no bumps.
Published by 8vo, 215 X 155mm., [8]pp., [printer unknown]., n.d. (1931), 1931
- Softcover
Seller: Collinge & Clark, London, United KingdomCollinge & Clark
Contact seller4-star sellerCondition: Used - Fine
£ 90.00
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Soft cover. Condition: Fine. Set in Centaur and Arrighi Italic and printed in red and black on specially watermarked hand-made paper. Blue printed wrappers, sewn with silk thread. A fine copy. The marriage service of the C.J. St. John Hornby's second son presents an interesting puzzle. Though not recorded by Franklin, or listed…in the bibliography it was produced - and well produced - as an imitation of the Order of Service for his first son's wedding in 1928. There is, however, no known instance of the use of these typefaces at the Ashendene Press and it was certainly printed elsewhere.
Published by Folio, [8] pages, 33 cm, Ashenden Press, Shelley House, Chelsea, 1935., 1935
- Softcover
- First Edition
Seller: Collinge & Clark, London, United KingdomCollinge & Clark
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£ 200.00
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Condition: Very Good. 1st Edition, Limited Edition. Set in Ptolemy type and printed in red and black on Batchelor hand-made paper, Sewn into blue paper wrappers (slight fading), titled and decorated in black. A very good copy. Reprinted from pp.167-77 of the Bibliography, but preceded by a short list of Minor Pieces with the exc…eption of the Queen's Dolls' House book.
Published by 8vo, 217 X 155mm, pp.[16], Ashendene Press, Shelley House, Chelsea, 1925., 1925
- Softcover
- First Edition
Seller: Collinge & Clark, London, United KingdomCollinge & Clark
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£ 225.00
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Soft cover. Condition: Fine. 1st Edition. One of about 400 copies printed in red and black in Subiaco type on specially watermarked Batchelor handmade paper. Colophon in red. Blue printed wrappers, sewn with green silk thread. A fine copy. Attractively and representatively printed in the famous `Subiaco' fount designed by Emery…Walker and Sydney Cockerell and specially cast for the Press. One literal has been corrected in red ink in Hornby's hand and a few prices lightly added in pencil. (Ashendene Minor Pieces 10).
[C.H. St John Hornby inscribed & annotated] Catalogue of the Important Collections mainly of the Writings of Charles Dickens and of other XIX Century Authors forming part of the Library of Thomas Hatton . . .
[ C.H. St John Hornby, printer (Ashendene Press, etc) and collector ] Sotheby & Co.
Published by 30 Nov/ 1 Dec, 1931
- Softcover
Seller: Richard M. Ford Ltd, London, United KingdomRichard M. Ford Ltd
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£ 250.00
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Illustrated copy - Price Two Shillings. Green printed wraps, 40pp., 8vo, wear and tear, contents shaky (staples rusting), wraps worn and sl. soiled, contents partly stained but clear and complete. St J. Hornby's copy. INSCRIBED by St John Hornby "StJH" on front on which is stamped (some faded) "Please do not use in the press bef…ore 6 Nov. 1931" i.e advanced review copy for distinguished customer. Hornby has annotated several items usually with the price and the purchaser (First item recorded, "Annals of Sporting and Fancy Gazette", Wills, £115; then a complete set of "Bentley's Miscellany", Freeman, £50; Latin Bible, Maggs, £40; Combe's "Dr Syntax", Mitchell, £140, and so on). The entry for The complete Pickwick in numbers attracts the most annotation. Hornby recalls the price of the Jerome Kern copy in 1929, £5600 [only two years before], that of the McGeorge copy, £1400, 1928 ("prob. finest & purest copy for years"); and the price this copy made, Bowden, £1480 "started £200 / Sotheran underbidder" - presumably aware of the impact on prices of the Crash. Perhaps St J. Hornby is displaying a collector's interest in certain items and/or recording information which bears on his collection. Another hand has written St J. Hornby on [p.40].
More imagesPublished by Ashendene Press, Chelsea, 1932
- Hardcover
Seller: Thorn Books, ABAA, Tucson, AZ, U.S.A.Thorn Books, ABAA
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£ 6,216.21
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Limp Vellum. Condition: Fine. Limited edition. 4to. 182 pp. Hand-illuminated initial letters in red, blue and green by Graily Hewitt and his assistants, Ida D. Henstock and Helen E. Hinkley. (4to), original orange vellum with orange ties, gilt spine title; printed in black and red; in publisher's marbled paper slipcase. Finely p…rinted at the press of St. John Hornby in 'Subiaco' type. One of 328 copies on paper of which 250 were for sale. This is a fine, bright copy, without the sunning of the spine usually found. Ashendene Bibliography, No. 90. .
More imagesPublished by 1927-8, 1927
- Hardcover
Seller: Maggs Bros. Ltd ABA, ILAB, PBFA, London, United KingdomMaggs Bros. Ltd ABA, ILAB, PBFA
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£ 9,000.00
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One of 225 copies on paper of a total edition of 245. Woodcut initials and decorative borders designed by Louise Powell, printed in red and black. 2 vols. Folio (44cm.) XIII, 268p., 1 Bl.; X, 256p., f. [1], original white pigskin by the W.H. Smith bindery, spine lettered in gilt, later green cloth drop back box. Chelsea, The As…hendene Press. Spines slightly faded, vol. 1 with two spots of soiling to lower cover, slight scuffing to covers and extremities, internally fine. Overall a bright and clean copy of this rather vulnerable book. Vol. 1 with neat bookplate of Alfred Ernest Hamill to front pastedown of vol. 1. bibl hamil bookplate.
Published by Anne & David Bromer, Boston, 1983
- Hardcover
Seller: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, United KingdomSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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£ 600.00
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No. 51 of 150 copies. A reproduction of the original book made by the Ashendene Press for Queen Mary's Doll's House, here with an introduction by Michael Hornby, son of the printer CH StJohn Hornby. 3.6 x 2.7 cm., bound in full niger to match the original by David Bourbeau, gilt ruled border on both sides, spine in compartments…with raised bands, each panel with a gilt ruled border and gilt lettering in the central panel. Housed in the original clamshell box of niger backed tan cloth with a cloth portfolio housing 2 copies of the prospectus inserted loose. In fine condition. The original version of the miniature Carmina Sapphica produced from photographically reduced plates was limited to the Doll's House copy and a few more, probably less than 10 all of which went to members of his family (Hornby did not mention an edition in his bibliography). This is the only way to own this little rarity these days.
More imagesPublished by The Ashendene Press, London, 1932
- Hardcover
Seller: Temple Rare Books, Oxford, United KingdomTemple Rare Books
Contact seller5-star sellerCondition: Used - Very good
£ 4,500.00
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Hardback. Condition: Very Good. First Thus. [2], 182pp. Publisher's original orange vellum, bound by W. H. Smith with their pallet to lower turn in, title, publisher, and date in gilt to spine, silk ties. Hint of fading to spine, but otherwise bright and clean. Housed in a Cockerell paper covered card slipcase. One of three hund…red and twenty-eight copies on paper, with twenty-five on vellum. "Printed in Subiaco type, with chapter-headings and shoulder-notes in red. All the coloured initials are filled in by hand in red, blue, or green by Graily Hewitt & his two assistants" (Hornby, 'A Descriptive Bibliography of the Books Printed at The Ashendene Press MDCCCCV-MCMXXXV', page 90). Hornby himself thought it was "one of the most satisfactory of the books of the Press" (ibid, page 92). Ashendene XXXVIII Size: 4to.
More imagesPublished by The Ashendene Press., Chelsea., 1930
- Hardcover
Seller: Sims Reed Ltd ABA ILAB, London, United KingdomSims Reed Ltd ABA ILAB
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£ 7,500.00
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Folio. (408 x 282 mm). [188 leaves; pp. 363, (i)]. Printed title and 'Book I' to 'Book X' of Thucydides' text in English in red and black in Ptolemy type, chapter summaries in Blado marginal, chapter summaries and opening lines by Graily Hewitt in red, the red initials from the alphabet designed by Eric Gill for the Ashendene Ut…opia, final leaf with colophon and woodcut Ashendene device verso. Original publisher's full white pigskin by W. H. Smith & Son, Ltd. with their signature gilt to rear turn-in, banded spine with gilt title in six compartments. The Ashendene Thucydides, the final folio from the press. From the edition limited to 280 copies, with this one of 260 on Batchelor 'knight in armour' Ashendene paper; 20 copies on vellum were also issued. The Greek text was translated by Benjamin Jowett, Regius Professor of Greek at Oxford. The book is printed in Ptolemy with Blado marginal chapter summaries - the first time St John Hornby had used a different type for side-notes. This copy includes the original purchaser's invoice, a single leaf (216 x 150 mm) headed 'THE ASHENDENE PRESS / SHELLEY HOUSE, CHELSEA' and made out to Mr. Jacques Steinitz / Warren, Ohio'. Signed by St. John Hornby, with two pence stamp and dated May 27th, 1931, the cost is detailed as 15 Guineas. [Ashendene XXXVII].
More imagesA Descriptive Bibliography of the Books Printed at The Ashendene Press MDCCCXCV - MCMXXXV
[Ashendene Press] Hornby, C. St J., printer and foreword; Emery Walker, collotypes and photogravures; Graily Hewitt, initial letters
Published by Ashendene Press, Shelley House, Chelsea, 1935
- Hardcover
- First Edition
- Signed
Seller: The Kelmscott Bookshop, ABAA, Savage, MD, U.S.A.The Kelmscott Bookshop, ABAA
Contact seller5-star sellerHardcover. Condition: Fine in very good binding. First Edition. Hardcover. Number 134 of 390 copies, numbered and signed by St J. Hornby. This magnificent bibliography of one of the greatest British private presses, along with Kelmscott and Doves, was the last book to be to be issued by the press. It was finished in February, 19…35, forty years after the first book printed at the Press. This first title was The Journal of Joseph Hornby, published in February 1895. Joseph Hornby was the printer's grandfather. The printer and proprietor of the press, the businessman C.H. St John Hornby (1867 - 1946), wrote an interesting foreword to the bibliography. He describes the beginnings of his Press, noting that the Press was the hobby of his leisure hours, where he worked entirely alone for many years. This, he explains, is why the output of the Press was so small in comparison with the Kelmscott and Doves Presses. He notes that William Morris greatly influenced him, and that he treasured the memory of spending an afternoon with him at Hammersmith in 1895. Hornby discusses in detail his efforts to use the finest papers, inks, and types. He finishes with a note saying that while he did not collate the volumes, he wrote all of the detailed descriptions. He also noted that the many specimen pages are not actual facsimiles, but accurate resettings of the originals. For each book in the bibliography there is a copy of the colophon, the collation, and the description giving the type of paper, the colors of ink, the presence of large initials designed by Graily Hewitt, and the number of copies printed and for what price they were for sale. Following the bibliographic listings of the books, there is a section with images of wood engravings done for the press from drawings by Charles M. Gere, Margaret Gere, R.Catterson Smith, Gwendolen Raverat and Noel Rooke. This section is followed by a section with specimens of initial letters designed for the press by Graily Hewitt, Eric Gill and Louise Powell, that includes printer's marks, water marks, and examples of title-pages. There is also a section with illustrations of some of the bindings of the press including both special bindings and the bindings of issue. Finally, there is a section showing specimens of the founts of type used by the press and a chronological list of the books printed at the press, the number of copies printed, and the prices of those offered for subscription. After the colophon, two sheets of errata are present, one bound in and one loosely inserted. Bound in brown leather with gilt titling to the spine with five raised bands and the mark of the press in gold on the front cover. Some rubbing to the spine and corners of the covers, and a few light marks to both front and back covers. There is light browning to the fore-edges of the free endpapers in the front and rear, and offsetting to the free endpapers and pastedowns. Text pages are in fine condition. No slipcase. Measures 9.25 x 13.25 inches. 172 pages. PRI/092124. Signed.
More imagesPublished by Ashendene Press, Chelsea, 1927
- Hardcover
- Signed
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.Oak Knoll Books, ABAA, ILAB
Contact seller5-star sellerfolio. full original dark green morocco by the W.H. Smith bindery (signed on lower turn-ins), five raised bands, gilt lettering on spine. (xiii), 268; (x), 257 pages. Two Volumes. The text in the 1620 English translation of Thomas Shelton. Printed in an edition limited to 225 copies (Ashendene no.36; Ransom 39; Franklin p.57, 19…6, Tomkinson p.8 of Ashendene section). There were 20 copies printed on vellum. Small bookseller's ticket of Philip C. Duschnes on the rear pastedown. Minor fading to the spine of Part I. Very minor rubbing along the hinges of both volumes. Very minor shelfwear. Overall a lovely set. Set in (new) Ptolemy types and finely printed on Batchelor hand made paper in red and black in two columns. This is the first use of the Ashendene Ptolemy type, and, as such, it represents a new direction for the press in its final years of activity. In Franklins eyes, Emery Walker's new typeface, derived from the font used for the 1482 Ptolemy printed in Ulm, was "a much lighter, more elegant letter than the earlier fount," the denser Subiaco. "And with the use of this less dictatorial typeface, the printer could cast away a little of his restraint in planning whatever lay outside it. So in Don Quixote we find at last an alphabet of open and freely drawn decorative initial letters, designed by Louise Powell and shadowing something of Kelmscott Press taste from years before." The Ptolemy face was used just three more times before the Ashendene Press closed. Includes decorated initials and borders by Louise Powell who was an early student of Edward Johnston. The blocks were then cut by W.M. Quick & Geo. H. Ford. The first page of each book is embellished with elaborate engraved marginal decorations. Considered by many to be the preferred book of the Ashendene large folios, and constitutes the longest Ashendene publication while also being the most expensive one to produce. full original dark green morocco by the W.H. Smith bindery (signed on lower turn-ins), five raised bands, gilt lettering on spine. Ashendene Press (illustrator).
Published by Ashendene Press, London., 1933
- Hardcover
- First Edition
Seller: Peter Ellis, Bookseller, ABA, ILAB, London, United KingdomPeter Ellis, Bookseller, ABA, ILAB
Contact seller5-star sellerCondition: Used
£ 1,500.00
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First edition. Quarto. pp iv, 163. One of 290 copies. 26 wood engravings by Gwendolen Raverat; initials filled in by hand by Graily Hewitt. Translated into French by J. Amyot. Edited and corrected, with an Introduction, by Paul-Louis Curier. Vellum-backed turquoise boards stamped with gilt vignette. Printed by C.H. St John Hornb…y in Ptolemy type on Batchelor handmade paper, with title and marginal notes printed in red.Fine in very good indeed sturdy patterned board slipcase with a bit of rubbing to the corners.
More imagesPublished by Ashendene Press, Chelsea, 1914
- Hardcover
Seller: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, United KingdomSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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£ 2,000.00
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One of only 85 copies on Batchelor's 'Bugle' handmade paper, 6 printed on vellum. Printed in black on red in Subiaco type with initials printed in blue and red throughout. 8vo., original linen backed blue paper covered boards, title printed in black on the upper cover. A spine darkened with a little wear to top headcap, boards w…ith some fading and a few small marks, very edges a little darkened but otherwise very good. This was the first time these 11 poems had been published in book form, and here they were only printed in a small number for private circulation. Hornby writes in his bibliography that with his own hand these were "printed during the first few months of the Great War.for private circulation only, 50 copies going to the Poet Laureate & the remainder being distributed by myself.When the book was finished the Press was closed down until the beginning of 1920". With a presentation letter to 'Milford', presumably Bridges's publisher and head of the Oxford University Press Humphrey Milford, from Robert Bridges at Chilswell (the house he built), dated July 1st 1915, so this is one of the 50 copies printed for the poet. He writes "I said I would send you a copy of Hornby's book. Here it is. Pls accept it with my compts.". With the ex libris of Constance Maria Josepha Hugh Smith and Violet Rawson, Lady Leconfield of Petworth House.
More imagesPublished by Ashendene Press 1927-8, Chelsea, 1927
- Hardcover
Seller: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB, LONDON, United KingdomSOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB
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£ 8,500.00
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Translated into English by Thomas Shelton (first printed in 1612 and 1620). Two parts in two volumes. Each one of 225 copies on Batchelor paper, 20 copies were printed on vellum. Decorative initials and borders designed by Louise Powell and cut on wood by W.M. Quick & Geo. H. Ford. Chapter headings, shoulder notes and some of th…e text in red. Printed in double columns in the new Ptolemy type. Folio, handsomely bound in original full white pigskin by the W.H. Smith bindery (signed on lower turn-ins, gilt lettering on spine. Bindings with a few marks and eight small circular green marks to lower board of the first volume, spines a little darkened but generally an extremely good, clean and crisp set. The first Ashendene to be printed in Hornby's new Ptolemy type which was adpated from the type used by F. Holle of Ulm for the Geographia of Ptolemaeus in 1482. The Kelmscott-like decorated initials and borders cut on wood are very handsome and suit the work well. Emery call the book 'truly magnificent' adding 'Mrs Powell's initials and ornaments are very harmonious and virile". A very good copy of a statuesque book.
More imagesPublished by Ashendene Press, Chelsea, 1933
- Hardcover
- First Edition
Seller: Royoung Bookseller, Inc. ABAA, Ardsley, NY, U.S.A.Royoung Bookseller, Inc. ABAA
Contact seller4-star sellerHardcover. First edition thus. 163 pages. 25.5 x 18.5 cm. Limited edition of 310 copies. Printed in red and black in Ptolemy type. Initials hand-colored in blue by Graily Hewitt, wood-engravings throughout by Gwen Raverat. HORNBY XXXIX. This edition was initially printed in 1931, the ink used was very slow to dry, the sheets pac…ked before the ink dried. When discovered at the binder Hornsby decided to destroy the entire edition. Text in French. Fresh, very bright copy. Orig. vellum-backed green boards, white corner tips, gilt device front cover. Near fine.
More imagesPublished by Chelsea Ashendene Press, 1903
- Hardcover
Seller: Shapero Rare Books, London, United KingdomShapero Rare Books
Contact seller5-star sellerCondition: Used
£ 2,250.00
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8vo, edition limited to 150 copies of which 125 for sale, [2], 48 pp., original vellum gilt, stext slightly wavy else a very good example. A lovely copy of the fine Ashendene Press edition of the first printed book on fishing. Ashendene Bibliography, XVI.
More imagesPublished by Ashendene Press, 1904
- Hardcover
- First Edition
Seller: George Jeffery Books, HERTFORDSHIRE, United KingdomGeorge Jeffery Books
Contact seller5-star sellerAssociation member: PBFA
Condition: Used - Very good
£ 5,500.00
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Vellum. Condition: Very Good. Limited Edition. One of 150 copies on paper, from an overall edition of 175, printed in red and black, initials supplied in blue by Graily Hewitt.Books measures 19.5x13.5.cm.62,[1]pp. Bound in original publishers full vellum, yapped edges, gilt title lettering on spine. Vellum lightly dust marked, v…ery light vain/crease lining, slightly sprung. Generally a very good binding. Internally, pages in very good near fine condition. A nice copy. Size: 8vo.
More imagesPublished by Ashendene Press, Chelsea, 1932
- Hardcover
Seller: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, AustraliaMichael Treloar Booksellers ANZAAB/ILAB
Contact seller5-star sellerCondition: Used - Fine
£ 3,471.01
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Hardcover. Condition: Fine. Chelsea, Ashendene Press, 1932 (first thus). Tall quarto, [ii] (title leaf, verso blank), 182 pages printed in red and black Subiaco type, with woodcut initials printed in green and blue, and a large woodcut printer's device printed in red on the colophon. Original overlapping orange vellum by W.H. Sm…ith & Son, lettered in gilt on the spine, with silk ribbon ties; all edges uncut; vellum slightly rubbed at the edges; essentially a fine copy. A superb example of private press printing. This is one of 328 copies on Batchelor handmade paper, with a further 25 copies printed on vellum. The colophon reads in full: 'Printed by C.H. St J. Hornby at the Ashendene Press, Shelley House, Chelsea, with the help of H. Gage-Cole, Pressman, and A.J. Fisk, Compositor, and finished in July of the year 1932. The initial letters in colour are by the hands of Graily Hewitt & his assistants Ida D. Henstock and Helen E. Hinkley'. Ecclesiasticus, a collection of ethical teachings attributed to Joshua ben Sirach, is one of the biblical apocrypha. The text of this edition was collated by A.D. Power using the Authorised and Revised versions, with reference to versions in Greek, Syriac, Latin and the original Hebrew.
More imagesPublished by Folio, 41cm, pp.xii +360, Nella Stamperia Ashendeniana, [Ashendene Press] Shelley House, Chelsea, 1920., 1920
- Hardcover
Seller: Collinge & Clark, London, United KingdomCollinge & Clark
Contact seller4-star sellerCondition: Used - Very good
£ 5,500.00
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Hardcover. Condition: Very Good. Set in Subiaco type and printed on Batchelor paper with the Bugle water-mark of the same size and quality as used for the folio Dante. One of 105 copies printed on paper (plus 6 on vellum). With the exception of the 'Tavola' the book is printed in double column. The headings of each 'Gionata' are… printed in blue capitals, those of each Novella in red.They were specially designed for this book by Graily Hewitt. A beautiful long-tailed 'Q' begins the 'Introduzione'. Bound in in blue boards, linen back, printed spine label. There is a small waterstain to the head of the upper board. Morocco book label of Richard Montgomery Gilchrist Potter. A very good copy indeed. As will be seen from the colophon the printing of this book was begun in 1913. Before it was half way through the work was interrupted by the world war, which necessitated the closing down of the Press until January. 1920. 'A curiously neglected volume, excelling simply in design and colour and therefore characteristic of the best post-war Ashendene folios.' (Franklin) Yates Thompson; 'It shall be placed on a choice shelf between Jenson's Plutarch and the Florence Homer of 1488.' Dyson Perrins says: 'it is perfect in all respects - press-work & format - there could be no better example of Printing.' (132) Bella Costa Greene from the Morgan Library: 'it is the finest piece of modern bookmaking and printing that I have ever seen.'.
More images- Softcover
Seller: Maggs Bros. Ltd ABA, ILAB, PBFA, London, United KingdomMaggs Bros. Ltd ABA, ILAB, PBFA
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£ 129.60
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Printed in red and black. "Printed for Private Circulation Only". Folio, 4 leaves, bound in original blue printed wrappers with small wood engraving on the front cover. Chelsea, The Ashendene Press. This is a reprint of pp. 168-177 of the Ashendene Press Bibliography, preceded by a short list of Minor Pieces. Slightly cockled, b…ut a very good copy. Franklin, The Ashendene Press (1986), p.232.
- Hardcover
Seller: Gerhard Zähringer Antiquariat & Galerie Online, Zürich, ZH, SwitzerlandGerhard Zähringer Antiquariat & Galerie Online
Contact seller5-star sellerCondition: Used
£ 172.78
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Chelsea, Ashendene Press, 1935 / Nachdruck, San Francisco, 1976. 31 : 22 cm. 224 S. mit 36 Faksimile-Tafeln, wie im Original in Schwarz, Rot, Blau u. Grün gedruckt. . Orig.-Leinen. Faksimile-Ausgabe in nur 375 Exemplaren. - Die Tafelabb. nach speziell für die Presse entworfenen Einbänden, Holzschnitten, Initialen etc. - Eine Ges…amtdarstellung über die Arbeit der bedeutenden Presse von der Gründung bis zu ihrem Ende. - Tadelloses Exemplar. - DABEI: "Post-Publication Note" mit Korrekturen und Information + Liste des Antiquariaat De Zilverdistel "The Ashendene Press". 1995/96. 3 Bl., 38 S. Typoskript mit Verkaufspreisen. Sprache: en.
- Softcover
Seller: Maggs Bros. Ltd ABA, ILAB, PBFA, London, United KingdomMaggs Bros. Ltd ABA, ILAB, PBFA
Contact seller5-star sellerCondition: Used
£ 297.00
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Printed in red and black. "Printed for Private Circulation Only". Folio, 4 leaves, bound in original blue printed wrappers with small wood engraving on the front cover, uncut in a later blue cloth case with gilt lettering. Chelsea, The Ashendene Press. This is a specially produced reprint of pp.168-177 of the Ashendene Press Bib…liography, preceded by a short list of Minor Pieces. An excellent copy. Pencil annotations by a former owner noting which books were in his or her collection, listing the Roxburghe Club title as well as altering a limitation.Franklin, The Ashendene Press, p.232.
More imagesPublished by Chelsea: Ashendene Press, 1925, 1925
- First Edition
Seller: Peter Harrington. ABA/ ILAB., London, United KingdomPeter Harrington. ABA/ ILAB.
Contact seller5-star sellerCondition: Used
£ 325.00
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First edition, first impression. The colophon notes that this handlist was printed in December 1925 "on the thirty-first anniversary of the founding of the Press". The Ashendene Press, described as "the zenith of superb bookmaking", was founded by C. H. St John Hornby in 1895 (Ransom, p. 95). It closed in 1935. C H. St John Horn…by, "Minor Pieces", X. Will Ransom, Private Presses and their Books, 1929. Octavo. Printed in Subiaco type in red and black. Original blue paper wrappers, front cover lettered in black. Wrappers a little toned: a near-fine copy.
More imagesPublished by Ashendene Press, Chelsea, 1923
Seller: Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, U.S.A.Phillip J. Pirages Rare Books (ABAA)
Contact seller3-star seller440 x 307 mm. (17 1/4 x 12"). 2 p.l., 406, [2] pp. Original holland-backed blue paper boards, flat spine with paper title label identifying this as a workshop copy. Housed in a fine modern drop-back box of blue cloth backed with holland, paper labels on spine. Printer's device in colophon. Printed in red, black, and blue. Front…pastedown with bookplate of St John Hornby and ex-libris of David Godine. Hornby 32; Franklin, pp. 144-46, 240-41. Covers with fading along the top, a bit of foxing, and extensive (though light) gray discoloration, ends of spine lightly bumped and lower edges of bottom corners slightly rubbed (both as expected), but the volume completely solid and miles away from what one would imagine for a hefty book like this that would have been expected to incur uncareful use. Isolated very pale foxing, and the most trivial signs of use internally. A REMARKABLE COPY, the text in beautiful condition, soundly protected in its unique binding. With its companion volume, "Minor Poems" by Spenser, this, in Franklin's eyes, is the "masterpiece" among the Ashendene folios; and the present distinctive--and presumably unique--copy comes from Charles Harry St John Hornby's own printer's workshop. Unlike most other copies, which are typically found in the publisher's calf-backed vellum binding, this copy is in the inexpensive and less substantial holland-backed boards that are now less and less commonly seen, in large part because they have not stood up well over the years. The present copy, somehow, has done quite the opposite. In addition to the original Ashendene "Workshop Copy" designation on the spine label, scattered finger smudges--perhaps those of Hornby himself--suggest its use in the printer's studio. In our experience, this particular designation is extremely rare in connection with private press books in general, and certainly for Ashendene volumes. Founded in 1895 by Hornby (1867-1946), the Ashendene Press issued 40 books, plus additional minor pieces for four decades. Less elaborate in appearance and design than William Morris' Kelmscott volumes, but more ornamental than the products of Cobden-Sanderson's Doves Press, the Ashendene volumes have long been considered the most satisfying of English private press books. This volume was formerly in the collection of David R. Godine, who founded the Godine Press in 1970, after training with printmaker Leonard Baskin and master printer Harold McGrath. ST JOHN HORNBY'S WORKSHOP COPY (there were 180 paper copies, 150 of them for sale, and 12 vellum copies of this edition).
