Art Foundry (4 results)
Language: English
- Softcover
Seller: Dublin Bookbrowsers, Dublin, NONE, IrelandDublin Bookbrowsers
Contact seller2-star sellerCondition: Used - Very good
£ 12.80
£ 8.88 shippingShips from Ireland to U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 18 pp. Profusely illustrated.
- Softcover
Seller: Black Rock Books, St Michael, BarbadosBlack Rock Books
Contact seller5-star sellerCondition: Used - Good
£ 29.00
£ 5.93 shippingShips from Barbados to U.S.A.Quantity: 1 available
Soft cover. Condition: Good. Published for the Lips, Sticks and Marks Collective. Pems or short essay by each of the artists; closing essays by Annie Paul and Chris Cozier. Water stained spot on front cover; noticeable wear.
Language: English
- Softcover
Seller: Dublin Bookbrowsers, Dublin, NONE, IrelandDublin Bookbrowsers
Contact seller2-star sellerCondition: Used - Very good
£ 20.00
£ 8.88 shippingShips from Ireland to U.S.A.Quantity: 1 available
Add to basketSoft Covers. Condition: Very Good. 18 pp. Profusely illustrated.
Language: English
Published by Annalee Davis for the Lips, Sticks and Marks Collective, St. Philip, Barbados, 1998
- Hardcover
Seller: Beverly Karno Books, llc, Valley Center, CA, U.S.A.Beverly Karno Books, llc
Contact seller3-star sellerCondition: Used
£ 39.84
£ 7.41 shippingShips within U.S.A.Quantity: 1 available
color plates, duotone ports., cat., wrps. Large folio. OCLC: 40476306. Catalogue of the exhibition held at the St. Philip, Barbados, Art Foundry, August 23 to October 25 1998, the Port of Spain, the Museum of PoS and other venues. The traveling exhibition "Lips, Sticks and Marks" featured the artwork of seven women from four Car…ibbean islands: Alida Martinez (Aruba), Osaira Muyale (Aruba), Annalee Davis (Barbados), Joscelyn Gardner (Barbados), Roberta Stoddart (Jamaica), Susan Dayal (Trinidad&Tobago), Irén, Shaw (Trinidad&Tobago). The exhibition sparked controversy over its focus on installation art as well as questions around who had the right to make "Caribbean" art. Race and class also played major roles in the reception of this exhibition; some regional critics branded the artists as "white" and privileged and took exception to the all-female lineup of artists. Texts in English with a little Papiamento.
