Annot (246 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Shambhala, Boston, 1987, 1st.trade paperbk.prtg. 212pp., owner's inscription, G $.

hardcover. Condition: Very Good. Pen & Sword Military, Barnsley, c.2013, 1st.trade paperbk.prtg., 128pp., illusts., NF $.

Cloth. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition, First Printing. Hard cover large 8vo in brown cloth w/gold spine titles. Fine and unmarked book in Fine DJ. 177pp inc. Index; illustrated in map. 224 p. Book.

paperback. Condition: Good. Norton, NY, c.1990, 5th.trade paperbk.prtg., 259pp., some inking, G $.

Paperback. Condition: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Softcover. Condition: Very Good+. First Paperback Edition. First trade paperback edition w/complete number line, has a shallow lean to the binding, light bumps to the spine ends and corners, a touch of creasing to the corners of the covers and some of the pages, and faint rubbing with mild edge wear to the covers. Otherwise, this is a solid, tight, clean, Very Good+ copy.…

hardcover. Condition: Good. No Highlighting or underlining. Some Wear but overall good condition. Foxing on one or more of the fore-edges. 100% Satisfaction Guaranteed.

hardcover. Condition: Used-Very Good. dj. First Edition. Cloth, dj. Slight shelf-wear.

hardcover. Condition: Used-Very Good. dj. First Edition. Cloth, dj. Gently used.

hardcover. Condition: Used-Very Good. First Edition. Cloth with dj. Some shelfwear to dj. Previous owner's signature on front endpaper.

paperback. Condition: Good. Museum Of Art, College of Arts and Architecture, Pennsylvania State University [Published Date: 1972]. Paper covers, 71 unnumbered pages : color illustrations. Catalogue published in an edition of 3000 to accopany an exhibition inaugurating the opening of the Museum of Art, the College of Arts and Architecture, the Pennsylvania State University, University Park, on October 8, 1972, and continuing until November 5, 1972. In good condition. Cream illustrated paper covers have light bumping to edges and light overall scuffing, aging and soiling. Binding tight. Pages clean and unmarked. NOT Ex-Library. NO remainder marks. Features works by the following artists: Gustavus Hesselius, Benjamin West, Charles Willson Peale Raphaelle Peale, Rembrandt Peale, Thomas Sully, Jacob Eichholtz, John Nagle, Thomas Birch, Thomas Doughty, Edward Hicks, David Gilmouor Blythe, Severin Roesen, Martin Johnson Heade, Thomas Hovenden, Thomas Eakins, William Michael Harnett, John Frederick Peto, Mary Cassatt, Cecelia Beaux, George Benjamin Luks, John Sloan, William James Glackens, Arthur B. Carles, Charles Demuth;, Charles R. Sheeler, Stuart Davis, Franz Kline, John Kane, Horace Pippin. [From Introduction] For the occasion of the opening of the Museum of Art at The Pennsylvania State University, there seemed no more logical exhibition than one of Pennsylvania artists. And it also seemed apparent that works of these artists might well be sought from collections within the Commonwealth for a Pennsylvania institution. The determination of the person to select and annotate these works was no less obvious a choice. Harold E. Dickson, our distinguished Emeritus Professor of Art History, was not only an authoritative voice in the field of American Art but in addition was well aware of collections, both private and public, throughout Pennsylvania . . . The term PENNSYLVANIA PAINTERS has been flexibly applied. Just over two-thirds of those represented in this exhibition are native and some of those had their major careers outside of the state. Indeed, two Pennsylvanians, Benjamin West and Mary Cassatt, are mainly identified with their expatriate homes in England and in France. Understandably, a number of our earlier painters emigrated from Europe and became relevantly associated with Pennsylvania, enriching the young Commonwealth and country with their talents. The 30 works comprising this exhibition are a highly select group from the early 18th century to our times. No living artists are included. The number is not an arbitrary one but rather the number that resulted from the availability of top quality examples of paintings for loan to us. In several instances, prime works of Pennsylvania painters are not represented in Pennsylvania collections. Occasionally loans were not negotiable. But 30 MASTERWORKS have evolved as the substance of this exhibit, and while they do not form a complete historical continuity of painting in the Commonwealth, they indicate a panorama of highlights with sequential meaning. It is a fascinating range of work including the elitist painting of Benjamin West and the gifted primitivism of Florace Pippin . . .…

Original halfcloth with dustjacket, in very good condition. Text in English. Please see description or ask for photos.

Condition: New. pp. xii + 784-1257.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Printing is not stated, hardcover, has a shallow lean to the binding, mild wear to the spine ends and corners, and a hint of smudging to the edges of the text block. Otherwise, this is a solid, tight, clean and sharp, Very Good+ copy in a like dust jacket, which has very slight bumps to the spine ends and corners.…

Condition: New. pp. xii + 784-1257 Index 1st Edition.

Paperback. Condition: Brand New. 80 pages. 8.23x5.28x0.28 inches. In Stock.

Paperback. Condition: Brand New. 8.19x5.32x0.32 inches. In Stock.

Condition: New. pp. xii + 784-1257, Abbreviations.

Condition: New. pp. 89.

Paperback. Condition: Brand New. 8.23x5.24x1.18 inches. In Stock.

Paperback. Condition: Brand New. 8.23x5.24x1.18 inches. In Stock.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Printing is not stated, hardcover, has a mild lean to the binding, very slight bump to the spine ends, and a hint of wear to the cover edges and corners. Otherwise, this is a solid, tight, clean, Very Good+ copy in a like dust jacket, which has mild bumps to the spine ends and corners, very faint sunning to the spine, and a touch of wear to the cover edges.…

paperback. Condition: Very Good. Petite Biblioteque Payot, Documents 172, Paris, c.1993, paperbk., 230pp., NF $.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Hard covers, in dust jacket. Mild toning to edges of endpapers; jacket lightly soiled. Otherwise clean, tight, and unmarked. Indexes, bibliography. Unpaginated. Very neat -- a sound and handsome copy. Size: 8vo - over 7¾ - 9¾" tall. Book. …

Condition: New. pp. 89, Abbreviation.

Trade Paperback. Condition: Very Good+. Presumed First Edition. Presumed first printing w/NAP, trade paperback, has a minor lean to the binding, shallow bowing to the text block and covers, slight bumps to the spine ends and cover corners, and faint rubbing with a touch of edge wear to the covers. Otherwise, this is a solid, tight, clean Very Good+ copy. …

paperback. Condition: Good. London History Workshop Centre, Journeyman Press c.1985, 8-1/2"x6" wraps, 75pp., yellowed, G $.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 8vo, cloth, dustwrapper, xiv + 250pp. First edition & printing. N.B.: solely the hardcover Oxford issue contained the Russian on facing pages, the paperback issue consisted of the translation alone. VG/VG: clean cloth, bright lettering, solid binding, clean text, fairly clean edges; clipped wrapper lightly soiled and worn. …