Ann E Berman (51 results)

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condition: Good. Good condition. Very Good dust jacket. With remainder mark. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: Acceptable. hardcover The item is fairly worn but still readable. Signs of wear include aesthetic issues such as scratches, worn covers, damaged binding. The item may have identifying markings on it or show other signs of previous use. May have page creases, creased spine, bent cover or markings inside. Packed with care, shipped promptly.

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Good. Dust Jacket Condition: Good. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. 1998. Book Condition: Fine, Dust Jacket:Very Good. First Edition, First Printing. N/A. Minimal wear.

Hard Cover. Condition: vg. Dust Jacket Condition: vg-. 240 unpaginated pages; color photos throughout; contents clean; binding solid; 10" tall; corners of orange cover lightly bumped; light shelf wear to edges of dj. Hardcover (dj).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Fine in a fine jacket with light wear and only a thin remainder mark on bottom edge. Well-illustrated.

Soft cover. Condition: Very Good. Binding is secure. Pages are clean, unmarked and undamaged. Very slight soiling but significant rubbing to front and back covers. Very little wear otherwise. The magazine will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "Duhem Update: The Ceiling is Raised" (Around the Block); "Put That Art to Work" (Around the Block); "Grand Tour Black Magic" (Around the Block); "Photographs from the Collection of the Gilman Paper Company" (Books); "Andy Warhol Prints" (Books); "Andre Kertesz" (Books); "The Art of the Forger" (Books); "Generations" (Galleries); "October and November Sales in the U.S., Canada and Europe, Gallery Listings, Index to Advertisers" (Calendars); "The Return of the Kings' Painters Chait's Diamond Jubilee" (Talk of the Trade); "Kentshire's Indian Festival" (Talk of the Trade); "Art or Crafts?" (Talk of the Trade); "Antiquarian" (Talk of the Trade); "The Pier Show" (Expositions); "Chicago International Antiques Show" (Expositions); "San Francisco Fall Antiques Show" (Expositions); "New York Fine Print Show" (Expositions); "Corporate Collecting, Jean Helion, and I - Art Book Collecting" (Collecting Notes); "Auction Reserves" (Souren Melikian); "Islamic Art Theft" (The IFAR Report); "Equitable Life Assurance Society. The Tower of Art" (Features); "Best Products Company, Inc. Sydney Lewis Knows Best" (Features); "Corporate Collecting and Corporate Collections" (Features); "Kaufman and Broad, Inc. The Broad View" (Features); "Unique Masterpieces of American Furniture" (Features); "Silver" (Auction Previews); "Americana" (Auction Previews); "19th Century European Pictures" (Auction Previews); "The Lynch Sale" (Auction Reviews); and "On My Mind" (Editorial).

Soft cover. Condition: Good. Previous owner's initials in the upper right corner of the front cover. One paragraph in the article "Art is Priceless" is bracketed on page 168. All other pages are clean and unmarked. Exterior covers and spine are completely clean (except for the initials mentioned above). Light wear to edges of covers and spine. Upper right and lower right corners of the front cover are creased several times. Upper left corner of the back cover is lightly creased. Many pages have one or two light bends or creases. The magazine will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "Foreign Affairs" (The Art in Embassies program, now 25 years old, leads the field in the fine art of diplomacy" by Kathryn Blee; "Back Before Breakfast" (For those who can take the early hours, Artful Dodgers, bustling crowds and nearly constant drizzle, London's antiques markets offer more than the occasional treasure) by Alistair Sampson; "Art is Priceless" (You don't buy it, you sell it--the secondary market for contemporary art) by Ronny Cohen; "Motown Mary" (Pewabic pottery bears the mark of Mary Chase Perry) by Ann E. Berman; "Some Things Old, Some Things New" (19th-century gallerists take on the 20th) by Judd Tully; "Tales of Hoffmann" (Viennese silver from the neoclassical to the Wiener Werkstatte) by Gilbert T. Vincent; "Around the Block" (Cry Wolf, Lone Star Fakes, Star-Spangled Banter, A-Pauling, Investing in the Future, Philadelphia Story, French Ship, A Book's Cover, Return of the Native Art, Corporate Oreintation); "Talk of the Trade" (London as You Like It, Paris When It Sizzles, Reign in Spain, A Case of Klimtomania, Moving On, Climbing the Walls, Notes from Portugal, South Anne's Antiques, If Ayatollah Were King); "Expositions" (B.A.D.A.'s Ball, The Basel Art Fair, Previews, Maastricht, Philadelphia, NAADArt Word); "Portraits" (Evan Steadman); "Showplaces" (By the Biennial); "Artravel" (Munich, West Germany); "Calendars" (June Sales and Exhibitions, Index of Advertisers); "Art & Finance" (Taking Stock in Art); "Souren Melikian" (The Art Investment Jackpot); "The IFAR Report" (U.S. Bans Import of Bolivian Textiles); "Books"; "Auction Reviews" (Watches, London Imp & Mod, Silver, Jewelry, Chinese Art, Photography, Contemporary, New York Imp & Mod); "Auction Previews"; and "Editorial".

Soft cover. Condition: Near Fine. 1st Edition. First edition, first printing of this collection of 8 pieces of writing including a novella, a novelette, short stories and poetry. Featured are Shady Grove by Allen M Steele (novella), The Fear Gun by Judith Berman (novelette), Dinosaur Songs by Kathleen Ann Goonan (short stories), Daily Reports by Robert Reed (short story), Forest for the Trees by Kristine Kathryn Rusch (short story), Gwendolyn is Happy to Serve You (short story), Dark Gourmet by Bruce Boston (poetry) and The Rape of the Toyota by Cathy Tacinelli (poetry). Slight glue residue on front cover where address label was removed. In Near Fine Condition.

Soft cover. Condition: Near Fine. 1st Edition. A tiny bit of wear to the upper right corner of the front cover, otherwise spotless and completely free of wear or damage inside and out. Will be backed with cardboard and carefully packed in a sturdy box to ensure safe transit. This issue includes the regular departments plus these feature articles: "The Wild, Wild West: Like the Texas oilmen who were its biggest fans, Western art struck it rich in the 1970s, but went bust in the early '80s. Now, with new, sophisticated buyers coast-to-coast, it's riding high" by Ann E. Berman; "The Crisis in Contemporary: Is the game up? Looking at the current scene, Newsweek Plagens suggests an apocalyptic conclusion is not farfetched" by Peter Plagens; "Pursuing the Absolute: In his passion for antiquities, collector George Ortiz is unstoppable. Says one observor, "He's completely mad." by Jerry Theodorou; and "Whatever Happened to J. Carter Brown? The Olympics, cable TV, a digitalized image archive--the former director is finding that there's life after the National Gallery. But is it art?" by David D'Arcy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Photographs By Rob Gray (illustrator). First Edition. Dj has light edgewear with a couple tiny tears. Light wear. Book cocked. Very lightly bumped corners. There is an address label attached to front endpage. Inside hinge is creased. ***Because of the size of this book, if you request expedited shipping or shipping outside of the USA, we will require additional shipping charges to cover expenses.***.

hardcover. Condition: Interior is excellent. Dust Jacket Condition: wrapped in plastic. x library.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Good. Jacket chipped at tail, light edgewear. Boards have only light wear. Pages are clean, text has no markings, binding is sound. This book will require extra charges for Priority or International shipping. Size: 4to - over 9¾" - 12" tall.

hardcover. Condition: Very Good. Dust Jacket Condition: DJ: Very Good. 2d ptg. Unnumbered pages. 8 3/8 x 19 1/4. Red boards with qtr red cloth, stamped in white on spine. Illustrated, mostly red, glossy dj. No damage or markings noted.

Hardcover. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. For any woman who ever wondered how to wear vintage clothing with panache, at last there is Vintage Style, the book that takes the mystery out of buying, wearing, and caring for vintage clothes. This is not about Victorian whites, poodle skirts, or boogie-woogie-bugle-boy outfits with peplums, seamed stockings, and snoods. It's about vintage clothes as a mainstream choice, and this fully illustrated book shows just how easily the fashions of yesteryear can be incorporated into a modern wardrobe.Vintage Style tells you--and shows you--exactly how to get into vintage. It features more than one hundred specially commissioned photographs of thirty-six women (and one man) from all walks of life modeling classic vintage pieces as part of three different outfits--casual, workday, and evening. It is on these pages that one can truly see the extraordinary versatility of vintage clothing and also appreciate how to achieve that "edge" that only one-of-a-kind fashion can create. The "classics" section, shopping tips, and care suggestions that are included are full of helpful information for creating and maintaining a uniquely personal look.