And Adams John E Editors (3 results)

Hardcover. Condition: Good +. No Jacket. Scuffs, soils, superficial exterior stains, etc. Board is a bit bowed. An adequate reference copy. 454 pages. Book.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fine. 1st Edition. 381 pp. Stated: "First Edition: Harper Paperback 1968"; "Introduction to the Torchbook edition copyright 1968"; '2' in number line. Following the Torchbook Introduction [citing corrections to First Printing], Contents divided into 14 essays: I. Ernst Cassirer, "Giovanni Pico della Mirandola"; II. Wallace K. Ferguson, "The Interpretation of the Renaissance"; III. Herbert Weisinger, "Ideas of History during the Renaissance"; IV. Hans Baron, "Querelle of Ancients and Moderns"; V. Beatrice Reynolds, "Shifting Currents in Historical Criticism"; VI. Robert P. Adams, "The Social Responsibilities of Science in Utopia, New Atlantis and After"; VII. Eugene F. Rice, Jr., "Erasmus and the Religious Tradition"; VIII. Charles Trinkhaus, "The Problem of Free Will in the Renaissance and Reformation"; IX. Hanna H. Gray, "Renaissance Humanism: The Pursuit of Eloquence"; X. John Herman Randall, Jr., "The Development of Scientific Method in the School of Padua"; XI. William J. Bouwsma, "Postel and the Significance of Renaissance Cabalism"; XII. Rosemond Tuve, " Imagery and Logic: Ramus and Metaphysical Poetics"; XIII. Meyer Schapiro, "Leonardo and Freud: An Art-Historical Study"; XIV. E.E. Lowinsky, "Music in the Culture of the Renaissance". Two black and white illustrations (pp. 305-306). Notes throughout in footnotes at page bottoms. Glossy wrappers with lavender strips across top and bottom front cover for Title and Editor names lettering across top, Publisher name across bottom; large orange and black illustration of tapestry on most of front cover. Lavender of spine ends sunned to light blue with light orange sunned to light tan: All lettering on spine sharp and distinct, not faded, eminently readable, as if spine so colored originally. Tight binding (NO creases); sharp corners (NO bumps or creases); NO previous owner names; NO remainder marks. Clean text. Apart from nugatory sunning to spine, appears close to As New. UNREAD.…