Alfred Strand (20 results)

Paperback. Condition: Very Good. THE SCRIPT! NICE LOOKING acting script in presentable condition. Just a bit of shelf wear to the covers. Good clear text inside. This is the ACTING EDITION SCRIPT!

Paperback. Condition: Very Good. THE SCRIPT! NICE LOOKING acting script in presentable condition. Just a bit of shelf wear to the covers. Good clear text inside. This is the ACTING EDITION SCRIPT! Book.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran September 6 through October 20, 2012. Essay by Carol Troyen. Includes illustrations of works by Charles Demuth, Arthur Dove, Marsden Hartley, John Marin, Georgia O'Keeffe, Alfred Stieglitz, and Paul Strand. A near fine copy in French style wrappers. A nicely printed catalog.

Softcover. Condition: Near Fine. Octavos. Perfectbound in printed wrappers. Near fine with typical wear to the yapped edges and a few light rub spots. The sixth issue of this twice-a-year literary journal published by Coburn Britton and featuring Edward Dahlberg, Renaud Charles Bruce, Peter Dreyer, Janet Flanner, Katherine Hoskins, Richard Howard, Alfred Kazin, James Kraft, David Lowe, Robin Magowan, Mark Strand, and Parker Tyler.

Softcover. Condition: Very Good. Octavos. Perfectbound in printed wrappers. Very good with typical wear to the yapped edges, light rubbing and a few spots. The sixth issue of this twice-a-year literary journal published by Coburn Britton and featuring Edward Dahlberg, Renaud Charles Bruce, Peter Dreyer, Janet Flanner, Katherine Hoskins, Richard Howard, Alfred Kazin, James Kraft, David Lowe, Robin Magowan, Mark Strand, and Parker Tyler.

Hardcover. Condition: Good. No Jacket. First Edition. Illustrated. Book is clean and tight. No dust jacket issued. Gold boards with gilt lettering and illustrations on front and spine. Signed and dated by Author on inside front board. 128 pages. Signed by Author(s).

Softcover. A tan softcover book with gray text on the spine. 221 pages. VG-: Research center stamp in the top right corner. Rubbing to the wraps.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Erste Auflage. 31 x 26,4 cm. 178 S. Illustrierter OPappband mit transparentem OPlastikumschlag. Sehr gutes Exemplar. Durchgehend mit schwarz-weißen, sepiafarbenen und wenigen farbigen Abbildungen, z. Tl. auf Klapptafeln, versehen. Katalogbuch zur gleichnamigen Ausstellung im Metropolitan Museum of Art, New York, vom 20. November 2010 bis zum 10. April 2011. Texte in englischer Sprache.

Hardcover. Condition: Good. 1st Edition. Signed By Author On Fep.Not Ex-Library Copy.Hardcover Edition Issued Without Dustjacket.Nice Copy.Text Unmarked.Binding Is Solid.Not Ex-Library Copy.First Edition, First Printing.Slight Foxing. Signed by Author(s).

LeatheBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 88. A perfect gift for your loved ones. Reprinted from 1928 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 88.

cartonato illustrato. Condition: ottimo stato, nuovo. a cura di Malcolm Daniel Pagine: 178 b/n. Lingua: inglese.

HARDCOVER. Condition: Very Good. No Jacket. 1st Edition. 1st Printing. Heavy, large 8vo. in textured black cloth covered boards, inverse silver lettering to spine, 339pp, index, chronology, list of exhibitions etc. plus 32 single sided plates, being 'Representative work shown at 291, The Intimate Gallery and An American Place' . [CONDITION: An uncommonly well preserved VERY GOOD+ clean and tight unmarked copy (slight rub to cover corner tips and spine ends, small ink name on front blank fly-leaf, end-papers very neatly strengthened or repaired at gutter with closely matched paper. A nice and strong copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Folded sheets loose. 20 pp. no illustrations. Includes responses, or shorter or greater length, by: Marcel Duchamp, Joseph Pennel (two responses), Alfred Russell (for Charles Chaplin), Carl Zigrosser, Charles Sheeler, Charles Demuth, Carl Sandburg, Elizabeth Davidson, Waldo Frank, Leo Ornstein, Leo Stein, Gilbert Cannan, Stephan Bourgeois, S. Macdonald Wright, Thomas Hart Benton, Thomas J. Craven, George F. Of, Arthur G. Dove, Gaston Lachaise, John Marin (extensive essay), Hutchins Hapgood, Oscar Bluemner, Kenneth Hayes Miller, J. B. Kerfoot, Ernest Bloch, Alfeo Faggi, Evelyn Scott, Sherwood Anderson (extensive essay which was previously published (in The New Republic, October 25, 1922) regarding Alfred Steiglitz, Georgia O'Keeffe, Walter Lippmann, De Zayas. The letters are followed by a Bibliography of References in "Camera Work" and then "A Few general References in The English Language." Though the publication date is listed as December 1922, it is possible it was not printed until January 1923, as a reference is made to an paragraph published in January 1923 in the Metropolitan Museum of Art Bulletin. Extremely rare. 9 copies located on Worldcat. The letters / essays / comments contained herein were solicited by Strand and Steiglitz for a Special Issue of MSS (Manuscripts) in early to mid-May 1922, judging by the dates on the earliest responses. Good- (may have dark tanning to spine. wraps have scuffs, marks, chips, smudges & light, spotted foxing; may have tears. pg edges may have dark, tanned edgs. some unopened pgs; some loose pages).

Magazine. Condition: Poor. An unusual little publication. Kind of like a zine. Corners and edges have multiple chips and areas that have flaked away. there is some mild foxing. the cover is completely separated. It's fragile. Contains some meh poetry by Duncan, Marin and Stieglitz and a terrific essay by Paul Strand. From an original edition of 2000 copies. .

2 volumes, small folio, illustrated with 9 and 11 original photogravures respectively, original printed wrappers. Among the most sought-after issues ofCamera Work, these two numbers are complete and in remarkable condition. The plates are clean, free of foxing and creasing. The text blocks are clean, bright, and sound, largely unopened. A bit of offsetting from plates to the facing pages as usual, somewhat more pronounced in No. 49/50, but not affecting the images themselves. Wrappers are clean, with only very light wear; the hinges are firm, and there is no creasing or darkening of the spines. Overall both issues are in near fine, and extremely scarce thus. Among the most sought-after issues ofCamera Work, these two numbers are complete and in remarkable condition. The plates are clean, free of foxing and creasing. The text blocks are clean, bright, and sound, largely unopened. A bit of offsetting from plates to the facing pages as usual, somewhat more pronounced in No. 49/50, but not affecting the images themselves. Wrappers are clean, with only very light wear; the hinges are firm, and there is no creasing or darkening of the spines. Overall both issues are in near fine, and extremely scarce thus. First (only) editions of thefinaltwo issues of Alfred Stieglitz's monumental photographic periodical,Camera Work, including, in number 48, the earliest appearance in print of the work of Paul Strand, and in number 50, an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "Theworkof Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kindof forceful representation he found in painters like Picasso and Matisse, and he presented Strand'sworkas a clean break, even changing the time-testedproduction methods ofCameraWork, Strand's photogravures were printed on thicker paper and with different inks." - Roth 101, pp. 42-43. Issue No. 48 includes six photographs by Strand, six halftones by Steiglitz of installations at his gallery 291, and single photographs by Frank Eugene, Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures, all after work by Strand, among them "The White Fence", "Abstraction Porch Shadows", and "Abstraction Bowls".One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted, the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment, sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality, character, and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits, basic to the rest of his development, are the first clear expression of his own aesthetic philosophy." - Milton W. Brown, "The Three Roads", in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. (Aperture, 1990), p. 29. Although not noted in the volumes, these two issues of Camera Work came from the collection of James Johnson Sweeney, at various times the Curator of Painting and Sculpture at MOMA, the second Director of the Guggenheim Museum, and the Director of the Museum of Fine Arts Houston.

Folded sheets loose. 20 pp. no illustrations. Includes responses, or shorter or greater length, by: Marcel Duchamp, Joseph Pennel (two responses), Alfred Russell (for Charles Chaplin), Carl Zigrosser, Charles Sheeler, Charles Demuth, Carl Sandburg, Elizabeth Davidson, Waldo Frank, Leo Ornstein, Leo Stein, Gilbert Cannan, Stephan Bourgeois, S. Macdonald Wright, Thomas Hart Benton, Thomas J. Craven, George F. Of, Arthur G. Dove, Gaston Lachaise, John Marin (extensive essay), Hutchins Hapgood, Oscar Bluemner, Kenneth Hayes Miller, J. B. Kerfoot, Ernest Bloch, Alfeo Faggi, Evelyn Scott, Sherwood Anderson (extensive essay which was previously published (in The New Republic, October 25, 1922) regarding Alfred Steiglitz, Georgia O'Keeffe, Walter Lippmann, De Zayas. The letters are followed by a Bibliography of References in "Camera Work" and then "A Few general References in The English Language." Though the publication date is listed as December 1922, it is possible it was not printed until January 1923, as a reference is made to an paragraph published in January 1923 in the Metropolitan Museum of Art Bulletin. Extremely rare. 9 copies located on Worldcat. The letters / essays / comments contained herein were solicited by Strand and Steiglitz for a Special Issue of MSS (Manuscripts) in early to mid-May 1922, judging by the dates on the earliest responses. Good+ (may have dark tanning to spine. wraps have scuffs, marks, smudges & light, spotted foxing; may have tears. pg edges may have dark, tanned edgs. some unopened pgs).

LeatheBound. Condition: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1928 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 88 Language: English Pages: 88.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1928. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 88, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 88 88.