Alexandra Fuller (Over 1,600 results)

Hardback. Condition: Fair. From bestselling memoirist Alexandra Fuller, a debut novel. Lakota Oglala Sioux Nation, South Dakota. Two Native American cousins, Rick Overlooking Horse and You Choose Watson, though bound by blood and by land, find themselves at odds as they grapple with the implications of their shared heritage. When escalating anger toward the injustices, historical and current, inflicted upon the Lakota people by the federal government leads to tribal divisions and infighting, the cousins go in separate directions: Rick chooses the path of peace; You Choose, violence. Years pass, and as You Choose serves time in prison, Rick finds himself raising twin baby boys orphaned at birth in his meadow. As the twins mature from infants to young men, Rick immerses the boys in their ancestry, telling wonderful and terrible tales of how the whole world came to be and affirming their place in the universe as the result of all who have come before and will come behind. But when You Choose returns to the reservation after three decades behind bars, his anger manifests, forever disrupting the lives of Rick and the boys. A complex tale that spans generations and geography, Quiet Until the Thaw conjures the implications of an oppressed history, how we are bound not just to immediate family but to all who have come before and will come after us, and, most of all, to the notion that everything was always, and is always, connected.…

Paperback. Condition: As New.

Paperback. Condition: Very Good.

Paperback. Condition: Fair.

Paperback. Condition: Very Good. NEW YORK TIMES BESTSELLER * A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."--Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."--The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don't Let's Go to the Dogs Tonight is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller--known to friends and family as Bobo--grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don't Let's Go to the Dogs Tonight "Riveting . . . [full of] humor and compassion."--O: The Oprah Magazine   "The incredible story of an incredible childhood."--The Providence Journal.…

Paperback. Condition: Good. NEW YORK TIMES BESTSELLER * A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."--Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."--The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don't Let's Go to the Dogs Tonight is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller--known to friends and family as Bobo--grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don't Let's Go to the Dogs Tonight "Riveting . . . [full of] humor and compassion."--O: The Oprah Magazine   "The incredible story of an incredible childhood."--The Providence Journal.…

Paperback. Condition: Fair. NEW YORK TIMES BESTSELLER * A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother. "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."--Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."--The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don't Let's Go to the Dogs Tonight is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller--known to friends and family as Bobo--grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don't Let's Go to the Dogs Tonight "Riveting . . . [full of] humor and compassion."--O: The Oprah Magazine   "The incredible story of an incredible childhood."--The Providence Journal.…

Condition: good. Books may contain some notes and highlighting. Supplements such as Access Codes, Cd's Dust Jackets, etc. are not guaranteed with used book purchases.

Paperback. Condition: Good. When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians--and K, like all the veterans of the war, has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way--by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere. Scribbling the Cat is an engrossing and haunting look at war, Africa, and the lines of sanity. …

Paperback. Condition: Fair. When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians--and K, like all the veterans of the war, has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way--by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere. Scribbling the Cat is an engrossing and haunting look at war, Africa, and the lines of sanity. …

Paperback. Condition: Very Good. When Alexandra ("Bo") Fuller was home in Zambia a few years ago, visiting her parents for Christmas, she asked her father about a nearby banana farmer who was known for being a "tough bugger." Her father's response was a warning to steer clear of him; he told Bo: "Curiosity scribbled the cat." Nonetheless, Fuller began her strange friendship with the man she calls K, a white African and veteran of the Rhodesian war. With the same fiercely beautiful prose that won her acclaim for Don't Let's Go to the Dogs Tonight, Fuller here recounts her friendship with K. K is, seemingly, a man of contradictions: tattooed, battle scarred, and weathered by farm work, he is a lion of a man, feral and bulletproof. Yet he is also a born-again Christian, given to weeping when he recollects his failed romantic life, and more than anything else welling up inside with memories of battle. For his war, like all wars, was a brutal one, marked by racial strife, jungle battles, unimaginable tortures, and the murdering of innocent civilians--and K, like all the veterans of the war, has blood on his hands. Driven by K's memories, Fuller and K decide to enter the heart of darkness in the most literal way--by traveling from Zambia through Zimbabwe (formerly Rhodesia) and Mozambique to visit the scenes of the war and to meet other veterans. It is a strange journey into the past, one marked at once by somber reflections and odd humor and featuring characters such as Mapenga, a fellow veteran who lives with his pet lion on a little island in the middle of a lake and is known to cope with his personal demons by refusing to speak for days on end. What results from Fuller's journey is a remarkably unbiased and unsentimental glimpse of men who have killed, mutilated, tortured, and scrambled to survive during wartime and who now must attempt to live with their past and live past their sins. In these men, too, we get a glimpse of life in Africa, a land that besets its creatures with pests, plagues, and natural disasters, making the people there at once more hardened and more vulnerable than elsewhere. Scribbling the Cat is an engrossing and haunting look at war, Africa, and the lines of sanity. …

Condition: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardback. Condition: Very Good. 2025 PULITZER PRIZE FINALIST FOR MEMOIR From the award-winning New York Times-bestselling author of Don't Let's Go To The Dogs Tonight, Alexandra Fuller, comes a career defining memoir about grieving the sudden loss of her twenty-one-year-old child "An elegiac meditation on motherhood and grief, written from the rage and pain of losing a child, but in a voice that ultimately resonates with beauty and hard-won acceptance."--Pulitzer Prize jury "A mesmeric celebration of a boy who died too soon, a mother's love and her resilience. It will help others surviving loss -- surviving life."--David Sheff, New York Times "Fair to say, I was in a ribald state the summer before my fiftieth birthday." And so begins Alexandra Fuller's open, vivid new memoir, Fi. It's midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then - suddenly and incomprehensibly - her son Fi, at 21 years old, dies in his sleep. No stranger to loss - young siblings, a parent, a home country - Alexandra is nonetheless leveled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. There is no answer, and there are countless answers - in poetry, in rituals and routines, in nature and in the indigenous wisdom she absorbed as a child in Zimbabwe. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.…

Hardback. Condition: Good. 2025 PULITZER PRIZE FINALIST FOR MEMOIR From the award-winning New York Times-bestselling author of Don't Let's Go To The Dogs Tonight, Alexandra Fuller, comes a career defining memoir about grieving the sudden loss of her twenty-one-year-old child "An elegiac meditation on motherhood and grief, written from the rage and pain of losing a child, but in a voice that ultimately resonates with beauty and hard-won acceptance."--Pulitzer Prize jury "A mesmeric celebration of a boy who died too soon, a mother's love and her resilience. It will help others surviving loss -- surviving life."--David Sheff, New York Times "Fair to say, I was in a ribald state the summer before my fiftieth birthday." And so begins Alexandra Fuller's open, vivid new memoir, Fi. It's midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then - suddenly and incomprehensibly - her son Fi, at 21 years old, dies in his sleep. No stranger to loss - young siblings, a parent, a home country - Alexandra is nonetheless leveled. At the same time, she is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole. There is no answer, and there are countless answers - in poetry, in rituals and routines, in nature and in the indigenous wisdom she absorbed as a child in Zimbabwe. By turns disarming, devastating and unexpectedly, blessedly funny, Alexandra recounts the wild medicine of painstakingly grieving a child in a culture that has no instructions for it.…

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Hardback. Condition: Good. From bestselling memoirist Alexandra Fuller, a debut novel. Lakota Oglala Sioux Nation, South Dakota. Two Native American cousins, Rick Overlooking Horse and You Choose Watson, though bound by blood and by land, find themselves at odds as they grapple with the implications of their shared heritage. When escalating anger toward the injustices, historical and current, inflicted upon the Lakota people by the federal government leads to tribal divisions and infighting, the cousins go in separate directions: Rick chooses the path of peace; You Choose, violence. Years pass, and as You Choose serves time in prison, Rick finds himself raising twin baby boys orphaned at birth in his meadow. As the twins mature from infants to young men, Rick immerses the boys in their ancestry, telling wonderful and terrible tales of how the whole world came to be and affirming their place in the universe as the result of all who have come before and will come behind. But when You Choose returns to the reservation after three decades behind bars, his anger manifests, forever disrupting the lives of Rick and the boys. A complex tale that spans generations and geography, Quiet Until the Thaw conjures the implications of an oppressed history, how we are bound not just to immediate family but to all who have come before and will come after us, and, most of all, to the notion that everything was always, and is always, connected.…

hardcover. Condition: As New.

Paperback. Condition: As New.

Hardback. Condition: Fair. When the ship veered into the Cape of Good Hope, Mum caught the spicy, heady scent of Africa on the changing wind. She smelled the people: raw onions and salt, the smell of people who are not afraid to eat meat, and who smoke fish over open fires on the beach and who pound maize into meal and who work out-of-doors. She held me up to face the earthy air, so that the fingers of warmth pushed back my black curls of hair, and her pale green eyes went clear-glassy. “Smell that,” she whispered, “that’s home.” Vanessa was running up and down the deck, unaccountably wild for a child usually so placid. Intoxicated already. I took in a faceful of African air and fell instantly into a fever. In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller–known to friends and family as Bobo–grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.…

Hardback. Condition: Good. When the ship veered into the Cape of Good Hope, Mum caught the spicy, heady scent of Africa on the changing wind. She smelled the people: raw onions and salt, the smell of people who are not afraid to eat meat, and who smoke fish over open fires on the beach and who pound maize into meal and who work out-of-doors. She held me up to face the earthy air, so that the fingers of warmth pushed back my black curls of hair, and her pale green eyes went clear-glassy. “Smell that,” she whispered, “that’s home.” Vanessa was running up and down the deck, unaccountably wild for a child usually so placid. Intoxicated already. I took in a faceful of African air and fell instantly into a fever. In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller–known to friends and family as Bobo–grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don’t Let’s Go to the Dogs Tonight is more than a survivor’s story. It is the story of one woman’s unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.…

Hardback. Condition: Very Good. The New York Times Bestseller from the author of Travel Light, Move Fast One of the gutsiest memoirs I've ever read. And the writing--oh my god the writing.--Entertainment Weekly A child of the Rhodesian wars and daughter of two deeply complicated parents, Alexandra Fuller is no stranger to pain. But the disintegration of Fuller's own marriage leaves her shattered. Looking to pick up the pieces of her life, she finally confronts the tough questions about her past, about the American man she married, and about the family she left behind in Africa. A breathtaking achievement, Leaving Before the Rains Come is a memoir of such grace and intelligence, filled with such wit and courage, that it could only have been written by Alexandra Fuller. Leaving Before the Rains Come begins with the dreadful first years of the American financial crisis when Fuller's delicate balance--between American pragmatism and African fatalism, the linchpin of her unorthodox marriage--irrevocably fails. Recalling her unusual courtship in Zambia--elephant attacks on the first date, sick with malaria on the wedding day--Fuller struggles to understand her younger self as she overcomes her current misfortunes. Fuller soon realizes what is missing from her life is something that was always there: the brash and uncompromising ways of her father, the man who warned his daughter that the problem with most people is that they want to be alive for as long as possible without having any idea whatsoever how to live. Fuller's father--Tim Fuller of No Fixed Abode as he first introduced himself to his future wife--was a man who regretted nothing and wanted less, even after fighting harder and losing more than most men could bear. Leaving Before the Rains Come showcases Fuller at the peak of her abilities, threading panoramic vistas with her deepest revelations as a fully grown woman and mother. Fuller reveals how, after spending a lifetime fearfully waiting for someone to show up and save her, she discovered that, in the end, we all simply have to save ourselves. An unforgettable book, Leaving Before the Rains Come is a story of sorrow grounded in the tragic grandeur and rueful joy only to be found in Fuller's Africa.…

Condition: like_new. Book is in like new condition with minimal signs of wear. Pages are clean and free from notes or highlighting. Dust cover is intact. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

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Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.