NEW YORK TIMES BESTSELLER - A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller shares visceral memories of her childhood in Africa, and of her headstrong, unforgettable mother.
"This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."--Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."--The New Yorker Though it is a diary of an unruly life in an often inhospitable place, Don't Let's Go to the Dogs Tonight is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller--known to friends and family as Bobo--grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt. Praise for Don't Let's Go to the Dogs Tonight "Riveting . . . [full of] humor and compassion."--O: The Oprah Magazine "The incredible story of an incredible childhood."--The Providence Journal"synopsis" may belong to another edition of this title.
RO60063832. DON'T LET'S GO TO THE DOGS TONIGHT. 2003. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 315 pages. Premier plat illustré en couleurs. Quelques illustrations en noir et blanc dans le texte.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Don’t Let’s go to the Dogs Tonight is a wonderfully evocative memoir of Alexandra Fuller’s African childhood. Fuller regards herself "as a daughter of Africa", who spent her early life on farms in Zimbabwe, Malawi and Zambia throughout the turbulent 1970s and 80s, as her parents "fought to keep one country in Africa white-run", but "lost twice" in Kenya and Zimbabwe. This is a profoundly personal story about growing up with a pair of funny, tough, white African settlers, and living with their "sometimes breathlessly illogical decisions", as they move from war-torn Zimbabwe to disease and malnutrition in Malawi, and finally the "beautiful and fertile" land of Zambia.
Central to Fuller’s book is the intense relations between herself and her parents, a chain-smoking father able to turn round any farm in Africa, her glamorous older sister Vanessa, and the character who sits at the heart of the book, Fuller’s "fiercely intelligent, deeply compassionate, surprisingly witty and terrifyingly mad" mother.
Fuller weaves together painful family tragedy with a wider understanding of the ambivalence of being part of a separatist white farming community in the midst of Black African independence. The majority of the book focuses on Fuller’s early years in war-torn Zimbabwe, with "more history stuffed into its make-believe, colonial-dream borders than one country the size of a very large teapot should be able to amass." This is the most successful dimension of the book, as Fuller describes growing up on farm where her father is away most nights fighting "terrorists", and stripping a rifle takes precedence over school lessons. The sections on Malawi and Zambia are more prosaic, but this is a lyrical and accomplished memoir about Africa, which is "about adjusting to a new world view" and the author’s "passionate love for a continent that has come to define, shape, scar and heal me and my family." --Jerry Brotton
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