Alexa a Greist (9 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition, 1st printing. A FINE, like-new, bright, clean, tight copy sans flaws. "This important volume offers the first comprehensive look at the Arthur Ross Collection - more than 1,200 seventeenth-to-twentieth-century Italian, Spanish, and French prints - and is published to mark the inaugural exhibition of the collection in its new home at the Yale University Art Gallery." PROFUSELY ILLUSTRATED in black and white photographic reproduction of many of the above-mentioned prints (many full page) with accompanying descriptive captions. 182 pages. FRA2.…

hardcover. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

HARD BACK. Condition: New. Dust Jacket Condition: New. This important volume offers the first comprehensive look at the Arthur Ross Collection-more than 1,200 17th- to 20th-century Italian, French, and Spanish prints-and is published to mark the inaugural exhibition of the collection in its new home at the Yale University Art Gallery. Highlights include superb etchings by Canaletto and Tiepolo; the four volumes of Piranesi s Antiquities of Rome, as well as his famous Vedute (Views) and Carceri (Prisons); Goya s Tauromaquia in its first edition of 1816; an extremely rare etching by Edgar Degas; and numerous other 19th-century French prints, by Eugene Delacroix, Honore Daumier, Edouard Manet, Paul Gauguin, Paul Cezanne, and others. The accompanying essays discuss the life of Arthur Ross, a significant philanthropist who funded several arts institutions; the formation of the collection and the art-historical significance of the works; and several thematic approaches to studying the collection, reinforcing its legacy as an important teaching resource. Size: 305x235mm.…

hardcover. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. First Edition; First Printing. Fine in a Fine dust jacket. Important book offers the 1st comprehensive look at the Arthur Ross Collection-more than 1,200 17th- to 20th-century Italian, French, and Spanish prints.; Yale University Art Gallery Series (YUP; 9.1 X 6.6 X 1.1 inches; 226 pages.

Hardcover. Condition: Brand New. 256 pages. 11.50x9.25x1.25 inches. In Stock.

Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. prima edizione. Francesco Vanni: Art in Late Renaissance Siena John Marciari, Suzanne Boorsch, Jamie Gabbarelli, Alexa A Greist, Editore: Yale University Press October 2013, 2013 ISBN 10: 0300135483 / ISBN 13: 9780300135480 Descrizione: Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome.Beautifully illustrated and featuring new research, 'Francesco Vanni: Art in Late Renaissance Siena' is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the 'Madonna della Pappa,' one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003. Published in conjunction with the exhibition organized by the Yale University Art Gallery, Yale University Art Gallery, September 27, 2013-January 5, 2014. end paper a little loose otherwise a near perfect copy. Codice inventario libreria 008573assunto: Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome. Beautifully illustrated and featuring new research, Francesco Vanni: Art in Late Renaissance Siena is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the Madonna della Pappa, one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003. Language : english text Size: 225 X285 mm.…

Hardcover. Condition: New.