Alec Harman Editor (3 results)
Published by J.M. Dent and Sons [1952], London, 1952
- Hardcover
Seller: Colin Coleman Music, Stewkley, United KingdomColin Coleman Music
Contact seller5-star sellerCondition: Used
£ 15.00
£ 19.50 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketSize: 8vo. xxix, 325pp. + plate. Publisher's cloth. Music examples. Tables.
A Plain and Easy Introduction to Practical Music (Norton Library)
Thomas Morley; Alec Harman [Editor]; Thurston Dart [Foreword];
- Softcover
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contact seller5-star sellerCondition: New
£ 60.49
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paperback. Condition: New. In shrink wrap. Looks like an interesting title.
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The Interpretation of the Music of the XVII and XVIII Centuries Revealed by Contemporary Evidence.[Handbooks for Musicians][Expression; Tempo; Conventional Alterations of Rhythm; Ornamentation; Thorough Bass; Position & Fingering; Musical Instrument
Dolmetsch, Arnold, 1858-1940. [preface, Carl F. Dolmetsch, 1911-1997; editor, Ernest Newman, N. Alec Harman]
Language: English
Published by London : Novello ; Oxford University Press, [1946], 1946
- Hardcover
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.Joseph Valles - Books
Contact seller5-star sellerCondition: Used - Good
£ 104.79
£ 12.68 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Good. x, 493 pp. 19 cm. ; LCCN: 49-5608 ; OCLC: 410919 ; green cloth with dark green lettering ; greatly foxed ; front hinge shaken ; some underlining in red pencil ; covers faded ; this, the 1946 edition, corrected from the manuscript ; a seminal work in the history of the early music revival ; "One of the… most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch was the first to apply scholarly attention to the issue of authentic historical performance. His ground breaking 1915 study remains a landmark of musicology, offering not only a text on performance practices of the baroque but also glimpses of what music meant, both as an art and a science, to musicians of the period. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning and fingering, and musical instruments of the era." ; G. Book.

