Adrienne Lai (4 results)
Language: English
Published by Southern Alberta Art Gallery / Liane and Danny Taran Gallery, Lethbridge, AB / Montreal, 2004
- Softcover
- First Edition
Seller: Purpora Books, Comox, BC, CanadaPurpora Books
Contact seller5-star sellerCondition: Used - Fine
£ 7.62
£ 14.80 shippingShips from Canada to U.S.A.Quantity: 1 available
Wraps. Condition: Fine. First Edition. Large format, 7 1/2" x 10", 56 pages. Colour photographs by Hoffmann and two essays by Lai, both in English and French. Exhibition Catalogue.
- Softcover
- First Edition
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.Schindler-Graf Booksellers
Contact seller4-star sellerCondition: Used - As new
£ 21.34
£ 4.07 shippingShips within U.S.A.Quantity: 1 available
Soft cover. Condition: As New. 1st Edition. Softcover: 56 pages, illustrated in color. Catalog to an exhibition mounted at Liane and Danny Taran Gallery, Montreal and Southern Alberta Art Gallery, Lethbridge, 2004. Essay by Adrienne Lai; Text in English and French. Condition: As new, with no marks or writing to book. No sign of…handling or wear.
- Hardcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
Contact seller5-star sellerCondition: New
£ 173.14
£ 15.49 shippingShips from United Kingdom to U.S.A.Quantity: 5 available
Hardcover. Condition: New.
Published by Southern Alberta Art Gallery, Lethbridge, Alberta, Canada, 2009
- Softcover
- First Edition
Seller: Black's Fine Books & Manuscripts, Toronto, ON, CanadaBlack's Fine Books & Manuscripts
Contact seller5-star sellerCondition: Used
£ 72.41
£ 11.83 shippingShips from Canada to U.S.A.Quantity: 1 available
Softcover. First Edition, First Printing. pp. 75, [1]. 8vo., measuring 6" x 9". Pictorial covers. Richly illustrated with full-page black-and-white photographs, many fold-outs. No detectable flaws. Appears unread: as new. Scarce in commerce. Ted Hiebert's experimental exploration of photography produces provocative serial images… that contain layered references to the construction of identity. Rejecting the traditional lighting sources, Hiebert coats his own body in glow-in-the-dark paint and uses this self-generating luminescence to capture the figure on film. While his practice revolves around self-portraiture, Hiebert escapes any notion of narcissism through his acts of transformation which renders the artist anonymous. Hiebert's work has been shown in solo exhibitions across Canada and group exhibitions internationally. This is the first monograph dedicated to his work.
