Adrian Piper (148 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardbound. Condition: Very Good. Dust Jacket Condition: No dustjacket as issued. 64 p. Hardbound book in very good condition. Slight normal shelfwear to full color boards, otherwise clean and sharp-cornered.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. The Spring 2002 issue of Aperture magazine, No. 166, with: an interview with Adrian Piper with a portfolio of images by the artist; portfolio of images from San Miguel de Allende, Mexico, by Janet Sternburg; Richard Whelan on "Robert Capa's Falling Soldier: A Detective Story;" Reynolds Price remembers Eudora Welty; "The Cultural Context of Aperture's Founding" by Frederick Kaufman; Carole Naggar on angels with images by Joel-Peter Witkin, Sylvia Plachy, and others; articles on "Photoworks" by David Hockney, "Ansel Adams at 100" by John Szarkowski, Hiroshi Sugimoto, the video art of Shirin Neshat, and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Very Good+ paperback with a touch of shelf wear and a small portion of laminate peel to the back cover. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

hardcover. Condition: Very Good. Ex-library: no jacket as issued, stamps to top edge and fore edge. Clean pages and sound binding.

Softcover with dustjacket, 92 pages, very good condition; except dj has long scratch to front cover and pink marks to rear cover; no internal marks. Foreign shipping may be extra.

hardcover. Condition: As New.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Gala Performance Thursday, May 20th, 1948 Sadler's Wells Ballet Benevolent Fund on the occasion of the revival of Job. Cover decorated with scenery design by John Piper; black & white illustrations; slim stapled binding; pp. 8. Original program with slightest shelf wear.

Condition: New. 110 pages, illustrations some color.

351 pp.; 27.9 x 21.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph published in conjunction with Artists Spaces' 25 Year anniversary. Edited by Claudia Gould and Valerie Smith. Introduction by Claudia Gould. Texts by J. Abbott Miller, Trudie Grace, Irving Sandler, Joan Rosenblum, Helene Winer, Cindy Sherman, Linda Shearer, Carlos Gutierrez-Solana, Amy Wanggaard, Denise Fasanello, and Ronald Jones. Includes dozens of artists interviews. Artists include Gregg Bordowitz, Judith Barry, Connie Butler, Edit deAk, Walter Robinson, Jane Dickson, Mark Dion, Andrea Fraser, Ellen Gallagher, Ann Hamilton, Mike Kelley, Jeff Koons, Louise Lawler, Zoe Leonard, Lucy Lippard, Robert Longo, Allan McCollum, Annette Messager, Lee Mullican, Tony Oursler, Adrian Piper, Carolee Schneemann, Kiki Smith, Fred Wilson, Martha Wilson, Vito Acconci, Laurie Anderson, Janine Antoni, Joan Jonas, Elizabeth Murray, Shirin Neshat, Howardena Pindell, Richard Prince, Nan Goldin, Rita McBride, Felix Gonzalez-Torres, Barbara Kruger and many others. Endnote by Jenny Holzer. Includes director interviews, chronology of activities at artists space and artist interviews, key to the chronology, artists space services and staff, publications, and multiples histories, funders histories, and index. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condition: New.

Hardcover. Condition: new. Hardcover. This volume offers the autobiography of artist Adrian Piper (1948, New York). Established as a conceptual and minimalist artist as well as a performer on the New York art scene of the late 1960s, Piper traces in these pages - enriched with personal photographs, drawings and poems - her human and professional history."Do you want to know why I left the United States and why I refuse to return? This is why. (.) Instead the hard, stony layer of ego that separates the sprout within it from all the outer layers that surrounded it, begins to melt and disintegrate as it unravels, releasing its constricting death-grip on the tiny, now highly impacted sprout trapped inside it, allowing the sprout to inhale endlessly, to take everything into it, to expand without limit, to disperse and evaporate into everything it has ever been, everything that has ever surrounded it, everything it left behind when it began to unspool from its wrappings. Then you are really free. That is when you become the self you really are."Text in English and Italian. This volume offers the autobiography of artist Adrian Piper, established as a conceptual and minimalist artist as well as a performer on the New York art scene of the late 1960s. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. Very good paperback from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy. Some corner and edgewear, overall a nice, clean copy. Interior is free of previous owner markings. Images reproduced in color except when black-and-white in the original. Ships same or next day from Dinkytown, Minneapolis, Minnesota; due to the size/weight of this book additional shipping charges may apply.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: New. 110 pages, illustrations some color.

Trade Paperback. Condition: Very Good. Suzanne Noli (Cover Design); Adrian Piper (Cover Illustration) (illustrator). 1st Edition. 200 pp. Stated first printing of the first edition! A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Small stains on fore edge and spine.

Soft cover. Condition: Very good. No jacket. Vol. II only Spine is sunned, but readability is not impacted. Spine edges are bumped. Back cover is sunned and lightly stained, but legibility is not affected. Cover edges are worn. Cover corners are creased. Text block and inside edges are tanned, but readability is not affected. Front and back binding glue is exposed. Back page has security magnet. Pages are unmarked.

Hardcover. Condition: VG-. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. spin somewhat sunfaded.

Hardcover. Condition: VG. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. spine lightly sunfaded.

Condition: New. 110 pages, illustrations some color.

Softcover. Condition: VG. Light shelf wear. Octavo. Softcover. Illustrated wraps. 276 pages : illustrations (some color) ; 25 cm. "Published for MoMA's retrospective exhibition and in collaboration with the artist, this volume presents new critical essays that expand on Piper's practice in ways that have been previously under- or unaddressed. Focused texts by established and emerging scholars assess themes in Piper's work such as the Kantian framework that draws on her extensive philosophical studies; her unique contribution to first-generation conceptual art; the turning point in her work, in the early 1970s, from conceptual works to performance; the connection of her work with her yoga practice; her ongoing exposure of and challenge to xenophobia and sexism; and the relation between prevailing interpretations of her work and the viewers who engender them".

79 cm.; 30.5 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 20, 1991 - January 7, 1992. Essay by Robert Storr. Artists include Louise Bourgeois, Chris Burden, Sophie Calle, David Hammons, Ilya Kabakov, Bruce Nauman and Adrian Piper. Includes biography, selected exhibition history and selected bibliography for each artist. Reference : "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 77. Very Good. Moderate bumping of corners and light additional edge wear. Discrete small rubber stamp logo inside rear cover, otherwise contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

24 pp.; 21 x 14.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition guide published in conjunction with show held April 24 - September 27, 2009. Featured artists include Francis Alÿs, Robert Barry, Joseph Beuys, George Brecht, James Lee Byars, John Cage, Maurizio Cattelan, Paul Chan, Lygia Clark, Tony Conrad, Tacita Dean, Jason Dodge, Trisha Donnelly, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez-Torres, Roger Hiorns, Douglas Huebler, Pierre Huyghe, The Institute For Figuring, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Giuseppe Penone, Susan Philipsz, Anthony Phillips, Adrian Piper, Steven Pippin, Paul Ramírez Jonas, Charles Ray, Tobias Rehberger, Hannah Rickards, Arthur Russell, Michael Sailstorfer, Roman Signer, Simon Starling, John Stezaker, Mladen Stilinovic, Sturtevant, and Shomei Tomatsu. Contents include texts "Science and Art," "The Shapes of Time,"Inside Out,"The Undead," "Re-/Deccomposition," and "Doubles." Very Good. Light diagonal creasing through bottom center of publication. Contents clean and unmarked.

Hardback. Condition: New. This volume offers the autobiography of artist Adrian Piper (1948, New York). Established as a conceptual and minimalist artist as well as a performer on the New York art scene of the late 1960s, Piper traces in these pages - enriched with personal photographs, drawings and poems - her human and professional history."Do you want to know why I left the United States and why I refuse to return? This is why. (.) Instead the hard, stony layer of ego that separates the sprout within it from all the outer layers that surrounded it, begins to melt and disintegrate as it unravels, releasing its constricting death-grip on the tiny, now highly impacted sprout trapped inside it, allowing the sprout to inhale endlessly, to take everything into it, to expand without limit, to disperse and evaporate into everything it has ever been, everything that has ever surrounded it, everything it left behind when it began to unspool from its wrappings. Then you are really free. That is when you become the self you really are."Text in English and Italian.