Adcock Craig E (10 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Color illustrated white boards with black text. Unnumbered pages, some fold out illustrations. Chiefly illustrations. "Rosenquist is the only one of the hardcore pop artists to have deviated so little from his original style, but he has been ceaselessly refining and polishing it; new formal devices appear in each work. Since his first show he has acclimatized his roughly executed 'outdoor' techniques to the indoor demands of fine art, but without diminishing the impact of his overwhelmingly vulgar, often unrecognizably fragmented pop images derived from his billboard painting experience." Fair, exlibrary with stamps and stickers in rear inside cover. some signs of wear, scuff marks, moderate tears at corners and spine - all pages in excellent condition.

kart. Condition: Sehr gut. 39 S. : zahlr. Abb. Tadelloses Exemplar. / Flawless copy. - EN: Catalogue was published on the occasion of the Exhibition James Rosenquist, the Hole in the Center of Time, September 5 - October 25, 2008, Jablonka-Galerie. With a text by Craig Adcock. / James Albert Rosenquist (November 29, 1933 March 31, 2017) was an American artist and one of the proponents of the pop art movement. Drawing from his background working in sign painting, Rosenquist's pieces often explored the role of advertising and consumer culture in art and society, utilizing techniques he learned making commercial art to depict popular cultural icons and mundane everyday objects.[1] While his works have often been compared to those from other key figures of the pop art movement, such as Andy Warhol and Roy Lichtenstein, Rosenquist's pieces were unique in the way that they often employed elements of surrealism using fragments of advertisements and cultural imagery to emphasize the overwhelming nature of ads (wikipedia) ISBN 9783931354442 Sprache: Englisch Gewicht in Gramm: 342.

Hardcover. Condition: Good. ex library with library markings and attachments.

406 pp.; 22.7 x 15.2 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the work of Marcel Duchamp by Craig E. Adcock. Includes list of illustrations, notes, bibliography and Index. Illustrated in black-and-white. Fine. As New. Covers and contents clean and unmarked.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Book has a few specks of staining on top text block that are visible in photo. Jacket has mild rubbing on back only. All else is fine.

[unpaginated]; 24 x 17.8 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size 1200; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue published in conjunction with show held at Kunsthalle Basel, May 23 - July 5, 1987. A masterfully deluxe book documenting Turrell's artwork with essays by Jean-Christophe Ammann, Craig Adcock, E.C. Krupp, and Mario Diacono. Book's endpapers are topographical maps of Turrell's Roden Crater. Book designed by Klaus Baumgärtner. Additionally within the book's back cover is an envelope containing a United States Department of Interior Geological Survey map of the Roden Crater Quadrangle. Text printed by letterpress and illustrations printed by offset lithography. A truly stunning book. Fine. Contents clean and unmarked. Includes slipped in topographical map. Due to large size and weight additional shipping charges will be required for international orders.

First trade paperback printing. xxiv + 406 pp w/index. Near fine in illustrated wrappers. A volume in the "Perspective on DADA" series.

Condition: Très bon. Ann Arbor, UMI Research Press, serie "Perspective on DADA", 1983, 230x153mm, XXIV, 406pp., broché.Nombreuses illustrations, index en fin de volume.(105575).