Abu Eldahab Mai Ed (2 results)

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  • Language: English

    Published by Rotterdam, Piet Zwart Institute - Master Fine Art Willem de Kooning Academy Rotterdam University,, 2010

    Seller: Antiquariat Ulrich Heider, Köln, GermanyAntiquariat Ulrich Heider

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    Association member: VDAILAB

    Condition: Used

    £ 17.56

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    Gr.8°. Orig.-Klappbroschur. 158 S., 1 Bl. mit zahlreichen Abbildungen. Katalog zur Ausstellung von Abu ElDahab und Studenten. 500 Exemplare mit beiliegender Einladungskarte (sehr gut erhalten). Sprache: Englisch Gewicht in Gramm: 800.

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    Language: English

    Published by Brussels: Mophradat, and Berlin: Sternberg Press. Printed in Belgium, 2015

    3956791762 / 9783956791765

    • Softcover
    • First Edition

    Seller: James Payne, Books and Prints, New York City, NY, U.S.A.James Payne, Books and Prints

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    Condition: Used - Good

    £ 58.53

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    Softcover. Condition: Good Minus. First Edition. [CRITICISM]. Ed. Mai Abu ElDahab. Contributors: Federica Bueti, Malak Helmy, Francis McKee, Haytham El-Wardany, Brian Kuan Wood, et al. "Final Vocabulary: On Searching for New Languages [Arabic, English]." Brussels: Mophradat, and Berlin: Sternberg Press. Printed in Belgium, 2015. First edition. Arabic and English languages. Softcover with gray wrappers printed pink Nonfiction bilingual collection of six critical essays. 8 1/4 x 4 3/4 inches. 5 oz. 120 pp. Shelf-wear. Staining to wrappers. Front wrapper creased. Text clean. Good Minus. ISBN: 9783956791765. "Five essays that take an intimate look at what language's role is in moments of dramatic change, and how to find meaning for artistic practices in these transformative conditions. Taking its cue from the aftermath of the events of the Egyptian Revolution in 2011, 'Final Vocabulary' doesn't provide answers as much as it captures the spirit of the moment of searching in which the writers find themselves. The book was developed out of a live conversation at an event called The Informal Meeting that took place in Leuven in January 2015, where participants were asked: Our histories and references are often in a different language (abstract or actual) than we use ourselves, what tools do you think are or might be useful to help you trust your own memories and narratives? What, if anything, do you think we might borrow from art to experiment with language in different situations? In English and Arabic.".…