Abrahams Ivor (36 results)

paperback. Condition: Very Good.

First Edition. First edition. Softcover. Exhibition catalog. Text by Norbert Lynton. Includes 16 color illustrations, chronology, list of previous exhibitions and list of public collections. A fine copy in French style wrappers.

First Edition. First edition. Oblong softcover. [28 pages.]Exhibition catalog for a show that ran October 7 through November 14, 1986. Introductory text by Bryan Robertson. Includes numerous black and white illustrations, checklist, list of previous exhibitions, list of public collections, and selected bibliography. A near fine copy in stapled wrappers with some very minor wear.

Soft cover. Condition: Very Good. Abrahams, Ivor (illustrator). Binding tight and square. Pages clean and free of writing or marks BC01C/D.

Paperback. Condition: Good. Paperback. Light marks, creases and wear on covers and spine. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

Soft cover. Condition: Very Good. Catalogue of an exhibition of ceramic sculpture specially commissioned with the co-operation of the Ceramic Workshop, Edinburgh, from Ivor Abrahams, Peter Blake, Hubert Dalwood, Donald Hamilton Fraser, Nigel Hall, James Howie, Graeme Murray, Paul Neagu, Alan Smith, Merilyn Smith, and Ainslie Yule. 4 unnumbered pages, 11 unnumbered folded leaves. : illustrations, portraits ; 39 x 19 cm. Slight shelf wear to cover of folder, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.

Soft cover. Condition: Very Good. 1st Edition. 12mo.Bound in Original plain card cover. 28 pages. Interview with Bryan Robertson,Selected biography and exhibition list. 13 item catalogue, 17 b/w plates. Fine.Size 18 x 2.5 cm (7 x 9 inches).

Paperback. Condition: Very Good. First edition. 8vo. Original paper covers. Essay by Richard Shone, 8 b/w illusts, portrait, documentation. Edition of 1,000.

Soft cover. Condition: Good. 1st Edition. Sq.8vo. Original card cover. Biography, extracts from articles by Norbert Lynton and Joseph Masheck, 6 colour and 2 b/w plates and 18 b/w illusts.

Soft cover. Condition: Very Good. 1st Edition. 8vo. Original card cover. Foreward by John McEwen, 15 b/w illusts, 36 item catalogue, documentation.

Soft cover. Condition: Very Good. 1st Edition. 12mo. Original card cover. Portrait, essay by Richard ShoneI, 14 item catalogue, 4 b/w plates, documentation, Limited edition of 500 copies.

Soft cover. Condition: Very Good. 1st Edition. 12mo. Folding sheet. Documentation, 2 b/w plates.

Soft cover. Condition: Very Good. 1st Edition. Oblong 64mo. Sungle sheet Private View invitation. Central vertical fold.

Paperback. Condition: Very Good. Paperback, very good condition. Light shelf wear to the covers with very minor bumps to the corners. Internally all contents remain bright and clear. DP. Used.

Soft cover. Condition: Very Good. 1st Edition. Sq.8vo. Three panel sheet. Portrait, essay by M.S.B., note by the artist, 3 colour plates, documentation.

Illustrate Card Covers. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition; First Edition. Catalogue of an exhibition of 38 sculptures produced by Ivor Abrahams in the period 1972 - 1982. With An Introduction by the Artist. And illustrated with 20 full page Plates, 3 in colour. There is a slight vertical crease affecting all the pages, but generally a good fresh copy copy with slight wear to spine, covers & corners.; Book; Octavo.

Couverture souple. Condition: Comme neuf. exhibition at Bernard Jacobson Gallery of sculptures in bronze.

Soft cover. Condition: Very Good. 1st Edition. Sq.8vo. Original card cover. Biography, extracts from articles by Norbert Lynton and Joseph Masheck, 6 colour and 2 b/w plates and 18 b/w illusts. With transparent wrapper and felt detail to the upper cover.

Soft cover. Condition: Very Good. 1st Edition. Sq.8vo. Original card cover. Artists' notes, biography, 2 colour and 17 b/w plates, bibliography, 38 item catalogue. With the cutting 'Fine figures' by John McEwen, published in The Spectator, 20 November 1982. With the Private View invitation card.Size 23 x 21 cm (9 x 8.25 inches).

Paperback. Condition: Very Good. First edition. 4to. Original paper covers. 95 pp. Text in German and English. Edition of 1500. Forward by Mortimer Bibble, biography, bibliography, conversation with R.J.Rees, catalogue raisonné of the graphics, circa 150 colour and b/w illustrations.

loose_leaf. Condition: Ottimo (Fine). Pieghevole della 921a Mostra della Galleria del Cavallino, Venezia,  11 giugno - 11 luglio 1983. Testo dell'artista in italiano e inglese. Con un'illustrazione in bianco e nero. Attività espositiva . 8vo. pp. 4. . Ottimo (Fine). . . . Ivor Abrahams, espone per la prima volta alla Galleria One di Londra, nel 1962, con una personale in cui si evidenziano le sue tematiche artistiche, che si collocano sulla scia degli artisti pop inglesi, con i quali continuerà ad esporre per tutti gli anni Sessanta. Negli anni Settanta inizierà la sua serie di opere che hanno per oggetto i giardini inglesi (Garden). Scriverà a proposito delle sue prime esperienze artistiche lo stesso Abrahams nel 1983: "Dal 1978 in poi, mi sono allontanato del soggetto dei giardini. Da allora il mio interesse si è sclusivamente concentrato sulla figura umana. Negli anni '70 con le immagini tipiche dei girdini inglesi realizzavo la proiezione di un ideale comune, l'immagine di un desiderio. Questo aspetto riemerge nelle mie sculture più recenti. Spazi senza limite, scenari paradisiaci, figure nel paesaggio." Abrahams ha esposto in numerose prestigiose gallerie, fra cui: Richard Feigen, New York, 1970; Mappin Art Gallery, Sheffield, 1972; Kolnischer Kunstverein, Colonia, 1973; Galerien T, Amsterdam, 1974; Galerie Bonnier, Ginevra, 1975; Major Gallery, Londra, 1976; Hobson Gallery, Cambridge, 1979; betty Cunnigham Gallery, New York, 1981 e moltissime altre. Book.

Condition: Good. 8vo. 27 pp. Oblong. Soft cover. Very Good+. Illustrated paper wraps. Staple binding. B&W plates throughout. Extremely Scarce.Collection from San Francisco Museum of Modern Art.

Paperback. Condition: Good in wraps. First Edition. 17 x 24cm paperback exhibition catalogue, white card covers browned. French text with black and white reproductions.

paperback. Condition: Very Good. Environments, Skulpturen, Zeichnungen, Komplette Graaphiken. Catalogo della mostra al Kolnischer Kunstverein (8 giugno - 5 agosto 1973) e al Lijnbaab Centrum, Rotterdam (19 agosto - 16 settembre 1973). Testi in tedesco e inglese. Numerose illustrazioni in bianco e nero e a colori . cm 27x22. pp. 95. . Molto buono (Very Good). . . . Ivor Abrahams, espone per la prima volta alla Galleria One di Londra, nel 1962, con una personale in cui si evidenziano le sue tematiche artistiche, che si collocano sulla scia degli artisti pop inglesi, con i quali continuerà ad esporre per tutti gli anni Sessanta. Negli anni Settanta inizierà la sua serie di opere che hanno per oggetto i giardini inglesi (Garden). Scriverà a proposito delle sue prime esperienze artistiche lo stesso Abrahams nel 1983: "Dal 1978 in poi, mi sono allontanato del soggetto dei giardini. Da allora il mio interesse si è sclusivamente concentrato sulla figura umana. Negli anni '70 con le immagini tipiche dei girdini inglesi realizzavo la proiezione di un ideale comune, l'immagine di un desiderio. Questo aspetto riemerge nelle mie sculture più recenti. Spazi senza limite, scenari paradisiaci, figure nel paesaggio." Abrahams ha esposto in numerose prestigiose gallerie, fra cui: Richard Feigen, New York, 1970; Mappin Art Gallery, Sheffield, 1972; Kolnischer Kunstverein, Colonia, 1973; Galerien T, Amsterdam, 1974; Galerie Bonnier, Ginevra, 1975; Major Gallery, Londra, 1976; Hobson Gallery, Cambridge, 1979; betty Cunnigham Gallery, New York, 1981 e moltissime altre. Book.

95 Seiten, mit zahlreichen Abbildungen, Text dtsch., engl., illustrierter Original-Kartoneinband ca. 22 x 27 cm, schönes Exemplar.

Soft cover. Condition: Very Good. 1st Edition. Sq.8vo. Original card cover. Biography, extracts from articles by Norbert Lynton and Joseph Masheck, 6 colour and 2 b/w plates and 18 b/w illusts. With transparent wrapper and felt detail to the upper cover. Presentation inscription from Abrahams to Bernard Kay, dated Aug. 1979. Bernard Kay was born (1927) and raised in Southport where his father owned a bicycle shop. He knew that he wanted to be an artist from the age of nine and his family supported that choice. After attending the Liverpool School of Art in 1943, Bernard went to the Royal Academy School and spent a year studying drawing. In the 1950s he taught drawing and after winning a scholarship to study in Paris, he met and mixed with many of the famous artists of the Paris art scene, including Maurice Esteve and Picasso. Lydia Corbett, Picasso s "ponytail model" was a lifelong friend.While in Paris, he studied the process of aquatint etching under the pioneering artist Johnny Friedlaender. It was during this time that he travelled throughout the French countryside and collected drawings that would form the basis for his architectural landscape paintings. During his years in London he was part of the "London Scene" being friends with David Hockney, Nicky Clarke etc. He focused on large canvases in an abstract expressionist tradition, before returning to landscape paintings worked in a structured style using an earthy, muted palette.In the 1980s Bernard "migrated" to Oundle in Northamptonshire, where he lived un til his death in May 2021.

Soft cover. Condition: Very Good. 1st Edition. 8vo. Original paper wrappers. 5 b/w plates, 35 item catalogue, documentation. Presentation inscription from Abrahams to Bernard Kay, dated Oct. 1979. Bernard Kay was born (1927) and raised in Southport where his father owned a bicycle shop. He knew that he wanted to be an artist from the age of nine and his family supported that choice. After attending the Liverpool School of Art in 1943, Bernard went to the Royal Academy School and spent a year studying drawing. In the 1950s he taught drawing and after winning a scholarship to study in Paris, he met and mixed with many of the famous artists of the Paris art scene, including Maurice Esteve and Picasso. Lydia Corbett, Picasso s "ponytail model" was a lifelong friend.While in Paris, he studied the process of aquatint etching under the pioneering artist Johnny Friedlaender. It was during this time that he travelled throughout the French countryside and collected drawings that would form the basis for his architectural landscape paintings. During his years in London he was part of the "London Scene" being friends with David Hockney, Nicky Clarke etc. He focused on large canvases in an abstract expressionist tradition, before returning to landscape paintings worked in a structured style using an earthy, muted palette.In the 1980s Bernard "migrated" to Oundle in Northamptonshire, where he lived un til his death in May 2021. Signed by Author(s).

Taschenbuch. 70 Seiten Ivor Abrahams Jacobson Gallery 1990 - fast durchgängig illustriert teils mit farbigen Abbldungen, teils mit Klapptafeln SW: Skulpturen--- Zustand: innen und außen bis auf geringe Gebrauchsspuren gutes und sauberes Exemplar 738-648-L19 Sprache: Deutsch Gewicht in Gramm: 298.

Soft cover. Condition: Very Good. 1st Edition. 8vo. Original paper covers. Essay by Richard Shone, 8 b/w illusts, portrait, documentation. Edition of 1,000. With a presentation inscription from the artist to fellow artist Bernard Kay, dated Aug 1979. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. 4to. Original paper covers. 95 pp. Text in German and English. Edition of 1500. Forward by Mortimer Bibble, biography, bibliography, conversation with R.J.Rees, catalogue raisonné of the graphics, circa 150 colour and b/w illustrations. With a presentation inscription to from Abrahams to Bernard Kay. Signed by Author(s).