Abraham Haber (24 results)

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

98pgs. 17x10. Rústica.

Wrappers. Condition: Very Good. 96 pages. Paperback. Texts in Spanish. Moderate shelfwear to the edges and corners. A previous bookseller's label remains pasted to inside front cover. Else, the binding is tight, the interior clean and free of markings. Bound in stiff illustrated paper covers. Illustrated essays on the history of Argentinean painters including Antonio Berni, Eduardo Sivori, Ramón Gómez Cornet, Julio Le Parc, Luis Felipe Noé, and many others. Book.

Encuadernación de tapa blanda. Condition: Bien. 97p. Rústica, muy buen estado (M).

Encuadernación de tapa blanda. Condition: Bien. R17553. Paidos 98 pp. Exploración de la influencia de los símbolos arquetípicos en la vida histórico-social y espiritual del hombre. Contiene sellos de editorial. N. JUDAICA.

Encuadernación de tapa blanda. Condition: Bien. R17532. Paidos 98 pp. Exploración de la influencia de los símbolos arquetípicos en al vida histórico-social y espiritual del hombre. Premio literario La Nación de Argentina. N.

Encuadernación de tapa blanda. Condition: Bien. CARTULINA EDITORIAL. 97 PÁGS. C. K4.

Encuadernación de tapa blanda. Condition: Bien. M063430. Paidós - 98pp Arquetipos, historia y sociedad. In. B111067.

Buenos Aires, Paidós, Colecc. Biblioteca del Hombre Contemporáneo nº 205, 1969. 17x10 cm. 98 p. Rústica. Muy buen estado. Primera edición. (Ref. N. 119-D).

Rústica. Condition: Bien. Primera edición. Colaboradores: Julián Agosta, Alberto Delmonte, Adrián Dorado, Adolfo Nigro y Abraham Haber. Número especial de homenaje a Abraham Haber. Hojas sueltas en carpeta ilustrada. Procedimientos de montaje con fotocopias y reproducciones de imágenes. Rústica. Buen estado.

Condition: leido. Paidós, Buenos Aires, 1969. 1ª. 98 17,5 x 10,5 Rustica Biblioteca del hombre contemporáneo 205. Buen estado.

1ª. 98 Rustica Biblioteca del hombre contemporáneo 205.

Encuadernación de tapa blanda. Condition: Excelente. Textos de Raúl Lozza, Rembrandt, Van Dyck Lozza y Abraham Haber. Dibujos y reproducciones de obras de Raúl Lozza, Cézanne,Mantegna, Kandisky, , Arp, Di Salvatore, Joan Miró, Vlaminck, Beothy, Sophie Tauber-Arp, Magnellli, Rembrandt Van Dyck Lozza, Siqueiros, Van Doesburg, Botticelli. 8 pp. 40 x 29 cm. Excelente estado de conservación. SIN DOBLAR.

Encuadernación de tapa blanda. Condition: Excelente. Textos de Raúl Lozza, Rembrandt Van Dyck Lozza y Abraham Haber. Dibujos y reproducciones de obras de Raúl Lozza, Leonardo da Vinci, Kandisnky, Max Bill, Seurat, Juan gris, Joaquín Torres-García, Herbin, Magnelli, Matisse, Camile Graesser, Albert Gleizes, lerner, Van Doesburg, Moholy-Nagy, Kupka, Robert Delaunay, Giacomo Balla, Vantongerloo, Rembrandt Van Dyck Lozza, El Greco y Braque. 8 pp. 40 x 29 cm.

Encuadernación de tapa blanda. Condition: Excelente. Textos de Raúl Lozza, Rembrandt, Van Dyck Lozza y Abraham Haber. Dibujos y reproducciones de obras de Raúl Lozza, Rembrandt Van Dyck Lozza, Delacroix, Baumeister, Josef Albers, Umberto Boccioni, Max Bill, Calder, Rudolf Bauer, Robert Delaunay, Van Gogh, Signac, Kandinsky, , de Chirico, Joan Miró, Joaquín Torres-García, Herbin. 8 pp. 40 x 29 cm. Excelente estado de conservación. SIN DOBLAR.

Paperback. Condition: Near Fine. November 1951, 8 pp. Perceptismo: Teorico y Polemico Number 3 Perceptismo, Buenos Aires, Argentina, 1950-1953. 403 x 292 mm, b&w newspaper periodical edited by Raul Lozza, whose work recently featured in the major Royal Academy exhibition Radical Geometry (London, summer 2014). In 1947, Lozza was co-founder of the 'Asociación Arte Concreto Invención', one of the first realisations of abstract art within the Argentinian avant-garde; before creating his own movement, 'Perceptism', which championed the unity of form and colour. Perceptismo - the movement's journal - stands as an important concrete art periodical of the 1950s: it became a critical platform for Lozza's art-theoretical standpoint, as well as the movement's geometric works, and their relationship to the history of modern art. Other members of the movement and contributors to the periodical include Lozza's brother Rembrandt V.D. Lozza and the art critic Abraham Haber. Issue 3 (November 1951, 8 pp.): essay by Lozza ('La Neuva Estructura: De La Pintura Perceptista'), with illustrated works by Seurat, Malevich, Juan Gris, Torres-Garcia and Lozza; essay by V.D. Lozza (Raul's brother), with illustrated works by Matisse, R.Lozza, Van Doesberg and Moholy-Nagy et al; essay by Haber ('Matematica y Fisica: en la Nueva Pintura'), with illustrated works by Delauney, Moholy-Nagy, G. Balla, V.D. Lozza and Braque et al. Condition: near fine.

Paperback. Condition: Near Fine. 403 x 292 mm, b&w newspaper periodical. May 1952, 8 pp. Perceptismo: Teorico y Polemico Numbers 1,3,4,5 and 6, Perceptismo, Buenos Aires, Argentina, 1950-1953. Edited by Raul Lozza, whose work recently featured in the major Royal Academy exhibition Radical Geometry (London, summer 2014). In 1947, Lozza was co-founder of the 'Asociación Arte Concreto Invención', one of the first realisations of abstract art within the Argentinian avant-garde; before creating his own movement, 'Perceptism', which championed the unity of form and colour. Perceptismo - the movement's journal - stands as an important concrete art periodical of the 1950s: it became a critical platform for Lozza's art-theoretical standpoint, as well as the movement's geometric works, and their relationship to the history of modern art. Other members of the movement and contributors to the periodical include Lozza's brother Rembrandt V.D. Lozza and the art critic Abraham Haber. Issue 4 (May 1952, 8 pp.): front page features works by Cezanne, Lozza and Le Corbussier; essay by Lozza ('La Nueva Estructura: de la Pintura Perceptista), featuring geometric works by Kandinsky, Arp and Miro, along with works and diagrams by Lozza; essay by Haber on non-objective art; essay by V.D. Lozza ('El Perceptismo y lo Funcional'), with illustrated works by Arp, Magnelli, Lozza, Siqueiros, Van Doesburg and Botticelli. Large format extra postagemay be required. Condition: near fine.

Paperback. Condition: Near Fine. 403 x 292 mm, b&w newspaper periodical. July-August 1952, 8 pp. Perceptismo: Teorico y Polemico Numbers 1,3,4,5 and 6, Perceptismo, Buenos Aires, Argentina, 1950-1953. edited by Raul Lozza, whose work recently featured in the major Royal Academy exhibition Radical Geometry (London, summer 2014). In 1947, Lozza was co-founder of the 'Asociación Arte Concreto Invención', one of the first realisations of abstract art within the Argentinian avant-garde; before creating his own movement, 'Perceptism', which championed the unity of form and colour. Perceptismo - the movement's journal - stands as an important concrete art periodical of the 1950s: it became a critical platform for Lozza's art-theoretical standpoint, as well as the movement's geometric works, and their relationship to the history of modern art. Other members of the movement and contributors to the periodical include Lozza's brother Rembrandt V.D. Lozza and the art critic Abraham Haber. Issue 5 : essay by V.D. Lozza ('Espacio y Tiempo') featuring illustrated works by Lozza, Albers, Max Bill, Calder and V.D. Lozza et al; essay by Lozza ('La Nueva Estructura: de la Pintura Perceptista'), with illustrated works by Delauney, Lozza, Van Gogh, Signac and Kandinsky; essay by Haber ('Lo Magico y la Expresion'), featuring illustrated works by Chirico, Miro and Herbin among others. Condition: 3mm closed tear to right edge of cover page, all other pages are fine. Near fine.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. Haber, Abraham (1924-1986). "Raúl Lozza y el Perceptismo" (La evolución de la Pintura Concreta). Buenos Aires, Diálogo Editorial, 1948. Impreso en la Imprenta López. 45 páginas. Ilustrado con fotografía del artista y 15 reproducciones de obras (una de ellas en colores). Encuadernación rústica, cubierta ilustrada y con títulos a dos tintas. Primera Edición. (código 4056).

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. Haber, Abraham (1924-1986). "Raúl Lozza y el Perceptismo" La Evolución de la Pintura Concreta. Buenos Aires, Editorial Diálogo, 1948. 45 páginas. Ilustrado con fotografía del artista (por J. M. Chaure), una reproducción de obra en colores y 14 en blanco y negro. Encuadernación rústica, cubierta ilustrada y con títulos a dos tintas. Primera Edición. (código 2329).

Wrappers. Condition: Good copy. 8vo. 45 pp. 8vo; wrappers; illustrations in black and white within the text with works and writings by R. Lozza. Inscribed by Raul Lozza. First edition of the first published monograph on Perceptism by renowned art critic Abraham Haber.Within the history of art, Lozza is widely considered a key figure in the avant-garde movements of the 1940s. The aesthetic tenets of Perceptism propose, among other things, to transcend all existing traditions within the framework of abstract art. Raúl Lozza, who has understood and assimilated the importance of Malevich's contributions, attempts to provide continuity with his work. (R16G67).

[1] pp.; 71 x 55.2 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with the series of actions of "Street Works IV" opening held October 2, 1969 featuring all eleven artists and continuing through various locations through October 25, 1969. Coordinated by Hannah Weiner, Marjorie Strider and John Perreault. Artists included Vito Acconci, Arakawa, Scott Burton, Eduardo Costa, Stephen Kaltenbach, Les Levine, Abraham Lubelski, Bernadette Meyer, John Perreault, Marjorie Strider and Hannah Weiner. Poster incorporates photograph by Ira Joel Haber. Very Good. Unmailed copy folded in nine as issued. Very light discoloration of verso edges when folded. Closure seal broken. Otherwise clean and unmarked.

Sin Encuadernar. Condition: Bien. 1ª Edición. Municipalidad de la Ciudad de Buenos Aires, Buenos Aires, 1960. 1ª Edición. Tríptico de 20x30. (Esta exposición colectiva de arte no figurativo se realizó en el taller del artista Raúl Lozza y fue auspiciada por el Museo de Arte Moderno de Buenos Aires, dirigido por Rafael Squirru).

Affiche. New York, The Architectural League of New York, octobre 1969, feuille 710x752mm, impression offset en vert sur papier jaune, pliée au format 185x235mm pour envoi postal, sur une photographie de Ira Haber. Affiche annonçant une série d'actions exécutées dans divers lieux de New York par les artistes Vito Acconci, Arakawa, Scott Burton, Eduardo Costa, Stephen Kaltenbach, Les Levine, Abraham Lubelski, Bernadette Meyer, John Perreault, Marjorie Strider et Hannah Weiner Coordonné par Hannah Weiner, Marjorie Strider et John Perreault.(102121).