Abbott Katherine Smith (9 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Abbott, Katherine Smith, 1965-. The art of devotion. Panel painting in Early Renaissance Italy. Middlebury College Museum of Art, 2009, 112pp., sewn PAPERBACK, very good, previous owner's name. Catalogue published in conjunction with the exhibition The Art of Devotion: Panel Painting in Early Renaissance Italy, on view at the Middlebury College Museum of Art, 2009. ISBN 9781928825067.…

Paperback. Condition: Very Good. No Jacket. This book is in very good condition with tight binding and clean text. There is slight edge wear and a slight bend in book. Size: 4to - over 9¾" - 12" tall.

Softcover. Condition: Fine. First Edition. Softcover exhibition catalogue in Fine, As New condition. First edition. Published in conjunction with a show of the same name that launched at Middlebury College Museum of Art and traveled to Mount Holyoke College Museum of Art. Unblemished cover and text pages. Color Illustrations throughout. Large 8vo. 112 pp. including a Select Bibliography.…

Paperback. Condition: NF. Glossy, color-illus. wraps with red spine lettering. Gold end papers. 112 pp. with color images throughout. Catalogue from the exhibition of 2009. Includes the catalogue of 16 works, fully-described, and pictured in color. With an introduction, 3 scholarly essays and a bibliography. A sumptuous catalogue.…

Soft cover. Condition: Very Good. Some markings to softcovers from general shelf wear but overall a very good, clean copy. Binding tight, all contents clean and bright/straight. NO scribbles/inscriptions of any kind.

Paperback. Condition: New.

Paperback. Condition: Brand New. 317 pages. 11.90x9.00x1.00 inches. In Stock.

Paperback. Condition: New. At heart a collaborative venture, the creation of early fifteenth-century panel paintings in Italy depended upon a tight network of connections between patrons, painters, woodworkers, and gilders. The product of these interactions was an object that served both as a focus for devotion, and as an emphatic statement about wealth and status. This exhibition catalogue illustrates works in ten different collections and explores how these objects were made and what they reveal to us about those who produced and owned them. Featuring artists such as Giovanni del Biondo, Giovanni dal Ponte, Gentile da Fabriano, and Lippo d'Andrea, the catalogue essays and entries explore the ways in which these works--often described as "conservative," or "late Gothic," offer a more authentic view of the early Renaissance, one that balances our notion of a time and place characterized solely by departures from tradition.…