Matthew Barney; Nancy Spector (29 results)

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  • Condition: Used - Fair

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    Condition: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

  • Condition: Used - Good

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    Condition: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Condition: Used - Good

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    Condition: Good. illustrated edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Condition: Used - Good

    £ 12.30

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    hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

  • Language: English

    Published by Gladstone Gallery November 2016, 2016

    0300223692 / 9780300223699

    • Hardcover

    Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls

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    Condition: New

    £ 19.22

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    Hardcover. Condition: New. Celebrated for works blending performance, video, and sculpture, Matthew Barney has created complex narratives that emerge across series since his earliest exhibitions. 'Matthew Barney: OTTO Trilogy' is the first book to trace the progression of three significant early projects 'Facility of INCLINE, Facility of DECLINE, 'and' OTTOshaft ' and to reveal the narrative system that links them. Titled after former football player Jim Otto, the series explores the training, discipline, and physical limits of the body alongside questions of sexual difference and desire. Featuring an illuminating introduction by Nancy Spector; an essay by Maggie Nelson on the works exploration of psychology, bodies, image-making, narrative, and abstraction; and a new text by the artist, this generously illustrated volume includes previously unpublished artist s sketches, behind-the-scenes photographs, research material, and video stills. It is the definitive publication on this important series, and offers a key to understanding many of the themes that thread throughout Barney s oeuvre.' A generously illustrated look at the intricate narrative threads of three of the artist s earliest works, and their continued resonance today' BEAUTIFUL COPY!!.

  • Language: English

    Published by Guggenheim Museum, NY, 2003

    0892072695 / 9780892072699

    • Hardcover

    Seller: Browsing Is Arousing, Middlebury, VT, U.S.A.Browsing Is Arousing

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    Condition: Used - Very good

    £ 23.07

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    Condition: Very Good. Hardcover, 228 pages. During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, others. Record # 362307.

  • Language: English

    Published by Gladstone Gallery and Yale University Press, 2016

    0300223692 / 9780300223699

    • Hardcover

    Seller: ANARTIST, New York, NY, U.S.A.ANARTIST

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    Condition: Used

    £ 38.45

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    Hardcover without dustjacket as issued, 198 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

  • Condition: New

    £ 50.74

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    Condition: New. Satisfaction Guaranteed or your money back.

  • Language: English

    Published by Guggenheim Museum, Berlin, 2006

    0892073551 / 9780892073559

    • Softcover
    • First Edition

    Seller: Antiquariaat Digitalis, Amsterdam, NetherlandsAntiquariaat Digitalis

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    Condition: Used - Near fine

    £ 17.66

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    Soft cover. Condition: Near Fine. 1st Edition. Integral bound cloth covered wrappers, 164p, illustrations (chiefly color), 25 cm. Very good/fine, unmarked, light age-toning to page-edges.

  • Condition: New

    £ 68.08

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    hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

  • Language: English

    Published by Other Distribution, 2016

    0300223692 / 9780300223699

    • Hardcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Condition: New

    £ 67.83

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    Hardcover. Condition: Brand New. 193 pages. 8.50x12.00x1.00 inches. In Stock.

  • Language: English

    Published by Guggenheim Museum Publications, 2002

    0810969351 / 9780810969353

    • Hardcover

    Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.Powell's Bookstores Chicago, ABAA

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    Association member: ABAAILAB

    Condition: Used

    £ 175.32

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    Hardcover. Condition: Used-Very Good. dj. Cloth, dj. Large quarto. 522 numbered pages. Clear jacket with black and green lettering at front. A nice copy with sound binding, clean internals and pristine images. Some external wear present. Rippling to jacket down spine, with small fray at head; additional rippling along edges of panels, occasionally extending to center. Some scuffing. Open tear in rear flap along fore-edge, with slight foxing which occasionally extends to pastedown. Light soiling and discoloration along bottom edge of front and rear boards, with scuffing and attendant discoloration along top edge of rear board. Spine slightly rolled. Else fine. As noted above, an internally bright, clean copy.

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    Language: English

    Published by Guggenheim Museum, New York, 2002

    0810969351 / 9780810969353

    • Hardcover
    • First Edition

    Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.Jeff Hirsch Books, ABAA

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    Condition: Used

    £ 192.24

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    dj. First Edition. First edition and first printing. Hardcover. 522 pages. Massive exhibition catalog for a show that ran June 6 through September 1, 2002 in Cologne, October 10, 2002 through January 5, 2003 in Paris and finally February 21 through June 4, 2003 in New York. Features an essay by Nancy Spector and with "The Cremaster Glossary" by Neville Wakefield. Includes numerous color and black and white illustrations. A near fine copy with some of the inevitable pulling to the spine due to the size and weight of the book and with some other very minor wear and in a near fine printed acetate dust jacket that has some light rubbing. An attractive production. This is a heavy and oversized book and will require extra shipping.

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    Language: English

    Published by Guggenheim Museum Publications, 2002

    0810969351 / 9780810969353

    • Hardcover
    • First Edition

    Seller: Outer Print, Richmond, VA, U.S.A.Outer Print

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    Condition: Used - Very good

    £ 211.46

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    Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Very Good hardcover in a Very Good dust jacket. Overall a bright and attractive copy. First Edition, First Printing with no other printings noted. Small stain on the rear panel of the book, otherwise no signs of wear or aging to the book. The vellum dust jacket is warped along the spine. Illustrated throughout. The binding is square and tight. Reading ribbon bound in. 529 pp.

  • Language: English

    Published by The Guggenheim Museum, New York, 2002

    0810939592 / 9780810939592

    • Hardcover
    • First Edition

    Seller: Orpheus Books, Edmonds, WA, U.S.A.Orpheus Books

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    Condition: Used - Fine

    £ 307.58

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    Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition / First printing. First issue without the notice of the Hugo Boss sponsorship on the copyright page; later printings printed this sponsorship notice. Silvery pale gray cloth. xv, 522 pages. Very fine in very fine dust jacket. A beautiful copy. Please note: This is not available for international orders. The definitive work on Barney's acclaimed cycle of films. Matthew Barney (illustrator).

  • Language: English

    Published by Guggenheim Museum, New York, NY, 2002

    0810969351 / 9780810969353

    • Hardcover

    Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.Mullen Books, ABAA

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    Condition: Used

    £ 384.48

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    Hardcover. Transparent dustjacket with lettering, white boards with silver illustrations on both covers, lettering on spine. xv, (3) 4-522 pp. features many full color illustrations. CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore as well as its more recent incarnation as host to the Tourist Trophy motorcycle race. When total descension is finally attained in CREMASTER 5 (1997), it is envisioned as a tragic love story set in the romantic dreamscape of late-nineteenth-Century Budapest. The film is cast in the shape of a lyric opera. Biological metaphors shifted form to inhabit emotional states - longing and despair - that become musical leitmotivs in the orchestral score. The opera's primary characters - the Queen of Chain (played by Ursula Andress) and her Diva, Magician, and Giant (all played by Barney) - enact collectively the final release promised by the project as a whole. VG. Light rippling to plastic jacket, otherwise like new.

  • Language: English

    Published by Solomon R Guggenheim Museum, 2002

    0892072849 / 9780892072842

    • Hardcover
    • First Edition

    Seller: A&M Bookstore / artecontemporanea, Milano, MI, ItalyA&M Bookstore / artecontemporanea

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    Condition: New

    £ 353.29

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    Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. "The definitive user's guide and then some to Matthew Barney's epic five-part epic film series, The Cremaster Cycle is filled with hundreds of Barney's fantastical images and surveys the project, which uses the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's "Cremaster Glossary" illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published." Text: Spector Nancy . cm 23,7X32; pp. 530; 725 COL; hardcover. New, still in its shrinkwrap.

  • Language: English

    Published by Guggenheim Museum, 2004

    0892072849 / 9780892072842

    • Hardcover

    Seller: MIR, Henderson, NV, U.S.A.MIR

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    Condition: New

    £ 461.37

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    Hardcover. Condition: New. New in wraps.

  • Language: English

    Published by The Guggenheim Museum, 2002

    0810969351 / 9780810969353

    • Hardcover
    • First Edition
    • Signed

    Seller: Book_Mob, Santa Clarita, CA, U.S.A.Book_Mob

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    Condition: Used

    £ 768.96

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    hardcover. Condition: Collectible; Like New. First Edition. SIGNED on title page by Matthew Barney. With essays by Nancy Spector and Neville Wakefield. Text in English. Published on the occasion of the exhibitions in Cologne, Paris and New York, 2002 - 2003. ; Tight, clean and crisp. No inscriptions. Not ex-library. An excellent copy. Signed.

  • Language: English

    Published by Gallery, 2016

    0300223692 / 9780300223699

    • Hardcover

    Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

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    Condition: New

    £ 1,519.46

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    Hardcover. Condition: New.

  • Language: English

    Published by Museum; Et Al, 2007

    0892073551 / 9780892073559

    • Softcover

    Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

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    Paperback. Condition: New. All in the Present Must Be Transformed: Matthew Barney and Joseph Beuys examines key affinities between these two seminal twentieth-century artists, who, though separated by generation and geography, share many aesthetic and conceptual concerns. Published in conjunction with the exhibition at the Deutsche Guggenheim, Berlin, it focuses on the two artists' metaphoric use of materials, their interest in metamorphosis, their employment of narrative structures and the relationship between action and documentation in their work. The exhibition, whose content is drawn largely from the Guggenheim's substantial permanent collection, pairs a selection of drawings and vitrines by both artists, as well as Barney's multipart sculpture, "Chrysler Imperial" (2002) from Cremaster 3, with Beuys' installation "Terremoto" (1981). The book examines the performative side of both artists' practices, as evidenced by the way each has theatricalized his own sculptural production. In addition, it documents both artists' one-person exhibitions at the Solomon R. Guggenheim Museum in New York and includes an extensive selection of drawings and key comparative works.

  • Published by Guggenheim Museum 2002, 2002

    • Hardcover

    Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New ZealandHard to Find Books NZ (Internet) Ltd.

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    Condition: Used

    £ 132.03

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    Folio, grey cloth boards, blind stamped and printed gilt silver decorations to front board, stamped gilt and dark grey lettering to spine, stepped chapter tabs to page fore-edges, illus prelims, illus terminals, 522pp, illus/photos, VG+, in plastic lettered transparent d/w, VG+ (photos available on request).

  • Published by Guggenheim Museum, New York, 2002

    • Softcover
    • First Edition

    Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB

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    Condition: Used - Fine

    £ 192.24

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    paperback. Condition: fine. Many photographic illustrations. Tall 4to, stiff embossed white silk wrappers. New York: Guggenheinm Museum, 2002. A fine copy, as new in the original shrinkwrap. Matthew Barney (illustrator).

  • Published by Guggenheim Museum, New York, 2002

    • Hardcover

    Seller: White Raven Books, Ypsilanti, MI, U.S.A.White Raven Books

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    Condition: Used - Fine

    £ 249.91

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    Hardcover. Condition: Fine. Signed by the Artist in black marker on the title page; Cream cloth, silver & black spine title, covers decoration, plastic dust jacket with green & black cover title, pale green endpapers / pastedown + 3.5 illustrated feps marching fore & aft, moderately bizarre illustrations in color throughout, & white satin page marker; A fine copy in a fine dust jacket; 523 pages. Matthew Barney (illustrator).

  • Language: German

    Published by Hatje Cantz Verlag, 2002

    3775711708 / 9783775711708

    • Hardcover

    Seller: book-link, Nufringen, BW, Germanybook-link

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    Condition: Used - Fine

    £ 89.74

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    hardcover. Condition: Sehr gut. Seiten; *** Top Zustand! M25-09-XX-CC-05-VG Sprache: Deutsch Gewicht in Gramm: 8.

  • Condition: Used - Very good

    £ 203.06

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    Hardcover. Condition: gut. 2002. Ausstellungskataloge Kunst Guggenheim Museum New York Installation Künstler Museen Musee d'Art Moderne de la Ville de Paris Museum Ludwig Köln Matthew Barney ist zu Recht der "Erzähler des Schöpfungskultes" genannt worden, denn seine extrem assoziativen Arbeiten thematisieren durchgängig die menschliche Reproduktion und den künstlerischen Schaffensakt. Barney selbst hat nach eigener Aussage sein Körper "immer als Instrument und Werkzeug gedient". In seiner Kunst beobachtet er dieses Phänomen und hinterfragt die Instrumentalisierung eines nicht zuletzt auch selbst erschaffenen Körpers. Immer wieder zeigt Barney in seinen sezierenden, fremd und unterkühlt wirkenden Bilderwelten und doch poetischen und humorvollen Filmen deren absolute Ausrichtung auf Leistung und Perfektion. In deutscher Sprache. pages. 32,8 x 24 x 6,2 cm.

  • Language: German

    Published by Hatje Cantz Verlag, 2002

    3775711708 / 9783775711708

    • Hardcover

    Seller: Mispah books, Redhill, SURRE, United KingdomMispah books

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    Condition: Used - Very good

    £ 253.00

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    hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

  • Language: German

    Published by Hatje Cantz Verlag, 2002

    3775711708 / 9783775711708

    • Hardcover

    Seller: Widney Manor Books, solihull, MIDLA, United KingdomWidney Manor Books

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    Condition: New

    £ 350.00

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    Hardcover. Condition: New.

  • Language: Italian

    Published by Guggenheim Museum Publications, 2002

    0892072849 / 9780892072842

    • Hardcover

    Seller: Apeiron Book Service, Sant'Oreste, RM, ItalyApeiron Book Service

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    £ 397.37

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    Rilegato. Condition: nuovo. Brand New Mint Copy. In origional shrinkwrap. The definitive user's guide and then some to Matthew Barney's epic five-part epic film series, The Cremaster Cycle is filled with hundreds of Barney's fantastical images and surveys the project, which uses the biological model of sexual difference as its conceptual departure point. Three essays by Barney experts articulate the series' diverse themes and explore the artist's innovative aesthetic vocabulary; interviews with key collaborators, a composer, costume designer, make-up artist, technicians and actors reveal his working process. A trailblazing essay by Curator of Contemporary Art Nancy Spector charts Barney's work from the 1990s to the present and provides critical insights into the aesthetic vocabulary of his five Cremaster films, while Neville Wakefield's Cremaster Glossary illuminates the films' most far-flung references with citations from sources as diverse as Freud's psychoanalytic studies, Mormon law and lore, and hardcore music fanzines. In addition to stills from the five films--including the final episode, Cremaster 3--the book features related sculptures, photographs, drawings and storyboards. For anyone intrigued by the Wagner of contemporary art, this is an atlas to his enticingly hypnotic worlds. Barney himself collaborated on all aspects of this extraordinary publication, including the selection of over 700 images, most of them never before published., Ill. bn: --, Ill. colori: Fully Illustrated in colour, Peso: 3810 gr.